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Bad husband. Album G, 13
Black chalk, Lithographic crayon on laid paper. 1824 - 1828
Goya y Lucientes, Francisco de
Bad husband. Album G, 13
Black chalk, Lithographic crayon on laid paper. 1824 - 1828
Goya y Lucientes, Francisco de

[+]

The flying dog
Pencil, Lithographic crayon on grey laid paper. 1824 - 1828
Goya y Lucientes, Francisco de
The flying dog
Pencil, Lithographic crayon on grey laid paper. 1824 - 1828
Goya y Lucientes, Francisco de

The Flying Dog is part of Album G, the first of two albums from Goya’s final years in Bordeaux, between 1824 and 1828. It is one of numerous compositions in which Goya portrays flying animals or human [+]

Young woman stroking her hair
Brush, Indian ink wash on laid paper. 1794 - 1795
Goya y Lucientes, Francisco de
Young woman stroking her hair
Brush, Indian ink wash on laid paper. 1794 - 1795
Goya y Lucientes, Francisco de

The Museo del Prado has four drawings (e/f [D04184, D04183], g/h [D04342, D04342/1], i/j [D04185, D04186], m/n [D07360, D07360/1]) with scenes on both sides from what is known as Goya’s Album A or San [+]

I am still learning
Black chalk, Lithographic crayon on grey laid paper. Ca. 1826
Goya y Lucientes, Francisco de
I am still learning
Black chalk, Lithographic crayon on grey laid paper. Ca. 1826
Goya y Lucientes, Francisco de

I am still learning, from the Bordeaux Album, dates from around 1825-28, and may well be the drawing that best sums up Goya’s spirit in the final years of his life. In fact, it has become a recurrent [+]

Great folly
Pencil on grey laid paper. 1824 - 1828
Goya y Lucientes, Francisco de
Great folly
Pencil on grey laid paper. 1824 - 1828
Goya y Lucientes, Francisco de

The title written by Goya indicates the absurd nature of the scene represented, which is hard to explain. The severed head is being fed by the body from which it has been separated. At the same time, [+]

A Donkey on Two Legs
Pencil on grey laid paper. 1824 - 1828
Goya y Lucientes, Francisco de
A Donkey on Two Legs
Pencil on grey laid paper. 1824 - 1828
Goya y Lucientes, Francisco de

Bordeaux Sketchbook [G], sheet 20. While Goya may have witnessed such a scene on the streets of Bordeaux, his illustrations of everyday life are always moralizing in nature. Donkeys walking on two leg [+]

They eat a lot
Pencil on grey laid paper. 1824 - 1828
Goya y Lucientes, Francisco de
They eat a lot
Pencil on grey laid paper. 1824 - 1828
Goya y Lucientes, Francisco de

Several drawings in these albums predominantly feature clergymen, all of which have a satirical tone. In this case, a friar laboriously prepares to relieve himself, consequentially, as Goya´s title su [+]

They Love Each Other Very Much
Pencil on grey laid paper. 1824 - 1828
Goya y Lucientes, Francisco de
They Love Each Other Very Much
Pencil on grey laid paper. 1824 - 1828
Goya y Lucientes, Francisco de

Bordeaux Sketchbook [G], sheet 59. Sketchbook G was undoubtedly conceived as a new book of caprichos, and it contains a number of the themes that obsessed Goya from the late eighteenth century onward. [+]

Apparition That Speaks to Him. Bad Dream
Pencil on grey laid paper. 1824 - 1828
Goya y Lucientes, Francisco de
Apparition That Speaks to Him. Bad Dream
Pencil on grey laid paper. 1824 - 1828
Goya y Lucientes, Francisco de

Bordeaux Sketchbook [G], sheet 12. The suspended head pecked by birds sends a jolt of terror through the man, who is transfixed by the horrible vision. His hair stands on end, and his fearful incredul [+]

Young woman sweeping
Indian ink, Wash on laid paper. 1794 - 1795
Goya y Lucientes, Francisco de
Young woman sweeping
Indian ink, Wash on laid paper. 1794 - 1795
Goya y Lucientes, Francisco de

The Museo del Prado has four drawings (e/f [D04184, D04183], g/h [D04342, D04342/1], i/j [D04185, D04186], m/n [D07360, D07360/1]) with scenes on both sides from what is known as Goya’s Album A or San [+]

Not even with those. What a tyranny
Pencil on grey laid paper. 1824 - 1828
Goya y Lucientes, Francisco de
Not even with those. What a tyranny
Pencil on grey laid paper. 1824 - 1828
Goya y Lucientes, Francisco de

Some drawings present an iconography difficult for us to understand today. Added to this is the inclusion of titles that are voluntarily vague and hinder our interpretation. In this case, the figure o [+]

Monks in procession
Pencil on grey laid paper. 1824 - 1828
Goya y Lucientes, Francisco de
Monks in procession
Pencil on grey laid paper. 1824 - 1828
Goya y Lucientes, Francisco de

Processions are a frequent element in Goya´s last works, and are always depicted with a noticeably dark tone, such as I the The San Isidro Pilgrimage, one of his Black Paintings. Here the monks hide t [+]

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