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Allegory of Dusk
Oil on canvas. 1819
Madrazo y Agudo, José de
Allegory of Dusk
Oil on canvas. 1819
Madrazo y Agudo, José de

The allegories, The Hours of the Day, were painted in 1819 by José de Madrazo in Rome just before his return to Spain, to be used in the decoration of the small palace in Madrid known as Casino [+]

The Death of Viriatus, Chief of the Lusitanians (preparatory sketch)
Oil on canvas. Ca. 1807
Madrazo y Agudo, José de
The Death of Viriatus, Chief of the Lusitanians (preparatory sketch)
Oil on canvas. Ca. 1807
Madrazo y Agudo, José de

This preparatory sketch for the large-scale canvas painted by Madrazo in Rome (also on display in this room) reveals various differences with respect to the final composition. Madrazo gave more space [+]

Eternal Happiness (preparatory sketch)
Oil on canvas. Ca. 1813
Madrazo y Agudo, José de
Eternal Happiness (preparatory sketch)
Oil on canvas. Ca. 1813
Madrazo y Agudo, José de

This is a modellino for the canvas commissioned by Charles IV during his exile in Rome for the ceiling of a room in the Palazzo di Spagna. The artist and his royal client’s tastes are revealed in the [+]

Divine and Profane Love
Oil on canvas. 1813
Madrazo y Agudo, José de
Divine and Profane Love
Oil on canvas. 1813
Madrazo y Agudo, José de

A young male spirit symbolizing Virtue sits at the foot of an oak tree wearing a laurel crown. He looks to the heavens offering the crown he obtained after his victory over Earthly Love. Conquered and [+]

Allegory of Noon
Oil on canvas. 1819
Madrazo y Agudo, José de
Allegory of Noon
Oil on canvas. 1819
Madrazo y Agudo, José de

The allegories, The Hours of the Day, were painted in 1819 by José de Madrazo in Rome just before his return to Spain, to be used in the decoration of the small palace in Madrid known as Casino [+]

The Death of Viriatus, Chief of the Lusitanians
Oil on canvas. 1807
Madrazo y Agudo, José de
The Death of Viriatus, Chief of the Lusitanians
Oil on canvas. 1807
Madrazo y Agudo, José de

This work was part of a series of canvases with scenes recalling how the people of the Iberian Peninsula resisted Roman domination. The idea for this series grew out of a patriotic impulse against the [+]

The Cavalry Soldier Jean-Baptiste Poret-Dulongval
Oil on canvas. Ca. 1813
Madrazo y Agudo, José de
The Cavalry Soldier Jean-Baptiste Poret-Dulongval
Oil on canvas. Ca. 1813
Madrazo y Agudo, José de

A young French Officer, displaying the insignia of the Légion d’Honneur, rests beside his horse. In this portrait, which may have been painted in Rome during the Napoleonic occupation, the offi [+]

Jesus in the House of Annas
Oil on canvas. 1803
Madrazo y Agudo, José de
Jesus in the House of Annas
Oil on canvas. 1803
Madrazo y Agudo, José de

This religious scene with its life-size figures, is treated in the sober manner usually applied to scenes from Roman history. It was the first major painting produced by Madrazo whilst training in Par [+]

Ferdinand VII on horseback (preliminary study)
Oil on canvas. 1821
Madrazo y Agudo, José de
Ferdinand VII on horseback (preliminary study)
Oil on canvas. 1821
Madrazo y Agudo, José de

Madrazo would have presented this preliminary study to the king for approval before painting the final version, which is also in the Prado (P003295). For many years the large-scale definitive version [+]

Chaste Venus
Charcoal, White chalk on wove paper. XIX century
Madrazo y Agudo, José de
Chaste Venus
Charcoal, White chalk on wove paper. XIX century
Madrazo y Agudo, José de

[+]

The life drawing class, sketch of its lighting system and plan of its seating
Conté crayon, White chalk on paper. First half of the XIX century
Madrazo y Agudo, José de
The life drawing class, sketch of its lighting system and plan of its seating
Conté crayon, White chalk on paper. First half of the XIX century
Madrazo y Agudo, José de

[+]

The Three Graces
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Feillet, Pierre Jacques -Lithographer- (After Rubens, Peter Paul); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
The Three Graces
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Feillet, Pierre Jacques -Lithographer- (After Rubens, Peter Paul); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

Es una litografía de Pierre Jacques Feillet (1794-1856) que reproduce el óleo de Rubens conservado en el Museo Nacional del Prado (P01670). Esta estampa se entregaba con el cuadernillo CLXIV acompañad [+]

The Agony in the Garden
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Guglielmi, Augusto -Lithographer- (The Original Work, According To Inscriptions, Attributed To Chimenti, Jacopo); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid; Vasari, Giorgio
The Agony in the Garden
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Guglielmi, Augusto -Lithographer- (The Original Work, According To Inscriptions, Attributed To Chimenti, Jacopo); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid; Vasari, Giorgio

Es una litografía de Augusto Guglielmi que reproduce un lienzo de un discípulo de Vasari (P98), atribuido hasta 1920 a Jacopo Chimenti y como tal aparece en la firma de la estampa. Esta estampa se ent [+]

Saint Peter freed by an Angel
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Palmaroli, Cayetano -Lithographer- (After Guercino (Giovanni Francesco Barbieri)); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Saint Peter freed by an Angel
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Palmaroli, Cayetano -Lithographer- (After Guercino (Giovanni Francesco Barbieri)); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Cayetano Palmaroli (1801-1853) que reproduce el lienzo de Guercino conservado en el Museo Nacional del Prado (P00200). Esta estampa se entregaba con el cuadernillo CXXX acompañado [+]

Saint Peter freed by an Angel
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Palmaroli, Cayetano -Lithographer- (After Guercino (Giovanni Francesco Barbieri)); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Saint Peter freed by an Angel
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Palmaroli, Cayetano -Lithographer- (After Guercino (Giovanni Francesco Barbieri)); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Cayetano Palmaroli (1801-1853) que reproduce el lienzo de Guercino conservado en el Museo Nacional del Prado (P00200). Esta estampa se entregaba con el cuadernillo CXXX acompañado [+]

The Vision of Saint Peter Nolasco
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Legrand, Luis Carlos -Lithographer- (After Zurbarán, Francisco de); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Vision of Saint Peter Nolasco
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Legrand, Luis Carlos -Lithographer- (After Zurbarán, Francisco de); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

The Apparition of Saint Peter to Saint Peter Nolasco
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Legrand, Luis Carlos -Lithographer- (After Zurbarán, Francisco de); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Apparition of Saint Peter to Saint Peter Nolasco
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Legrand, Luis Carlos -Lithographer- (After Zurbarán, Francisco de); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

The Adoration of the Magi
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Palmaroli, Cayetano -Lithographer- (After Velázquez, Diego Rodríguez de Silva y); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Adoration of the Magi
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Palmaroli, Cayetano -Lithographer- (After Velázquez, Diego Rodríguez de Silva y); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Cayetano Palmaroli (1801-1853) que reproduce el óleo de Diego Rodríguez de Silva y Velázquez conservado en el Museo Nacional del Prado (P01166). Esta estampa se entregaba con el c [+]

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