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The Flight into Egypt
Oil on canvas. Second half of the XVII century
Maratta, Carlo
The Flight into Egypt
Oil on canvas. Second half of the XVII century
Maratta, Carlo

Réplica del cuadro de gran formato realizado por el artista para la Capilla Chigi, en la Catedral de Siena, pintado en 1664. El modelo de la Virgen aparece representado repetidamente en sus obras hacia 1670. Atribuida por primera vez a Maratti en la colección del príncipe Carlos (futuro Carlos IV), en el inventario de la Casita del Príncipe de El Escorial realizado en 1789. Considerado obra de esc

The Virgin laying the sleeping Christ on Straw
Oil on panel. Ca. 1656
Maratta, Carlo
The Virgin laying the sleeping Christ on Straw
Oil on panel. Ca. 1656
Maratta, Carlo

This painting listed in the inventory of Queen Elizabeth of Farnesio offers a slightly varied reproduction of the central motive of the fresco of the Adoration of the Shepherds that decorates the Alaleone Chapel at the church of Sant’Isidoro Agricola in Rome. An early work, it was Maratti’s most important commission from the mid 1650s. This was the moment when he began to free himself from the inf

The Painter Andrea Sacchi
Oil on canvas. Ca. 1661
Maratta, Carlo
The Painter Andrea Sacchi
Oil on canvas. Ca. 1661
Maratta, Carlo

Maratti was a pupil of Sacchi (ca. 1599-1661). He may have painted this portrait as a pair to that of Francesco Albani by Sacchi (also on display in this room), which he acquired in 1661. It passed from Maratti’s collection to that of Philip V in 1722 and was in the palace of La Granja one year later. It entered the Prado in 1849.

The Virgin and Child in Glory
Oil on canvas. Ca. 1680
Maratta, Carlo
The Virgin and Child in Glory
Oil on canvas. Ca. 1680
Maratta, Carlo

Turned to the left in a three-quarters view, the Virgin is depicted sitting on a throne of clouds resting on a crescent moon whose points face down. In her arms she holds the Christ child, who blesses the viewer with his right hand. The surrounding angels are arranged in a circular arch that also appears in other works by Maratti, such as his Immaculate Conception, after 1670 (Cybo chapel in the R

Penitent Magdalen
Oil on canvas. S XVII - XVIII century
Dughet, Gaspard; Maratta, Carlo
Penitent Magdalen
Oil on canvas. S XVII - XVIII century
Dughet, Gaspard; Maratta, Carlo

Figura desnuda en fondo de paisaje. El paisaje es obra de Dughet y la figura de Carlo Maratti.

Mary Magdalene in penitence in the desert
Oil on canvas. After 1650
Maratta, Carlo
Mary Magdalene in penitence in the desert
Oil on canvas. After 1650
Maratta, Carlo

Hagar and Ishmael
Oil on canvas. Early XVIII century
Maratta, Carlo
Hagar and Ishmael
Oil on canvas. Early XVIII century
Maratta, Carlo

The Adoration of the Shepherds
Black chalk, Red chalk on dark yellow paper. Ca. 1656
Maratta, Carlo
The Adoration of the Shepherds
Black chalk, Red chalk on dark yellow paper. Ca. 1656
Maratta, Carlo

This drawing of the Adoration of the Magi presents the Virgin and the infant Jesus at the center of the composition. Standing at the right, Joseph presents a woman with a child while, at the left, various shepherds kneel. This work’s technique and models suggest that it was made by Carlo Maratti around 1656, and it can be compared to three drawings that Maratti made that same year for the fresco o

The Immaculate Conception
Black chalk on white paper. Early Finales del siglo XVII - XVIII century
Maratta, Carlo (Circle Of)
The Immaculate Conception
Black chalk on white paper. Early Finales del siglo XVII - XVIII century
Maratta, Carlo (Circle Of)

Obra que representa el tema de la Inmaculada Concepción. Aparece en pie la Virgen sobre la media luna, con los brazos abiertos y la mirada alzada, rodeada de angelitos y querubines. El dibujo, que lleva una atribución antigua a Carlo Maratti, no es en absoluto de su mano, pero el equilibrio clásico de la composición y los modelos, tanto el de la Virgen como el de los angelitos, enlazan directament

The Virgin and Child with Saints
Pencil, Grey-brown wash on white paper. Ca. 1709
Maratta, Carlo
The Virgin and Child with Saints
Pencil, Grey-brown wash on white paper. Ca. 1709
Maratta, Carlo

Dibujo que es preparatorio para una de las últimas obras de Maratti, la Virgen con Santos del altar mayor de la iglesia de San Felipe Neri en Turín, fechada entre 1700 y 1709. Encargado por el príncipe de Carignano, Manuel Filiberto de Saboya, el lienzo no se terminó hasta 1709 y en el colaboraron algunos discípulos de Maratti, quien dio, sin embargo, los dibujos preparatorios. El dibujo del Prado

Pietà
Red chalk on white paper. Ca. 1670
Maratta, Carlo
Pietà
Red chalk on white paper. Ca. 1670
Maratta, Carlo

Dibujo que representa el tema de La Piedad. A la izquierda, Cristo muerto tendido en el suelo, sostenido por San Juan y Nicodemo; mientras que, a la derecha, en primer termino, la Magdalena arrodillada y al fondo la Virgen asistida por varias mujeres.Es dibujo de gran calidad y característico del estilo maduro de Maratti, en los años finales de la década de 1670 o principios de la siguiente. La co

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