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This scene depicts the moment just prior to Christ’s flagellation when his hands are tied behind his back, revealing his finely painted body. The most restrained of Crespi’s depictions of this episode [+]
Pieta, 1626, was acquired by Charles II in 1689 at the auction of Gaspar de Haro y Guzmán, seventh Marquis of Carpio, who was the Spanish King’s ambassador to Rome and subsequently his viceroy [+]
El dibujo presenta la escena de la Asunción de la Magdalena. En la composición de la obra la figura, en el centro, asciende sostenida por cuatro angelitos. Atribuido de antiguo al artista, es quizá ac [+]
