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The allegories, The Hours of the Day, were painted in 1819 by José de Madrazo in Rome just before his return to Spain, to be used in the decoration of the small palace in Madrid known as Casino [+]
This preparatory sketch for the large-scale canvas painted by Madrazo in Rome (also on display in this room) reveals various differences with respect to the final composition. Madrazo gave more space [+]
En 1840, José de Madrazo era ya una de las personalidades más relevantes de la vida cultural de la primera mitad del siglo XIX. Ostentaba simultáneamente, a sus cincuenta y nueve años, los cargos de p [+]
For many years the large-scale definitive version was the only painting of Ferdinand displayed to the public in the museum he had founded. He is shown as commander-in-chief of the Spanish armed forces [+]
This is a modellino for the canvas commissioned by Charles IV during his exile in Rome for the ceiling of a room in the Palazzo di Spagna. The artist and his royal client’s tastes are revealed in the [+]
A young male spirit symbolizing Virtue sits at the foot of an oak tree wearing a laurel crown. He looks to the heavens offering the crown he obtained after his victory over Earthly Love. Conquered and [+]
The allegories, The Hours of the Day, were painted in 1819 by José de Madrazo in Rome just before his return to Spain, to be used in the decoration of the small palace in Madrid known as Casino [+]
This work was part of a series of canvases with scenes recalling how the people of the Iberian Peninsula resisted Roman domination. The idea for this series grew out of a patriotic impulse against the [+]
A young French Officer, displaying the insignia of the Légion d’Honneur, rests beside his horse. In this portrait, which may have been painted in Rome during the Napoleonic occupation, the offi [+]
This religious scene with its life-size figures, is treated in the sober manner usually applied to scenes from Roman history. It was the first major painting produced by Madrazo whilst training in Par [+]
Madrazo would have presented this preliminary study to the king for approval before painting the final version, which is also in the Prado (P3295). For many years the large-scale definitive version wa [+]
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Es una litografía de Léon-Auguste Asselineau (1808–1889) que reproduce el óleo de Juan Bautista Martínez del Mazo del Museo Nacional del Prado (P00889). Esta estampa se entregaba con el cuadernillo CL [+]
Es una litografía de Enrique Blanco (activo en Madrid entre 1826 y 1837) que reproduce el óleo de Luca Giordano conservado en el Museo Nacional del Prado (P01105), anteriormente atribuido a Bartolomé [+]
Es una litografía de Luis Carlos Legrand (activo en Madrid entre 1829 y 1858) que reproduce el óleo de Francisco de Zurbarán conservado en el Museo Nacional del Prado (P01236). Esta estampa se entrega [+]
Es una litografía de Andreas Pic de Leopold (1789?- después de 1860) que reproduce el óleo de Nicolas Poussin conservado en el Museo Nacional del Prado (P02310). Esta estampa se entregaba con el cuade [+]
Es una litografía de José Jorro (activo en Madrid entre 1832 y 1837) que reproduce un lienzo de Veronés (P499). Esta estampa se entregaba con el cuadernillo CXXXVII acompañado de un texto explicativo [+]
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