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Scenes from a Last Judgement
Pencil, Pencil ground, Red chalk, Grey-brown ink, Wash on yellow paper. Last quarter of the XVI century
Boscoli, Andrea (Attributed To)
Scenes from a Last Judgement
Pencil, Pencil ground, Red chalk, Grey-brown ink, Wash on yellow paper. Last quarter of the XVI century
Boscoli, Andrea (Attributed To)

The composition of the Prado drawing requires some explanation because of the smallness of scale of the numerous figures in relation to the overall size of the paper. Above ground level, in the left-hand section of the design, saved souls awake from the dead. As they emerge from the earth, their skeletons grow flesh, and it is as perfectly formed humans, many with their heads and hands raised in w

Design for a compartment: four figures bringing a deer to sacrifice on a fire on which a bull is burning
Pencil, Grey-brown ink, White lead, Wash on tinted paper. Second half of the XVI century
Boscoli, Andrea (Attributed To)
Design for a compartment: four figures bringing a deer to sacrifice on a fire on which a bull is burning
Pencil, Grey-brown ink, White lead, Wash on tinted paper. Second half of the XVI century
Boscoli, Andrea (Attributed To)

The drawing is surely by a sixteenth-century Florentine artist, as is shown by its similarity in handling and technique to The age of gold by Jacopo Zucchi (1541-1589/90) in the Paul Getty Museum, Los Angeles (inv. no. 84.GG.22)

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