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Philip IV in Armour, with a Lion at his Feet
Oil on canvas. Ca. 1653
Velázquez, Diego Rodríguez de Silva y (Workshop Of)
Philip IV in Armour, with a Lion at his Feet
Oil on canvas. Ca. 1653
Velázquez, Diego Rodríguez de Silva y (Workshop Of)

In its present state the painting reveals two different phases of creation. The apparent age of the sitter and the notable similarities with his appearance in Velázquez`s portrait of the elderl [+]

Philip IV
Oil on canvas. 1626 - 1628
Velázquez, Diego Rodríguez de Silva y
Philip IV
Oil on canvas. 1626 - 1628
Velázquez, Diego Rodríguez de Silva y

This is an extraordinary example of the eventful life of many royal portraits during the Siglo de Oro, and it shows just how much those paintings, rather than immutable artworks, were objects with a r [+]

Philip IV
Oil on canvas. Ca. 1653
Velázquez, Diego Rodríguez de Silva y
Philip IV
Oil on canvas. Ca. 1653
Velázquez, Diego Rodríguez de Silva y

This image can be identified as that of a king and as a portrait of Philip IV on the basis of others of the monarch. In fact, nothing about the clothes or the sitter`s actions suggests his royal statu [+]

The Recapture of Bahía de Todos los Santos
Oil on canvas. 1634 - 1635
Maíno, Fray Juan Bautista
The Recapture of Bahía de Todos los Santos
Oil on canvas. 1634 - 1635
Maíno, Fray Juan Bautista

The Recapture of Bahía de Todos los Santos was commissioned from Maíno towards the end of 1634. The artist was still working on it on 24 March 1635, date on which he received the first 1 [+]

Philip IV on Horseback
Oil on canvas. Ca. 1635
Velázquez, Diego Rodríguez de Silva y
Philip IV on Horseback
Oil on canvas. Ca. 1635
Velázquez, Diego Rodríguez de Silva y

Of the equestrian portraits painted for the Hall of Realms, this is the only one with a declaration of authorship. The lower left corner has been a customary place throughout the history of painting f [+]

Las Meninas
Oil on canvas. 1656
Velázquez, Diego Rodríguez de Silva y
Las Meninas
Oil on canvas. 1656
Velázquez, Diego Rodríguez de Silva y

This is one of Velázquez`s largest paintings and among those in which he made most effort to create a complex and credible composition that would convey a sense of life and reality while enclos [+]

Philip IV in prayer
Oil on canvas. Ca. 1655
Velázquez, Diego Rodríguez de Silva y (Workshop Of)
Philip IV in prayer
Oil on canvas. Ca. 1655
Velázquez, Diego Rodríguez de Silva y (Workshop Of)

This pair of portraits (P001220 and P001222) combines several aspects of Spanish portraiture of the Baroque period. In principle, the figures of Philip IV and his second wife, Mariana of Austria, are [+]

Philip IV
Oil on canvas. 1623
Velázquez, Diego Rodríguez de Silva y
Philip IV
Oil on canvas. 1623
Velázquez, Diego Rodríguez de Silva y

We see King Philip IV of Spain (r. 1621-1665) when he was around twenty years old in an austere image filled with references to his status and responsibilities and to the reformist intentions with whi [+]

Philip IV in Hunting Dress
Oil on canvas. 1632 - 1634
Velázquez, Diego Rodríguez de Silva y
Philip IV in Hunting Dress
Oil on canvas. 1632 - 1634
Velázquez, Diego Rodríguez de Silva y

Between 1635 and 1637, important additions were made to the Torre de la Parada, the king´s hunting pavilion situated in the woodlands surrounding the royal palace of El Pardo, on the outskirts of Madr [+]

Prince Philip and the Dwarf, Miguel Soplillo
Oil on canvas. Ca. 1620
Villandrando, Rodrigo de
Prince Philip and the Dwarf, Miguel Soplillo
Oil on canvas. Ca. 1620
Villandrando, Rodrigo de

Shortly after this portrait was painted the sitter, the Prince of Asturias, was proclaimed King of Spain and Portugal. Here the future Philip IV wears Portuguese ceremonial dress, in white and gold. H [+]

Felipe IV on horseback
Gilt-bronze. 1615 - 1620
Tacca, Pietro (Attributed To)
Felipe IV on horseback
Gilt-bronze. 1615 - 1620
Tacca, Pietro (Attributed To)

Dressed in early seventeenth-century style, the King of Spain (1605-1665) is shown as a youth, while still a prince. The baton and his decisive way of holding the reigns mark a classic attitude of pow [+]

Philip IV on Horseback
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Jollivet, Pierre-Jules; Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Philip IV on Horseback
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Jollivet, Pierre-Jules; Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

Las Meninas
Taille douce: etching and engraving on laid paper. 1799
Audouin, Pierre; Martínez, Antonio
Las Meninas
Taille douce: etching and engraving on laid paper. 1799
Audouin, Pierre; Martínez, Antonio

This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company f [+]

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