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View of Zaragoza
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Asselineau, Leon-Augusto -Lithographer- (After Martínez del Mazo, Juan Bautista); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
View of Zaragoza
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Asselineau, Leon-Augusto -Lithographer- (After Martínez del Mazo, Juan Bautista); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

Es una litografía de Léon-Auguste Asselineau (1808–1889) que reproduce el óleo de Juan Bautista Martínez del Mazo del Museo Nacional del Prado (P00889). Esta estampa se entregaba con el cuadernillo CL [+]

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The penitent Magdalen
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Blanco, Enrique -Lithographer- (The Original Work, According To Inscriptions, Attributed To Murillo, Bartolomé Esteban); Giordano, Luca (After); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The penitent Magdalen
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Blanco, Enrique -Lithographer- (The Original Work, According To Inscriptions, Attributed To Murillo, Bartolomé Esteban); Giordano, Luca (After); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Enrique Blanco (activo en Madrid entre 1826 y 1837) que reproduce el óleo de Luca Giordano conservado en el Museo Nacional del Prado (P01105), anteriormente atribuido a Bartolomé [+]

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The Vision of Saint Peter Nolasco
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Legrand, Luis Carlos -Lithographer- (After Zurbarán, Francisco de); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Vision of Saint Peter Nolasco
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Legrand, Luis Carlos -Lithographer- (After Zurbarán, Francisco de); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Luis Carlos Legrand (activo en Madrid entre 1829 y 1858) que reproduce el óleo de Francisco de Zurbarán conservado en el Museo Nacional del Prado (P01236). Esta estampa se entrega [+]

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Landscape with Buildings
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Pic de Leopold, Andreas -Lithographer- (After Poussin, Nicolas); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Landscape with Buildings
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Pic de Leopold, Andreas -Lithographer- (After Poussin, Nicolas); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Andreas Pic de Leopold (1789?- después de 1860) que reproduce el óleo de Nicolas Poussin conservado en el Museo Nacional del Prado (P02310). Esta estampa se entregaba con el cuade [+]

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Young Man between Vice and Virtue
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Jorro, José -Lithographer- (After Veronese, Paolo (Paolo Cagliari)); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Young Man between Vice and Virtue
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Jorro, José -Lithographer- (After Veronese, Paolo (Paolo Cagliari)); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de José Jorro (activo en Madrid entre 1832 y 1837) que reproduce un lienzo de Veronés (P499). Esta estampa se entregaba con el cuadernillo CXXXVII acompañado de un texto explicativo [+]

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The Trinity
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Legrand, Luis Carlos -Lithographer- (After Ribera, Jusepe de, lo Spagnoletto); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Trinity
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Legrand, Luis Carlos -Lithographer- (After Ribera, Jusepe de, lo Spagnoletto); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Luis Carlos Legrand (activo en Madrid entre 1829 y 1858) que reproduce el óleo de José de Ribera conservado en el Museo Nacional del Prado (P01069). Esta estampa se entregaba con [+]

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The Taking of Christ
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Palmaroli, Cayetano -Lithographer- (After Dyck, Anthony Van); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
The Taking of Christ
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Palmaroli, Cayetano -Lithographer- (After Dyck, Anthony Van); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

Es una litografía de Cayetano Palmaroli (1801–1853) que reproduce un lienzo pintado por Anton van Dyck (P01477). Esta estampa se entregaba con el cuadernillo CXLII acompañado de un texto explicativo d [+]

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The Cardinal-Infante Don Fernando de Austria, at the Battle of Nördlingen
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Jollivet, Pierre-Jules -Lithographer- (The Original Work, According To Inscriptions, Attributed To Dyck, Anthony Van); Rubens, Peter Paul (After); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
The Cardinal-Infante Don Fernando de Austria, at the Battle of Nördlingen
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Jollivet, Pierre-Jules -Lithographer- (The Original Work, According To Inscriptions, Attributed To Dyck, Anthony Van); Rubens, Peter Paul (After); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

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The Cardinal-Infante Don Fernando de Austria, at the Battle of Nördlingen
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Jollivet, Pierre-Jules -Lithographer- (The Original Work, According To Inscriptions, Attributed To Dyck, Anthony Van); Rubens, Peter Paul (After); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Cardinal-Infante Don Fernando de Austria, at the Battle of Nördlingen
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Jollivet, Pierre-Jules -Lithographer- (The Original Work, According To Inscriptions, Attributed To Dyck, Anthony Van); Rubens, Peter Paul (After); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

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The Finding of Moses
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Pic de Leopold, Andreas -Lithographer- (After Claude (Lorrain, Byname Of Claude Gellée)); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Finding of Moses
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Pic de Leopold, Andreas -Lithographer- (After Claude (Lorrain, Byname Of Claude Gellée)); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Andreas Pic de Leopold (1789 ?-ca. 1860) que reproduce el óleo de Claudio de Lorena conservado en el Museo Nacional del Prado (P02253). Esta estampa se entregaba con el cuadernill [+]

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Solomon worshipping Idols
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Beltrán, Ramón -Lithographer- (After Conca, Sebastiano); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Solomon worshipping Idols
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Beltrán, Ramón -Lithographer- (After Conca, Sebastiano); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Ramón Beltrán (activo en Madrid entre 1832 y 1837) que reproduce el óleo de Sebastiano Conca conservado en el Museo Nacional del Prado (P00102). Esta estampa se entregaba con el c [+]

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The Vision of Saint Peter Nolasco
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Legrand, Luis Carlos -Lithographer- (After Zurbarán, Francisco de); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Vision of Saint Peter Nolasco
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Legrand, Luis Carlos -Lithographer- (After Zurbarán, Francisco de); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

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The Apparition of Saint Peter to Saint Peter Nolasco
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Legrand, Luis Carlos -Lithographer- (After Zurbarán, Francisco de); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Apparition of Saint Peter to Saint Peter Nolasco
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Legrand, Luis Carlos -Lithographer- (After Zurbarán, Francisco de); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

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The Burial of Saint Stephen
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Guglielmi, Augusto -Lithographer- (After Juanes, Juan de (Vicente Juan Masip)); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Burial of Saint Stephen
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Guglielmi, Augusto -Lithographer- (After Juanes, Juan de (Vicente Juan Masip)); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Augusto Guglielmi (activo en Madrid entre 1829 y 1837) que reproduce el óleo de Juan de Juanes conservado en el Museo Nacional del Prado (P00842), pintado para el retablo de la ig [+]

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The Burial of Saint Stephen
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Guglielmi, Augusto -Lithographer- (After Juanes, Juan de (Vicente Juan Masip)); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Burial of Saint Stephen
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Guglielmi, Augusto -Lithographer- (After Juanes, Juan de (Vicente Juan Masip)); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Augusto Guglielmi (activo en Madrid entre 1829 y 1837) que reproduce el óleo de Juan de Juanes conservado en el Museo Nacional del Prado (P00842), pintado para el retablo de la ig [+]

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The Baptism of Christ
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Amerigó y Morales, Ramón -Lithographer- (After Navarrete "el Mudo", Juan Fernández); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Baptism of Christ
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Amerigó y Morales, Ramón -Lithographer- (After Navarrete "el Mudo", Juan Fernández); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Ramón Amerigó y Morales (1807?-1884) que reproduce el óleo de Juan Fernández Navarrete, el Mudo, conservado en el Museo Nacional del Prado (P01012). Esta estampa se entregaba con [+]

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The Adoration of the Magi
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Palmaroli, Cayetano -Lithographer- (After Velázquez, Diego Rodríguez de Silva y); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Adoration of the Magi
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Palmaroli, Cayetano -Lithographer- (After Velázquez, Diego Rodríguez de Silva y); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Cayetano Palmaroli (1801-1853) que reproduce el óleo de Diego Rodríguez de Silva y Velázquez conservado en el Museo Nacional del Prado (P01166). Esta estampa se entregaba con el c [+]

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The Vision of Saint Peter Nolasco
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Legrand, Luis Carlos -Lithographer- (After Zurbarán, Francisco de); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Vision of Saint Peter Nolasco
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Legrand, Luis Carlos -Lithographer- (After Zurbarán, Francisco de); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Luis Carlos Legrand (activo en Madrid entre 1829 y 1858) que reproduce el óleo de Francisco de Zurbarán conservado en el Museo Nacional del Prado (P01236). Esta estampa se entrega [+]

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