The itinerary <em>TITULORECORRIDO</em> has been successfully created. Now you can add in works from the Collection browser
<em>TITULOOBRA</em> added to <em>TITULORECORRIDO</em> itinerary

Search

Explore the collection

Refine results
13 results
Joseph and His Brothers
Oil on canvas. 1655 - 1660
Castillo Saavedra, Antonio del
Joseph and His Brothers
Oil on canvas. 1655 - 1660
Castillo Saavedra, Antonio del

The painting belongs to a series of six paintings on the story of Jacob’s favorite son, Joseph, (P000951, P000952, P000953, P000954, P000955, P000956) by Antonio del Castillo (1616-1668), the leading figure within Baroque painting in Córdoba. Castillo was among the artists to introduce landscape painting into Andalusia, as evident in these scenes in which the natural setting acquires notabl

Joseph’s Triumph in Egypt
Oil on canvas. 1655 - 1660
Castillo Saavedra, Antonio del
Joseph’s Triumph in Egypt
Oil on canvas. 1655 - 1660
Castillo Saavedra, Antonio del

The painting belongs to a series of six paintings on the story of Jacob’s favorite son, Joseph, (P000951, P000952, P000953, P000954, P000955, P000956) by Antonio del Castillo (1616-1668), the leading figure within Baroque painting in Córdoba. Castillo was among the artists to introduce landscape painting into Andalusia, as evident in these scenes in which the natural setting acquires notabl

Saint Jerome
Oil on canvas. 1635
Castillo Saavedra, Antonio del
Saint Jerome
Oil on canvas. 1635
Castillo Saavedra, Antonio del

Joseph’s Chastity
Oil on canvas. 1655 - 1660
Castillo Saavedra, Antonio del
Joseph’s Chastity
Oil on canvas. 1655 - 1660
Castillo Saavedra, Antonio del

The painting belongs to a series of six paintings on the story of Jacob’s favorite son, Joseph, (P000951, P000952, P000953, P000954, P000955, P000956) by Antonio del Castillo (1616-1668), the leading figure within Baroque painting in Córdoba. Castillo was among the artists to introduce landscape painting into Andalusia, as evident in these scenes in which the natural setting acquires notabl

The Adoration of the Shepherds
Oil on canvas. XVII century
Castillo Saavedra, Antonio del
The Adoration of the Shepherds
Oil on canvas. XVII century
Castillo Saavedra, Antonio del

Joseph sold by his Brothers
Oil on canvas. 1655 - 1660
Castillo Saavedra, Antonio del
Joseph sold by his Brothers
Oil on canvas. 1655 - 1660
Castillo Saavedra, Antonio del

The painting belongs to a series of six paintings on the story of Jacob’s favorite son, Joseph, (P000951, P000952, P000953, P000954, P000955, P000956) by Antonio del Castillo (1616-1668), the leading figure within Baroque painting in Córdoba. Castillo was among the artists to introduce landscape painting into Andalusia, as evident in these scenes in which the natural setting acquires notabl

Joseph Explains the Pharaoh’s Dreams
Oil on canvas. 1655 - 1660
Castillo Saavedra, Antonio del
Joseph Explains the Pharaoh’s Dreams
Oil on canvas. 1655 - 1660
Castillo Saavedra, Antonio del

The painting belongs to a series of six paintings on the story of Jacob’s favorite son, Joseph, (P000951, P000952, P000953, P000954, P000955, P000956) by Antonio del Castillo (1616-1668), the leading figure within Baroque painting in Córdoba. Castillo was among the artists to introduce landscape painting into Andalusia, as evident in these scenes in which the natural setting acquires notabl

Saint John the Baptist
Oil on canvas. Ca. 1645
Castillo Saavedra, Antonio del
Saint John the Baptist
Oil on canvas. Ca. 1645
Castillo Saavedra, Antonio del

The figure depicted here is recognizable as Saint John the Baptist by his clothing, the lamb that accompanies him, the cross with its banner, the stream running at his feet and the shell with water alongside him, which was his baptismal instrument. He holds a book in his hands, which was not customary in images of him but not unknown in Andalusia, as can be seen, for example, in Juan de Mesa’s scu

Joseph ordering Simeon’s Imprisonment
Oil on canvas. 1655 - 1660
Castillo Saavedra, Antonio del
Joseph ordering Simeon’s Imprisonment
Oil on canvas. 1655 - 1660
Castillo Saavedra, Antonio del

The painting belongs to a series of six paintings on the story of Jacob’s favorite son, Joseph, (P000951, P000952, P000953, P000954, P000955, P000956) by Antonio del Castillo (1616-1668), the leading figure within Baroque painting in Córdoba. Castillo was among the artists to introduce landscape painting into Andalusia, as evident in these scenes in which the natural setting acquires notabl

The Immaculate Conception
Oil on canvas. Ca. 1645
Castillo Saavedra, Antonio del
The Immaculate Conception
Oil on canvas. Ca. 1645
Castillo Saavedra, Antonio del

All parts of this extraordinarily meticulous work are related to each other from a formal and iconographic standpoint. The Virgin appears in the foreground, where she occupies a considerable portion of the pictorial surface. This insures her powerful presence, and the painter emphasizes it with a very elaborate frame that fills the image with meaning. There are two clearly differentiated parts, th

Saint John the Evangelist
Pencil on laid paper. XVII century
Castillo Saavedra, Antonio del
Saint John the Evangelist
Pencil on laid paper. XVII century
Castillo Saavedra, Antonio del

Dibujo en el que se representa al santo en pie, caminando de perfil hacia la derecha, con el cáliz de donde sale el dragón, en la izquierda.Parece formar parte de una serie de Apóstoles, como los que hubo en la Colección Jovellanos de Gijón. Muller señala que la posición de sus pies se corresponde casi literalmente con la del San Felipe de aquella serie. (Texto extractado de Pérez Sánchez, A. E.,

Saint Ildefonso receiving the Chasuble
Pencil, Pencil ground, Grey-brown wash on yellow laid paper. XVII century
Castillo Saavedra, Antonio del (Attributed To)
Saint Ildefonso receiving the Chasuble
Pencil, Pencil ground, Grey-brown wash on yellow laid paper. XVII century
Castillo Saavedra, Antonio del (Attributed To)

La Virgen en pie, a la izquierda, coloca con la ayuda de un ángel mancebo, la casulla a San Ildefonso, arrodillado a sus pies. Encima ángeles con la mitra, el báculo y la cruz, atributos episcopales del Santo.En relación muy directa, aunque con leves variantes, con el lienzo hoy en el Museo de Córdoba, y procedente seguramente del convento de San Francisco de la misma ciudad, que fue muy copiado e

Saint Paul
Pencil on yellow laid paper. XVII century
Castillo Saavedra, Antonio del
Saint Paul
Pencil on yellow laid paper. XVII century
Castillo Saavedra, Antonio del

El Santo, en pie, recostado en un grueso tronco, mira al espectador y sostiene con la mano derecha un grueso libro y con la izquierda la espada. En la misma hoja encontramos un estudio de rostro de anciano, seguramente para el propio Santo, dos cabecitas de ángeles niños y un pie.P. Muller, con excesivo rigor, no considera la calidad del dibujo como representativo del artista, y lo reproduce como

Up