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Life study
Black chalk, White chalk on grey paper. XVIII century
Salvador Carmona, Manuel
Life study
Black chalk, White chalk on grey paper. XVIII century
Salvador Carmona, Manuel

Estudio de un desnudo varonil en pie, casi de perfil, a la izquierda, acodado en un sillar, con la mano izquierda en la cadera. (Texto extractado de Pérez Sánchez, Alfonso E.: Catálogo de Dibujos. II. Dibujos Españoles. Siglo XVIII (C-Z), Museo del Prado, Madrid, 1977, p. 106).

Anna Maria Teresa Mengs drawing
Black chalk, White chalk on blue laid paper. 1778 - 1792
Salvador Carmona, Manuel
Anna Maria Teresa Mengs drawing
Black chalk, White chalk on blue laid paper. 1778 - 1792
Salvador Carmona, Manuel

Manuel Salvador Carmona was the most important academic engraver in 18th-century Spain. In addition to impressions of his prints, the Museo del Prado also has a large group of his drawings, including preparatory studies for prints, life studies and portraits of his family and friends. The latter include this exceptional portrait of his wife, the painter Anna Maria Mengs (1751-1792). Depictions of

Statue of Charles III
Taille douce: etching and engraving on wove paper. 1784
Salvador Carmona, Manuel
Statue of Charles III
Taille douce: etching and engraving on wove paper. 1784
Salvador Carmona, Manuel

This print reproduces Alfonso Bergaz’s sculpture of Charles III, which was installed on a large pedestal in the main square in Burgos in 1784 on the initiative of Antonio Tomé, a wealthy merchant and the city’s consul. In addition to the monarch’s regal, military presentation, which evokes classical art, the face is notably realistic and has a liveliness singled out at the time as the sculp

Saint Peter freed by an Angel
Taille douce: etching and engraving on wove paper. 1793
Alegre, Manuel; Salvador Carmona, Manuel; Calcografía Nacional; Bueno, León
Saint Peter freed by an Angel
Taille douce: etching and engraving on wove paper. 1793
Alegre, Manuel; Salvador Carmona, Manuel; Calcografía Nacional; Bueno, León

This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active.The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproduction of prints o

Saint Rose of Lima
Taille douce: etching and engraving on wove paper. 1793
Ametller, Blas; Salvador Carmona, Manuel; Gutiérrez, Genaro
Saint Rose of Lima
Taille douce: etching and engraving on wove paper. 1793
Ametller, Blas; Salvador Carmona, Manuel; Gutiérrez, Genaro

This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproduction of prints

Allegory of the Foundation of the Order of Charles III
Taille douce: etching and engraving on wove paper. 1778
Salvador Carmona, Manuel
Allegory of the Foundation of the Order of Charles III
Taille douce: etching and engraving on wove paper. 1778
Salvador Carmona, Manuel

The print is based on a painting by Antonio González Velázquez. Charles III wears the habit of a master of his own Order, and is accompanied by the allegories of Merit and Virtue. Devout and family-minded, the monarch created the Order to give thanks to the Immaculate Conception for the birth of his grandson.

Saint Peter freed by an Angel
Taille douce: etching and engraving on continuous paper. 1793
Alegre, Manuel; Salvador Carmona, Manuel; Bueno, León; Calcografía Nacional
Saint Peter freed by an Angel
Taille douce: etching and engraving on continuous paper. 1793
Alegre, Manuel; Salvador Carmona, Manuel; Bueno, León; Calcografía Nacional

This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproduction of prints

The Feast of Bacchus
Taille douce: etching and engraving on continuous paper. 1793
Salvador Carmona, Manuel; Cruz Vázquez, Manuel de la
The Feast of Bacchus
Taille douce: etching and engraving on continuous paper. 1793
Salvador Carmona, Manuel; Cruz Vázquez, Manuel de la

This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproduction of prints

Saint Peter freed by an Angel
Taille douce: etching and engraving on continuous paper. 1793
Alegre, Manuel; Salvador Carmona, Manuel; Bueno, León; Calcografía Nacional
Saint Peter freed by an Angel
Taille douce: etching and engraving on continuous paper. 1793
Alegre, Manuel; Salvador Carmona, Manuel; Bueno, León; Calcografía Nacional

This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproduction of prints

The Feast of Bacchus
Taille douce: etching and engraving on laid paper. 1793
Salvador Carmona, Manuel; Cruz Vázquez, Manuel de la; Imprenta Real
The Feast of Bacchus
Taille douce: etching and engraving on laid paper. 1793
Salvador Carmona, Manuel; Cruz Vázquez, Manuel de la; Imprenta Real

This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproduction of prints

Saint Rose of Lima
Taille douce: etching and engraving on wove paper. 1793
Ametller, Blas; Salvador Carmona, Manuel; Gutiérrez, Genaro
Saint Rose of Lima
Taille douce: etching and engraving on wove paper. 1793
Ametller, Blas; Salvador Carmona, Manuel; Gutiérrez, Genaro

This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproduction of prints

Saint Cecilia
Taille douce: etching and engraving on wove paper. 1793
Fernández Noseret, Luis; Salvador Carmona, Manuel; Bueno, León; Calcografía Nacional
Saint Cecilia
Taille douce: etching and engraving on wove paper. 1793
Fernández Noseret, Luis; Salvador Carmona, Manuel; Bueno, León; Calcografía Nacional

This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproduction of prints

Francisco Antonio de Lorenzana, Archbishop of Toledo
Taille douce: etching and engraving on laid paper. 1800
Salvador Carmona, Manuel; Fulgoni, Antonio
Francisco Antonio de Lorenzana, Archbishop of Toledo
Taille douce: etching and engraving on laid paper. 1800
Salvador Carmona, Manuel; Fulgoni, Antonio

This is the portrait of Francisco Antonio Lorenzana, Archbishop of Toledo, engraved by Manuel Salvador Carmona in 1800. It was included in the Missale Gothicum secundum regulam Beati Isidori Hispalensis Episcopi printed in Rome by Antonio Fulgoni in 1804. It reproduces the painting by Agustín Esteve, which is currently in the Count of Finat’s collection in Madrid with slight additions. It s

Charles III
Taille douce: etching and engraving on continuous paper. 1783
Salvador Carmona, Manuel
Charles III
Taille douce: etching and engraving on continuous paper. 1783
Salvador Carmona, Manuel

Estampa grabada por Manuel Salvador Carmona que reproduce el óleo pintado por Antón Raphael Mengs, conservado en el Museo Nacional del Prado (P02200). La lámina de cobre se la encargó a Carmona la Secretaría de Estado en 1782. Fue adquirida en 1875 por la Calcografía Nacional de Madrid, donde se conserva en la actualidad (R. 3796). El Museo conserva otros dos ejemplares de esta estampa (G02889 y G

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