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Design for an Altarpiece, with the Virgin and Child Appearing to Four Saints
Pencil, Pencil ground, Red chalk, Grey-brown ink, Wash on yellow paper. Early XVII century
Passignano (Attributed To)
Design for an Altarpiece, with the Virgin and Child Appearing to Four Saints
Pencil, Pencil ground, Red chalk, Grey-brown ink, Wash on yellow paper. Early XVII century
Passignano (Attributed To)

There seems little stylistic evidence to support the traditional attribution to Passignano. The drawing may be Cremonese, since there is some resemblance to the work of Giovanni Battista Trotti, called "Malosso" (1556-1619) and of his pupil and associate Ermenegildo Lodi (fl. 1594-1630). St. Andrew is one of the four saints represented. The altarpiece was probably commissioned to decorate the chur

Incident from the Life of St. Francis
Pencil, Pencil ground, Grey-brown ink, Wash on paper. Ca. 1600
Passignano (Attributed To)
Incident from the Life of St. Francis
Pencil, Pencil ground, Grey-brown ink, Wash on paper. Ca. 1600
Passignano (Attributed To)

This is a good drawing by an accomplished Florentine hand, active around 1600, possibly Passignano, though the style seems too highly finished to be his. In some respects, the meticulous handling is closer to that of Ligozzi (1547-1627). The saint, who appears standing in profile to the right, is evidently the same as the one in the drawing D3039. Here he is shown with a vision of the cross above

Incident from the Life of St. Francist
Pencil, Pencil ground, Grey-brown ink, White lead, Wash on yellow paper. Early Último tercio del siglo XVI - XVII century
Passignano (Attributed To)
Incident from the Life of St. Francist
Pencil, Pencil ground, Grey-brown ink, White lead, Wash on yellow paper. Early Último tercio del siglo XVI - XVII century
Passignano (Attributed To)

This and another drawing in the collection, similarly ascribed to Passignano and showing another scene from the life of St. Francis (Catalogue of the Sixteenth-Century Italian Drawings of the Museo del Prado, Passignano, Domenico, Ascribed to, inv. D03041), evidently belong to a series of drawings destined to be engraved, probably as book illustrations. Unfortunately, no such series of prints has

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