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Landscape of Torrelodones
Oil on canvas. 1891
Beruete, Aureliano de
Landscape of Torrelodones
Oil on canvas. 1891
Beruete, Aureliano de

Landscape, El Pardo
Oil on cardboard on panel. 1910 - 1911
Beruete, Aureliano de
Landscape, El Pardo
Oil on cardboard on panel. 1910 - 1911
Beruete, Aureliano de

View of Madrid from the Meadow of San Isidro
Oil on canvas. 1909
Beruete, Aureliano de
View of Madrid from the Meadow of San Isidro
Oil on canvas. 1909
Beruete, Aureliano de

Beruete’s works often depict the outskirts of Madrid, where he habitually lived between November and June. Besides his views of the Guadarrama from el Plantío de los Infantes -the country estate belonging to his wife- he also frequently painted views of the city from the southeast, which he could easily reach from his house at number 15, calle Génova. Those settings were the most agr

Bellas Vistas District (Madrid)
Oil on canvas. 1906
Beruete, Aureliano de
Bellas Vistas District (Madrid)
Oil on canvas. 1906
Beruete, Aureliano de

Aureliano de Beruete was the most prominent landscape artist of his generation. He would select the settings for his paintings with great care and often featured the Sierra de Guadarrama, which was the subject of numerous works by him, including The wall of El Pardo (P4243). He likewise paid significant attention to capturing what was characteristic of the deep historical roots of the old cities o

The Banks of the Manzanares River
Oil on canvas. 1877 - 1878
Beruete, Aureliano de
The Banks of the Manzanares River
Oil on canvas. 1877 - 1878
Beruete, Aureliano de

A landscape on the banks of the Manzanares River with the skyline of Madrid in the background. Some of the city´s most significant buildings can be identified, including the dome of San Francisco el Grande. A man with a group of cows is visible in the foreground. The palette of dark earth tones and the type of brushstrokes show how Beruete was influenced —especially here— by his teacher, Carlos de

Landscape
Oil on canvas. Ca. 1910
Beruete, Aureliano de
Landscape
Oil on canvas. Ca. 1910
Beruete, Aureliano de

The Church of San Francisco from the Banks of the Manzanares
Oil on canvas. 1907
Beruete, Aureliano de
The Church of San Francisco from the Banks of the Manzanares
Oil on canvas. 1907
Beruete, Aureliano de

Tiene también como título Orillas del Manzanares. Madrid.

Cuenca from Patio del Cuarterón
Oil on canvas. 1910
Beruete, Aureliano de
Cuenca from Patio del Cuarterón
Oil on canvas. 1910
Beruete, Aureliano de

In this beautiful panoramic view of the buildings overlooking the Huécar canyon at Cuenca, taken from the Puente de San Pablo or nearby, Beruete achieved the perfect blend of topography and history that he always sought in his compositions. In this “snapshot” view, the clear air is conveyed by pure colours.

La Casa del Sordo
Oil on canvas. 1907
Beruete, Aureliano de
La Casa del Sordo
Oil on canvas. 1907
Beruete, Aureliano de

Otros títulos: La casa de Goya. Vista del Palacio Real. Se representa la Casa del Sordo, Madrid. Finca y casa de campo que fuera habitada por el pintor Francisco de Goya, situada en las afueras de la ciudad, en la margen derecha del río Manzanares, cerca del puente de Segovia y en el arranque del camino a la ermita de San Isidro.

The Guadarrama from the Plantío de los Infantes
Oil on canvas. 1910
Beruete, Aureliano de
The Guadarrama from the Plantío de los Infantes
Oil on canvas. 1910
Beruete, Aureliano de

Madrid´s massive mountain range, the Sierra Madrileña, is depicted by Beruete from the outskirts of Madrid. This natural element was the painter´s favorite for his mountain landscapes. The work shows how this natural space was reclaimed as an axis for the regenerationalist politics that filled public life at the turn of the ninteenth to twentieth centuries. Understood as “the backbone of Sp

The Guadarrama
Oil on canvas. 1911
Beruete, Aureliano de
The Guadarrama
Oil on canvas. 1911
Beruete, Aureliano de

The snow-capped Sierra de Guadarrama is in the background, with fields of trees in the foreground. The technique combines short brushstrokes applied with a large amount of paint, capturing the variation of the light according to whether it is reflected by the snow or by the treetops. The highly horizontal composition is barely altered by the verticality of the trees. This painting was donated to t

Winter Landscape (Madrid)
Oil on canvas. 1911
Beruete, Aureliano de
Winter Landscape (Madrid)
Oil on canvas. 1911
Beruete, Aureliano de

Trees acquired particular importance in Beruete’s late works. In this canvas the poplars are outlined against the sky and the background wood. The short, heavily charged brushstrokes of ochre and yellow tones contrast with the green ones in the foreground, their length emphasizing the line of the river.

The Banks of the Manzanares in the Fall
Oil on canvas. 1910
Beruete, Aureliano de
The Banks of the Manzanares in the Fall
Oil on canvas. 1910
Beruete, Aureliano de

While Beruete’s landscapes are generally wide and open, he occasionally painted more secluded ones, like this bend in the Manzanares River on the outskirts of Madrid. This is not a rigorous wooded landscape, as it is somewhat more capacious, but the closeness of the river’s water around the ridge bearing the tree in the foreground is striking.During this final period of the artist’s life, he emplo

View of Madrid from the River Manzanares
Oil on canvas. 1908
Beruete, Aureliano de
View of Madrid from the River Manzanares
Oil on canvas. 1908
Beruete, Aureliano de

This painting is an example of Beruete´s paintings of scenes from around Madrid, many of which have the Manzanares river as their protagonist. While water occupies more than half of the canvas, the city is recognizable at the top. The huge volume of the Royal palace is visible, along with the red silhouette of the steeple of the New Church of Santa Cruz and the domes of other churches, such as San

The wall of El Pardo
Oil on canvas. 1911
Beruete, Aureliano de
The wall of El Pardo
Oil on canvas. 1911
Beruete, Aureliano de

Though it had been painted by many landscape artists since the middle of the nineteenth century, Aureliano de Beruete made the Sierra de Guadarrama mountain range his primary subject, from the beginning of his career to the end. For him, these mountains north of Madrid represented the backbone of Spain, structuring the two central regions that flank it to the north and south: the tablelands of Old

Las huertas (Cuenca)
Oil on canvas. 1910
Beruete, Aureliano de
Las huertas (Cuenca)
Oil on canvas. 1910
Beruete, Aureliano de

During his visit to Cuenca in the summer of 1910 Beruete particularly focused on this part of the city, which overlooks the river Huécar. The very low viewpoint allowed the artist to show the fertile nature of this area of market gardens and also emphasise the uniqueness of the city’s architecture, with the monastery of San Pablo standing out on the left.

Grindelwald
Oil on canvas. 1907
Beruete, Aureliano de
Grindelwald
Oil on canvas. 1907
Beruete, Aureliano de

In the summers of 1905 to 1907 Aureliano de Beruete painted the landscape of the Alps. From the Swiss village of Grindelwald he climbed up to the Kleine Scheidegg pass by Mount Eiger where he painted from life. His rapid technique of broad brushstrokes and his ability to capture the local colour that tints the snow reveal an original interpretation of Impressionist pictorial devices.

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