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Atropos or The Fates
Mixed method on mural transferred to canvas. 1820 - 1823
Goya y Lucientes, Francisco de
Atropos or The Fates
Mixed method on mural transferred to canvas. 1820 - 1823
Goya y Lucientes, Francisco de

The mural paintings that decorated the house known as “la Quinta del Sordo,” where Goya lived have come to be known as the Black Paintings, because he used so many dark pigments and blacks in them, and also because of their somber subject matter. The private and intimate character of that house allowed the artist to express himself with great liberty. He painted directly on the walls in what must

Hilan delgado
Drypoint, Japanese chisel, Etching, Aquatint on ivory laid paper. 1797 - 1799
Goya y Lucientes, Francisco de
Hilan delgado
Drypoint, Japanese chisel, Etching, Aquatint on ivory laid paper. 1797 - 1799
Goya y Lucientes, Francisco de

En esta estampa Goya aborda el tema de la ignorancia del pueblo, y las creencias en la superstición, todavía extendidas entre el pueblo durante aquellos años. Las tres viejas de la estampa han sido interpretadas como Parcas. Cloto aparece dando la estopa e hilando, lo cual no se aleja demasiado de los recetarios iconográficos tradicionales; Laquesis, al no tener hebra que hilar, lleva la escoba y,

The Fates
Taille douce: etching and engraving on paper. 1776
Volpato, Giovanni Battista
The Fates
Taille douce: etching and engraving on paper. 1776
Volpato, Giovanni Battista

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