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Joseph appears on the right, on horseback. On the left his brothers conspire to throw him into the well (Genesis, XXXVII, 17-21). This belongs to a series of six paintings on the story of Jacob’s favo [+]
Sumptuously dressed, Joseph rides in a carriage pulled by two palace servants as the Egyptians pay homage to him. In the background, a landscape with buildings includes one that is round. This belongs [+]
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Joseph is shown fleeing Putifar’s wife. In the background, he is in prison, explaining his dreams to the Pharaoh’s cup-bearer and baker (Genesis XXXVII, 11 and 12). This belongs to a series of six pai [+]
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A caravan of Ishmaelites on its way to Egypt buy Joseph from his brothers. In that sense, Joseph foreshadows the Messiah as an object of envy betrayed by his brothers. This belongs to a series of six [+]
In the background, the child prophesies the fat and starving cattle that represent the years of abundance and famine that would come to pass (Genesis, XLI, 14 ff.). This belongs to a series of six pai [+]
The figure depicted here is recognizable as Saint John the Baptist by his clothing, the lamb that accompanies him, the cross with its banner, the stream running at his feet and the shell with water al [+]
Joseph, seated on the left, passes judgment on his brothers, who had betrayed him and whom he pretends not to understand, hence the presence of the translator next to him. He orders the imprisonment o [+]
All parts of this extraordinarily meticulous work are related to each other from a formal and iconographic standpoint. The Virgin appears in the foreground, where she occupies a considerable portion o [+]
Dibujo en el que se representa al santo en pie, caminando de perfil hacia la derecha, con el cáliz de donde sale el dragón, en la izquierda.Parece formar parte de una serie de Apóstoles, como los que [+]
La Virgen en pie, a la izquierda, coloca con la ayuda de un ángel mancebo, la casulla a San Ildefonso, arrodillado a sus pies. Encima ángeles con la mitra, el báculo y la cruz, atributos episcopales d [+]
El Santo, en pie, recostado en un grueso tronco, mira al espectador y sostiene con la mano derecha un grueso libro y con la izquierda la espada. En la misma hoja encontramos un estudio de rostro de an [+]
