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Penitent Magdalen
Oil on canvas. XVII century
Murillo, Bartolomé Esteban (Copy)
Penitent Magdalen
Oil on canvas. XVII century
Murillo, Bartolomé Esteban (Copy)

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The Immaculate Conception of El Escorial
Oil on canvas. 1660 - 1665
Murillo, Bartolomé Esteban
The Immaculate Conception of El Escorial
Oil on canvas. 1660 - 1665
Murillo, Bartolomé Esteban

In this personification of the Virgin Mary as the Immaculate Conception, the protagonist, although still very youthful, is not as childlike as those of Zurbarán and Velázquez and lacks t [+]

The Penintent Saint Jerome
Oil on canvas. Ca. 1650
Murillo, Bartolomé Esteban
The Penintent Saint Jerome
Oil on canvas. Ca. 1650
Murillo, Bartolomé Esteban

Jerome meditates before a crucifix in the solitude of his retreat. The numerous objects depicted around him refer to different aspects of his life. The books, papers and writing equipment allude to hi [+]

The Prodigal Son squandering his Inheritance
Oil on canvas. 1660 - 1665
Murillo, Bartolomé Esteban
The Prodigal Son squandering his Inheritance
Oil on canvas. 1660 - 1665
Murillo, Bartolomé Esteban

Esta obra, junto con El hijo pródigo recoge su legítima (P997), La despedida del hijo pródigo (P998) y El hijo pródigo abandonado (P1000), son los cuatro únicos bocetos conocidos de una serie integrad [+]

The Good Shepherd
Oil on canvas. Ca. 1660
Murillo, Bartolomé Esteban
The Good Shepherd
Oil on canvas. Ca. 1660
Murillo, Bartolomé Esteban

In a landscape with classical ruins that allude to the defeat of paganism, the Christ Child tends a lamb. Murillo based this image on a print by Stefano della Bella (1610-1664), while making use of hi [+]

The Foundation of Santa Maria Maggiore in Rome. The Patrician recounts his Dream to the Pope
Oil on canvas. 1664 - 1665
Murillo, Bartolomé Esteban
The Foundation of Santa Maria Maggiore in Rome. The Patrician recounts his Dream to the Pope
Oil on canvas. 1664 - 1665
Murillo, Bartolomé Esteban

This painting and its companion, The Patrician’s Dream (P994), are among Murillo’s most renowned works. The two arched works were intended to hang beneath a small dome in the recently remodeled Sevill [+]

The Prodigal Son taking leave of his Home
Oil on canvas. 1660 - 1665
Murillo, Bartolomé Esteban
The Prodigal Son taking leave of his Home
Oil on canvas. 1660 - 1665
Murillo, Bartolomé Esteban

Esta obra, junto con El hijo pródigo recoge su legítima (P997), La disipación del hijo pródigo (P999) y El hijo pródigo abandonado (P1000), son los cuatro únicos bocetos conocidos de una serie integra [+]

The Prodigal Son receiving his Inheritance
Oil on canvas. 1660 - 1665
Murillo, Bartolomé Esteban
The Prodigal Son receiving his Inheritance
Oil on canvas. 1660 - 1665
Murillo, Bartolomé Esteban

These are the four surviving preparatory sketches for a series of six canvases now in the National Gallery in Dublin, based on the parable of the Prodigal son (Lc 15). They are partly based on prints [+]

The Immaculate Conception
Oil on canvas. Ca. 1665
Murillo, Bartolomé Esteban
The Immaculate Conception
Oil on canvas. Ca. 1665
Murillo, Bartolomé Esteban

The colours of the Virgin’s tunic and cloak, her loose hair, hands crossed on her breast, her devoted gaze raised to heaven and the presence of the moon are elements of the imagery of the Immaculate C [+]

The Martyrdom of Saint Andrew
Oil on canvas. 1675 - 1682
Murillo, Bartolomé Esteban
The Martyrdom of Saint Andrew
Oil on canvas. 1675 - 1682
Murillo, Bartolomé Esteban

At the centre of this painting, the apostle Saint Andrew is being tied to the X-shaped cross on which he will die. His muscles are taut and he raises his eyes heavenward, where several angels carry th [+]

Portrait of a Man
Oil on canvas. Ca. 1660
Murillo, Bartolomé Esteban
Portrait of a Man
Oil on canvas. Ca. 1660
Murillo, Bartolomé Esteban

A gentleman dressed in black stands before a side table covered with a red cloth. The fact that he has long hair allows this portrait to be dated to the second half of the seventeenth century. Both th [+]

The Vision of Saint Francis in the Portiuncula
Oil on canvas. 1670 - 1680
Murillo, Bartolomé Esteban
The Vision of Saint Francis in the Portiuncula
Oil on canvas. 1670 - 1680
Murillo, Bartolomé Esteban

As Saint Francis prayed in the chapel of the Portiuncula, Christ and the Virgin appeared to him. Murillo used the flowers, angels, clouds and light to create a link between everyday reality and the sp [+]

The crucified Christ
Oil on canvas. Ca. 1675
Murillo, Bartolomé Esteban
The crucified Christ
Oil on canvas. Ca. 1675
Murillo, Bartolomé Esteban

The background of a dark, cloudy sky creates a dramatic setting for this presentation of Christ’s sacrifice on the cross. Murillo uses light to model the body, while the slight twist of the torso and [+]

The Adoration of the Shepherds
Oil on canvas. Ca. 1650
Murillo, Bartolomé Esteban
The Adoration of the Shepherds
Oil on canvas. Ca. 1650
Murillo, Bartolomé Esteban

The shepherds gather around the Christ Child to adore him and offer him their gifts: a lamb, some hens and a basket of eggs, in a scene that is conceived as a humble counterpart to the Adoration of th [+]

The Foundation of Santa Maria Maggiore in Rome. The Patrician's Dream
Oil on canvas. 1664 - 1665
Murillo, Bartolomé Esteban
The Foundation of Santa Maria Maggiore in Rome. The Patrician's Dream
Oil on canvas. 1664 - 1665
Murillo, Bartolomé Esteban

This painting and its companion, The Patrician Reveals his Dream to the Pope (P995), are among Murillo’s most renowned works. The two arched works were intended to hang beneath a small dome in the rec [+]

The Conversion of Saint Paul
Oil on canvas. 1675 - 1682
Murillo, Bartolomé Esteban
The Conversion of Saint Paul
Oil on canvas. 1675 - 1682
Murillo, Bartolomé Esteban

Saint Paul fell from his horse as he heard Christ’s words “Why persecutest thou me?” which brought about his conversion. Murillo’s interpretation is notably dynamic, making use of the contrast between [+]

The Immaculate Conception of Los Venerables
Oil on canvas. 1660 - 1665
Murillo, Bartolomé Esteban
The Immaculate Conception of Los Venerables
Oil on canvas. 1660 - 1665
Murillo, Bartolomé Esteban

Murillo created a highly successful formula for representing the Immaculate Conception, with the Virgin dressed in blue and white, her hands crossed over her bosom and her gaze directed at the heavens [+]

Ecce Homo
Oil on canvas. 1660 - 1670
Murillo, Bartolomé Esteban
Ecce Homo
Oil on canvas. 1660 - 1670
Murillo, Bartolomé Esteban

Ecce Homo and The Virgin Dolorosa (P977) are comparable with regard to size, provenance and their partial dependence on models by Titian. Above all, they are linked by their subject matter and are mos [+]

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