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Susannah and the Elders
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Guglielmi, Paolo -Lithographer- (After Veronese, Paolo (Paolo Cagliari)); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
Susannah and the Elders
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Guglielmi, Paolo -Lithographer- (After Veronese, Paolo (Paolo Cagliari)); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

Es una litografía de Paolo Giuglielmi (1804-1862) que reproduce el lienzo de Veronés conservado en el Museo Nacional del Prado (P00483). Esta estampa se entregaba con el cuadernillo LXV acompañado de [+]

Susannah and the Elders
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Guglielmi, Paolo -Lithographer- (After Veronese, Paolo (Paolo Cagliari)); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Susannah and the Elders
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Guglielmi, Paolo -Lithographer- (After Veronese, Paolo (Paolo Cagliari)); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Paolo Giuglielmi (1802-1864) que reproduce el lienzo de Veronés conservado en el Museo Nacional del Prado (P00483). Esta estampa se entregaba con el cuadernillo LXXIV acompañado d [+]

The Virgin and Child with Saint John and Angels
Crayon lithography, Lithographic aquatint on wove paper. 1829 - 1832
Guglielmi, Paolo -Lithographer- (After Sarto, Andrea del (Andrea D'agnolo)); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
The Virgin and Child with Saint John and Angels
Crayon lithography, Lithographic aquatint on wove paper. 1829 - 1832
Guglielmi, Paolo -Lithographer- (After Sarto, Andrea del (Andrea D'agnolo)); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

Litografía de Paolo Guglielmi que reproduce el lienzo de Andrea del Sarto conservado en el Museo Nacional del Prado (P00338). Es la estampa LXIV encuadernada con un texto explicativo de José Musso y V [+]

Susannah and the Elders
Crayon lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Guglielmi, Paolo -Lithographer- (After Veronese, Paolo (Paolo Cagliari)); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Susannah and the Elders
Crayon lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Guglielmi, Paolo -Lithographer- (After Veronese, Paolo (Paolo Cagliari)); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Paolo Giuglielmi que reproduce el lienzo de Veronés conservado en el Museo Nacional del Prado (P00483). La estampa iba con un cuadernillo, el LXV, con texto explicativo de José Mu [+]

Saint Stephen accused of Blasphemy
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Guglielmi, Paolo -Lithographer- (After Juanes, Juan de (Vicente Juan Masip)); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
Saint Stephen accused of Blasphemy
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Guglielmi, Paolo -Lithographer- (After Juanes, Juan de (Vicente Juan Masip)); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

The Last Suppe
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Guglielmi, Paolo -Lithographer- (After Juanes, Juan de (Vicente Juan Masip)); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Last Suppe
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Guglielmi, Paolo -Lithographer- (After Juanes, Juan de (Vicente Juan Masip)); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

The Last Supper
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Guglielmi, Paolo -Lithographer- (After Juanes, Juan de (Vicente Juan Masip)); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
The Last Supper
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Guglielmi, Paolo -Lithographer- (After Juanes, Juan de (Vicente Juan Masip)); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

The Finding of Moses
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Guglielmi, Paolo -Lithographer- (After Veronese, Paolo (Paolo Cagliari)); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Finding of Moses
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Guglielmi, Paolo -Lithographer- (After Veronese, Paolo (Paolo Cagliari)); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

The Finding of Moses
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Guglielmi, Paolo -Lithographer- (After Veronese, Paolo (Paolo Cagliari)); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
The Finding of Moses
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Guglielmi, Paolo -Lithographer- (After Veronese, Paolo (Paolo Cagliari)); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

The Finding of Moses
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Guglielmi, Paolo -Lithographer- (After Veronese, Paolo (Paolo Cagliari)); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Finding of Moses
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Guglielmi, Paolo -Lithographer- (After Veronese, Paolo (Paolo Cagliari)); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

The Finding of Moses
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Guglielmi, Paolo -Lithographer- (After Veronese, Paolo (Paolo Cagliari)); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
The Finding of Moses
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Guglielmi, Paolo -Lithographer- (After Veronese, Paolo (Paolo Cagliari)); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

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