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Saint Anthony Abbot and Saint Paul the Hermit
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Blanchard, Pharamond; Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Saint Anthony Abbot and Saint Paul the Hermit
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Blanchard, Pharamond; Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproduction of prints of paintings from the Royal Collections and its early projects were carried out by Francisco de Goya, who reproduced some of Velázquez’s paintings in 1778, and by Juan Barcel&oacut

Saint Anthony Abbot and Saint Paul the Hermit
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Blanchard, Pharamond; Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
Saint Anthony Abbot and Saint Paul the Hermit
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Blanchard, Pharamond; Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

Es una litografía, sin encuadernar, de Pharamond Blanchard que reproduce el lienzo del mismo título de Diego Rodríguez de Silva y Velázquez conservado en el Museo Nacional del Prado (P01169). Esta estampa se entregaba con el cuadernillo XXXVIII acompañado de un texto explicativo de Juan Agustín Ceán Bermúdez. Iba encuadernada en el tomo I de la serie dirigida por José de Madrazo, Colección lithogr

Landscape with hunters
Crayon lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Blanchard, Pharamond; Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Landscape with hunters
Crayon lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Blanchard, Pharamond; Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproduction of prints of paintings from the Royal Collections and its early projects were carried out by Francisco de Goya, who reproduced some of Velázquez’s paintings in 1778, and by Juan Barcel&oacut

Landscape with hunters
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Blanchard, Pharamond; Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
Landscape with hunters
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Blanchard, Pharamond; Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproduction of prints of paintings from the Royal Collections and its early projects were carried out by Francisco de Goya, who reproduced some of Velázquez’s paintings in 1778, and by Juan Barcel&oacut

The Tempest
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Blanchard, Pharamond; Dughet, Gaspard (Author Of The Original Work); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
The Tempest
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Blanchard, Pharamond; Dughet, Gaspard (Author Of The Original Work); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproduction of prints of paintings from the Royal Collections and its early projects were carried out by Francisco de Goya, who reproduced some of Velázquez’s paintings in 1778, and by Juan Barcel&oacut

Taking the Cattle out
Crayon lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Blanchard, Pharamond; Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Taking the Cattle out
Crayon lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Blanchard, Pharamond; Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproduction of prints of paintings from the Royal Collections and its early projects were carried out by Francisco de Goya, who reproduced some of Velázquez’s paintings in 1778, and by Juan Barcel&oacut

Taking the Cattle out
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Blanchard, Pharamond; Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Taking the Cattle out
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Blanchard, Pharamond; Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproduction of prints of paintings from the Royal Collections and its early projects were carried out by Francisco de Goya, who reproduced some of Velázquez’s paintings in 1778, and by Juan Barcel&oacut

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