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Saint Jerome
Oil on canvas. Ca. 1630
Anonymous
Saint Jerome
Oil on canvas. Ca. 1630
Anonymous

La obra forma parte de una serie de cuatro lienzos que representan a los Padres de la Iglesia occidental, procedente del convento de Nuestra Señora de la Soledad de Madrid. Son copias de un conjunto r [+]

The penitent Saint Jerome
Oil on panel. 1525 - 1530
Anonymous
The penitent Saint Jerome
Oil on panel. 1525 - 1530
Anonymous

Located against a background landscape resembling those of Joachim Patinir (c. 1480-1524), Saint Jerome kneels in prayer before a crucifix and skull. In this case he is not depicted inside a cave or b [+]

Earth
Oil on canvas. 1675 - 1700
Anonymous
Earth
Oil on canvas. 1675 - 1700
Anonymous

This canvas by a late 17th-century painter is part of a group of four works, all at the Museo del Prado (P191, P3196, P3197 and P3198), that express the idea of the Elements through motives drawn from [+]

Altarpiece of Saint Christopher
Tempera on panel. Late XIII century
Anonymous
Altarpiece of Saint Christopher
Tempera on panel. Late XIII century
Anonymous

This small altarpiece, divided into three horizontal and three vertical rows, is dedicated to Saint Christopher, who protects against sudden death. His image occupies the central row, which is topped [+]

The Guils Frontal
Tempera on panel. Late XIII century
Anonymous
The Guils Frontal
Tempera on panel. Late XIII century
Anonymous

At the centre, the Pantocrator (Christ in majesty) is shown in a mandorla surrounded by the Tetramorph, the symbols of the four Evangelists. At either side, the upper register shows scenes from the li [+]

The penitent Saint Jerome
Oil on panel. XVI century
Anonymous
The penitent Saint Jerome
Oil on panel. XVI century
Anonymous

[+]

Group of Elders from St. Paul Preaching at Athens / Caryatid and Studies of a Bull and a Lion
Pencil, Grey-brown ink on yellow paper. Early XIX century
Anonymous
Group of Elders from St. Paul Preaching at Athens / Caryatid and Studies of a Bull and a Lion
Pencil, Grey-brown ink on yellow paper. Early XIX century
Anonymous

Although the line work of the drawing has the appearance of being sixteenth century, it is indeed hard to see lay-lines in the paper. since there are no old inscriptions on the drawing itself, nor any [+]

Sheet of studies with a happy and three lions rampant
Pencil, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous
Sheet of studies with a happy and three lions rampant
Pencil, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous

An old attribution to Agostino Carracci (1557-1602) appears on the reserve of the sheet. In a note on the modern museum matte, Keith Andrews suggested Battista Franco?, to which comment Catherine Monb [+]

Hercules forcing apart the jaws of the Nemean lion
Pencil, Pencil ground, Grey-brown ink on paper. XVI century
Anonymous
Hercules forcing apart the jaws of the Nemean lion
Pencil, Pencil ground, Grey-brown ink on paper. XVI century
Anonymous

The Suidas mention this drawing as perhaps the composition of one of the chiaroscuro frescoes of the Labors of Hercules, now lost, formerly on the façade, but possibly in the interior, of the p [+]

Saint Jerome
Black chalk on white paper. XVIII century
Anonymous
Saint Jerome
Black chalk on white paper. XVIII century
Anonymous

San Jerónimo arrodillado hacia la derecha, la mano izquierda sobre el libro y a sus pies el león. Estudio de inferior calidad, lo que indica que debe ser copia de otra composición, quizá grabada (Text [+]

Studies of heads, masks, the head of a lion, and hands
Pencil, Grey-brown ink on paper. XVI century
Anonymous
Studies of heads, masks, the head of a lion, and hands
Pencil, Grey-brown ink on paper. XVI century
Anonymous

The right half of the sheet, with studies of fifteen heads, including a mask in profile, upper right corner, repeats a drawing by an imitator of Cambiaso in the Accademia, Venice (inv. no. 418). Both [+]

Heliotrope cup with lionesses’ heads
Gold, Bloodstone, Enamel. 1630 - 1660
Anonymous
Heliotrope cup with lionesses’ heads
Gold, Bloodstone, Enamel. 1630 - 1660
Anonymous

Mutilated during the Peninsular War and the robbery of 1918, the volumes of this vessel can now only be appreciated from the case and a historic photograph. It is notable both for the stone used, heli [+]

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