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Joaquina Téllez-Girón, daugther of the 9th Duke and Duchess of Osuna
Oil on canvas. 1798
Esteve, Agustín
Joaquina Téllez-Girón, daugther of the 9th Duke and Duchess of Osuna
Oil on canvas. 1798
Esteve, Agustín

Joaquina Téllez-Girón (1784-1851) married José de Silva Bazán, the future Marquis of Santa Cruz, in 1801. Goya had painted her as a child in the family portrait and alone, [+]

Queen María Luisa in a Mantilla
Oil on canvas. 1799 - 1800
Esteve, Agustín (Copy After Goya y Lucientes, Francisco de)
Queen María Luisa in a Mantilla
Oil on canvas. 1799 - 1800
Esteve, Agustín (Copy After Goya y Lucientes, Francisco de)

A month after giving her approval to the portrait Goya had painted of her in a mantilla in September 1799, Queen Maria Luisa wrote to Manuel Godoy, “I want you to have a copy made by Esteve”. Indeed, [+]

Mariano San Juan y Pinedo, Future Count Consort of La Cimera
Oil on canvas. Ca. 1813
Esteve, Agustín
Mariano San Juan y Pinedo, Future Count Consort of La Cimera
Oil on canvas. Ca. 1813
Esteve, Agustín

Born in 1803, the boy wears the cadet’s uniform of the naval college. The whiteness of the suit and the painstaking detail of the embroidery on the jacket and cap afford the portrait its characteristi [+]

Charles IV in the Uniform of a Colonel of the Royal Guard
Oil on canvas. 1799 - 1800
Esteve, Agustín (Copy After Goya y Lucientes, Francisco de)
Charles IV in the Uniform of a Colonel of the Royal Guard
Oil on canvas. 1799 - 1800
Esteve, Agustín (Copy After Goya y Lucientes, Francisco de)

This work is a copy of the portrait painted by Goya in 1799. It was made for the royal favourite Manuel Godoy, whose collection was confiscated following his fall from power in 1808. Charles wears the [+]

Martín Antonio Álvarez de Sotomayor y Soto-Flores, Count of Colomera
Oil on canvas. 1798
Esteve, Agustín
Martín Antonio Álvarez de Sotomayor y Soto-Flores, Count of Colomera
Oil on canvas. 1798
Esteve, Agustín

The sitter is the First Count Colomera (1723-1819), a distinguished soldier who served in the Spanish army during various successive reigns. The canvas uses numerous devices typical of Baroque descrip [+]

Manuela Isidra Téllez-Girón, future Duchess of Abrantes
Oil on canvas. 1797
Esteve, Agustín
Manuela Isidra Téllez-Girón, future Duchess of Abrantes
Oil on canvas. 1797
Esteve, Agustín

Here Esteve combines the influence of Velázquez’s use of indefinite spaces with Murillo’s grace and chromatic harmony and Goya’s loose, precise technique. Considered the artist’s finest portrai [+]

Queen María Luisa, in a Mantilla
Roulette, Etching on wove paper. 1876
Maura y Montaner, Bartolomé -Engraver And Drawer- (The Original Work, According To Inscriptions, Attributed To Goya y Lucientes, Francisco de); Esteve, Agustín (After); Calcografía Nacional; Sociedad de Artistas
Queen María Luisa, in a Mantilla
Roulette, Etching on wove paper. 1876
Maura y Montaner, Bartolomé -Engraver And Drawer- (The Original Work, According To Inscriptions, Attributed To Goya y Lucientes, Francisco de); Esteve, Agustín (After); Calcografía Nacional; Sociedad de Artistas

Esta estampa copia la pintura de Agustín Esteve conservada en el Museo del Prado, P728, que estuvo atribuida a Goya en el siglo XIX, como indica la inscripción. Se trata de la estampa número 18 del te [+]

Saint Paul the Hermit
Taille douce: etching and engraving on continuous paper. 1797
Criere, Philippe -Engraver- (After Ribera, Jusepe de, lo Spagnoletto); Esteve, Agustín; Calcografía Nacional
Saint Paul the Hermit
Taille douce: etching and engraving on continuous paper. 1797
Criere, Philippe -Engraver- (After Ribera, Jusepe de, lo Spagnoletto); Esteve, Agustín; Calcografía Nacional

This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company f [+]

The Spinners, or the Fable of Arachne
Taille douce: etching and engraving on laid paper. 1796
Muntaner y Moner, Francisco -Engraver- (After Velázquez, Diego Rodríguez de Silva y); Esteve, Agustín; Imprenta Real
The Spinners, or the Fable of Arachne
Taille douce: etching and engraving on laid paper. 1796
Muntaner y Moner, Francisco -Engraver- (After Velázquez, Diego Rodríguez de Silva y); Esteve, Agustín; Imprenta Real

This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company f [+]

Mary Tudor, Queen of England, Second Wife of Philip II
Stipple engraving, Etching on laid paper. 1793
Vázquez, José -Engraver- (After Mor, Anthonis); Esteve, Agustín
Mary Tudor, Queen of England, Second Wife of Philip II
Stipple engraving, Etching on laid paper. 1793
Vázquez, José -Engraver- (After Mor, Anthonis); Esteve, Agustín

This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company f [+]

La Virgen con el Niño, San Juan y dos ángeles
Taille douce: etching and engraving on continuous paper. 1791 - 1800
Bossi, Giacomo -Engraver- (Copy After Sarto, Andrea del (Andrea D'agnolo)); Esteve, Agustín; Calcografía Nacional
La Virgen con el Niño, San Juan y dos ángeles
Taille douce: etching and engraving on continuous paper. 1791 - 1800
Bossi, Giacomo -Engraver- (Copy After Sarto, Andrea del (Andrea D'agnolo)); Esteve, Agustín; Calcografía Nacional

Esta estampa reproduce la pintura de Andrea del Sarto que se conservaba en el Palacio Real de Madrid, hoy en el Museo del Prado (P00339). Giacomo Bossi grabó la plancha de cobre (Calcografía Nacional, [+]

Mary Tudor, Queen of England, Second Wife of Philip II
Stipple engraving on laid paper. 1793
Vázquez, José -Engraver- (After Mor, Anthonis); Esteve, Agustín
Mary Tudor, Queen of England, Second Wife of Philip II
Stipple engraving on laid paper. 1793
Vázquez, José -Engraver- (After Mor, Anthonis); Esteve, Agustín

This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company f [+]

The Apparition of the Virgin to Saint Ildefonso
Taille douce: etching and engraving on continuous paper. 1791 - 1800
Selma, Fernando -Engraver- (After Murillo, Bartolomé Esteban); Esteve, Agustín
The Apparition of the Virgin to Saint Ildefonso
Taille douce: etching and engraving on continuous paper. 1791 - 1800
Selma, Fernando -Engraver- (After Murillo, Bartolomé Esteban); Esteve, Agustín

This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company f [+]

The Virgin with the Child, Saint John and Angels
Taille douce: etching and engraving on wove paper. 1791 - 1800
Bossi, Giacomo -Engraver- (Copy After Sarto, Andrea del (Andrea D'agnolo)); Esteve, Agustín; Calcografía Nacional
The Virgin with the Child, Saint John and Angels
Taille douce: etching and engraving on wove paper. 1791 - 1800
Bossi, Giacomo -Engraver- (Copy After Sarto, Andrea del (Andrea D'agnolo)); Esteve, Agustín; Calcografía Nacional

This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active.The Company fo [+]

The Apparition of the Virgin to Saint Ildefonso
Taille douce: etching and engraving on continuous paper. 1791 - 1800
Selma, Fernando -Engraver- (After Murillo, Bartolomé Esteban); Esteve, Agustín
The Apparition of the Virgin to Saint Ildefonso
Taille douce: etching and engraving on continuous paper. 1791 - 1800
Selma, Fernando -Engraver- (After Murillo, Bartolomé Esteban); Esteve, Agustín

This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company f [+]

The Spinners, or the Fable of Arachne
Taille douce: etching and engraving on continuous paper. 1796
Muntaner y Moner, Francisco -Engraver- (After Velázquez, Diego Rodríguez de Silva y); Esteve, Agustín
The Spinners, or the Fable of Arachne
Taille douce: etching and engraving on continuous paper. 1796
Muntaner y Moner, Francisco -Engraver- (After Velázquez, Diego Rodríguez de Silva y); Esteve, Agustín

This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company f [+]

The Spinners, or the Fable of Arachne
Taille douce: etching and engraving on laid paper. 1796
Muntaner y Moner, Francisco -Engraver- (After Velázquez, Diego Rodríguez de Silva y); Esteve, Agustín
The Spinners, or the Fable of Arachne
Taille douce: etching and engraving on laid paper. 1796
Muntaner y Moner, Francisco -Engraver- (After Velázquez, Diego Rodríguez de Silva y); Esteve, Agustín

This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company f [+]

La Virgen con el Niño, San Juan y ángeles
Taille douce: etching and engraving on continuous paper. 1791 - 1800
Bossi, Giacomo -Engraver- (Copy After Sarto, Andrea del (Andrea D'agnolo)); Esteve, Agustín; Calcografía Nacional
La Virgen con el Niño, San Juan y ángeles
Taille douce: etching and engraving on continuous paper. 1791 - 1800
Bossi, Giacomo -Engraver- (Copy After Sarto, Andrea del (Andrea D'agnolo)); Esteve, Agustín; Calcografía Nacional

Esta estampa reproduce la pintura de Andrea del Sarto que se conservaba en el Palacio Real de Madrid, hoy en el Museo del Prado (P00339). Giacomo Bossi grabó la plancha de cobre (Calcografía Nacional, [+]

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