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This opulent still-life scene typical of the Baroque Flemish school includes a human figure and two animals, as was common in the period, in accordance with the tastes of the clients, whose wealth and [+]
Snyders invented a type of scene of domestic interiors in which animals are the principal protagonists. Here a dog which has entered a larder and taken a large piece of meat is looking defiantly at an [+]
As goddess of the Earth and agriculture, Ceres is depicted wearing a bundle of wheat spikes on her head. Beside her, Pan, the god of shepherds and herds, has a crown of oak leaves. Ceres symbolizes cu [+]
In this composition, various species of birds perched on the branches of a tree -a stork, an eagle, a red macaw, etc.- sing around a musical score. As in many of Frans Snyders’ compositions, the large [+]
Goddess of grains and the harvest, Ceres holds some corn cobs in her right hand while, with the left, she holds a horn of plenty. Two nymphs fill the cornucopia with fruits, symbolizing the Earth´s ge [+]
This scene is inspired by a passage from the Metamorphoses by the Roman poet Ovid. Orpheus, the mythological Greek musician and poet, sung and played the lyre so sublimely that all the animals, even t [+]
According to Plutarch, Philopoemen, a strategist and general of the Aequian League that fought against Sparta, visited the city of Megara. Because of his unassuming, humble appearance, the lady of the [+]
In the composition, an owl on a branch directs a chorus of fifteen other types of birds while holding a score between its feet. Such images of different species of birds perched on tree trunks, someti [+]
