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The Mass of Saint Gregory
Oil on panel. 1515 - 1530
Isenbrandt, Adriaen
The Mass of Saint Gregory
Oil on panel. 1515 - 1530
Isenbrandt, Adriaen

Indebted to the Bruges tradition, the priest holding Saint Gregory’s tiara stems from Jan van Eyck’s Portrait of a Man with Carnation in Berlin and the composition accentuates the sfumato and the grace of Gerard David (c. 1460-1523). However, the architectures and the dynamic poses of the figures also echo Antwerp mannerism.

Christ as the Man of Sorrows
Oil on panel. 1525 - 1550
Isenbrandt, Adriaen
Christ as the Man of Sorrows
Oil on panel. 1525 - 1550
Isenbrandt, Adriaen

Wearing the crown of thorns, Jesus sits on Golgotha with his hands tied to the cross. The path to Calvary is visible in the left middle ground at the gates of Jerusalem. On the right, the followers approach mount Calvary in the background, where the crosses of Christ and of the two thieves stand. In this work, Isenbrant separates the story of the crucifixion from that of the Passion of Christ, whi

Mary Magdalene Reading
Oil on panel. First half of the XVI century
Isenbrandt, Adriaen
Mary Magdalene Reading
Oil on panel. First half of the XVI century
Isenbrandt, Adriaen

Mary Magdalene is depicted slightly more than half-length. She is slightly turned and reads a book inside a room. The jar of salve bearing the inscription “Magdele” identifies her and helps to avoid confusion with representations of the Annunciation. Isenbrand follows models created in the previous century, from Van der Weyden to Gérard David. The slight sfumato in Mary´s face and her graci

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