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Menippus
Taille douce: etching and engraving on laid paper. 1791 - 1800
Esquivel de Sotomayor, Manuel; Bueno, León; Muntaner y Moner, Francisco
Menippus
Taille douce: etching and engraving on laid paper. 1791 - 1800
Esquivel de Sotomayor, Manuel; Bueno, León; Muntaner y Moner, Francisco

This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproduction of prints

Menippus
Taille douce: etching and engraving on continuous paper. 1791 - 1800
Esquivel de Sotomayor, Manuel; Bueno, León; Muntaner y Moner, Francisco
Menippus
Taille douce: etching and engraving on continuous paper. 1791 - 1800
Esquivel de Sotomayor, Manuel; Bueno, León; Muntaner y Moner, Francisco

This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproduction of prints

Aesop
Taille douce: etching and engraving on continuous paper. 1796
Esquivel de Sotomayor, Manuel; Bueno, León; Muntaner y Moner, Francisco
Aesop
Taille douce: etching and engraving on continuous paper. 1796
Esquivel de Sotomayor, Manuel; Bueno, León; Muntaner y Moner, Francisco

This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproduction of prints

The Knight with the Golden Chain
Taille douce: etching and engraving on wove paper. 1791 - 1800
Esquivel de Sotomayor, Manuel; Esteve, Agustín; Calcografía Nacional
The Knight with the Golden Chain
Taille douce: etching and engraving on wove paper. 1791 - 1800
Esquivel de Sotomayor, Manuel; Esteve, Agustín; Calcografía Nacional

This print reproduces the painting by Jacopo Robusti Tintoretto that was attributed to Titian in the 18th century. It was kept in the Royal Palace in Madrid and is now located in the Museo del Prado (P378). Manuel Esquivel de Sotomayor engraved the copper plate (Calcografía Nacional, Madrid, R. 2731) – for which he charged 5,000 reales – with a drawing by Agustín Esteve (Calcograf&ia

Aesop
Taille douce: etching and engraving on continuous paper. 1796
Esquivel de Sotomayor, Manuel; Muntaner y Moner, Francisco; Bueno, León
Aesop
Taille douce: etching and engraving on continuous paper. 1796
Esquivel de Sotomayor, Manuel; Muntaner y Moner, Francisco; Bueno, León

This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproduction of prints

Menippus
Taille douce: etching and engraving on laid paper. 1791 - 1800
Esquivel de Sotomayor, Manuel; Bueno, León; Muntaner y Moner, Francisco
Menippus
Taille douce: etching and engraving on laid paper. 1791 - 1800
Esquivel de Sotomayor, Manuel; Bueno, León; Muntaner y Moner, Francisco

This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproduction of prints

Aesop
Taille douce: etching and engraving on laid paper. 1796
Esquivel de Sotomayor, Manuel; Muntaner y Moner, Francisco; Bueno, León
Aesop
Taille douce: etching and engraving on laid paper. 1796
Esquivel de Sotomayor, Manuel; Muntaner y Moner, Francisco; Bueno, León

This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproduction of prints

Aesop
Taille douce: etching and engraving on wove paper. 1796
Esquivel de Sotomayor, Manuel; Muntaner y Moner, Francisco; Bueno, León
Aesop
Taille douce: etching and engraving on wove paper. 1796
Esquivel de Sotomayor, Manuel; Muntaner y Moner, Francisco; Bueno, León

This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active.The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproduction of prints o

Menippus
Taille douce: etching and engraving on continuous paper. 1791 - 1800
Esquivel de Sotomayor, Manuel; Bueno, León; Muntaner y Moner, Francisco
Menippus
Taille douce: etching and engraving on continuous paper. 1791 - 1800
Esquivel de Sotomayor, Manuel; Bueno, León; Muntaner y Moner, Francisco

This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproduction of prints

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