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Menippus
Taille douce: etching and engraving on laid paper. 1791 - 1800
Esquivel de Sotomayor, Manuel; Bueno, León; Muntaner y Moner, Francisco
Menippus
Taille douce: etching and engraving on laid paper. 1791 - 1800
Esquivel de Sotomayor, Manuel; Bueno, León; Muntaner y Moner, Francisco

This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproduction of prints

The Spinners, or the Fable of Arachne
Taille douce: etching and engraving on laid paper. 1796
Muntaner y Moner, Francisco; Esteve, Agustín; Imprenta Real
The Spinners, or the Fable of Arachne
Taille douce: etching and engraving on laid paper. 1796
Muntaner y Moner, Francisco; Esteve, Agustín; Imprenta Real

This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproduction of prints

Magistrate with Crucifix
Taille douce: etching and engraving on wove paper. 1791 - 1800
Muntaner y Moner, Francisco; Bueno, León; Calcografía Nacional
Magistrate with Crucifix
Taille douce: etching and engraving on wove paper. 1791 - 1800
Muntaner y Moner, Francisco; Bueno, León; Calcografía Nacional

This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active.The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproduction of prints o

Menippus
Taille douce: etching and engraving on continuous paper. 1791 - 1800
Esquivel de Sotomayor, Manuel; Bueno, León; Muntaner y Moner, Francisco
Menippus
Taille douce: etching and engraving on continuous paper. 1791 - 1800
Esquivel de Sotomayor, Manuel; Bueno, León; Muntaner y Moner, Francisco

This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproduction of prints

Aesop
Taille douce: etching and engraving on continuous paper. 1796
Esquivel de Sotomayor, Manuel; Bueno, León; Muntaner y Moner, Francisco
Aesop
Taille douce: etching and engraving on continuous paper. 1796
Esquivel de Sotomayor, Manuel; Bueno, León; Muntaner y Moner, Francisco

This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproduction of prints

The Apparition of the Virgin to Saint Bernard
Taille douce: etching and engraving on laid paper. 1791 - 1800
Muntaner y Moner, Francisco; Bueno, León
The Apparition of the Virgin to Saint Bernard
Taille douce: etching and engraving on laid paper. 1791 - 1800
Muntaner y Moner, Francisco; Bueno, León

This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproduction of prints

Aesop
Taille douce: etching and engraving on continuous paper. 1796
Esquivel de Sotomayor, Manuel; Muntaner y Moner, Francisco; Bueno, León
Aesop
Taille douce: etching and engraving on continuous paper. 1796
Esquivel de Sotomayor, Manuel; Muntaner y Moner, Francisco; Bueno, León

This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproduction of prints

The Apparition of the Virgin to Saint Bernard
Taille douce: etching and engraving on laid paper. 1791 - 1800
Muntaner y Moner, Francisco; Bueno, León
The Apparition of the Virgin to Saint Bernard
Taille douce: etching and engraving on laid paper. 1791 - 1800
Muntaner y Moner, Francisco; Bueno, León

This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproduction of prints

Buffoon with books
Taille douce: etching and engraving on laid paper. 1792
Muntaner y Moner, Francisco; Bueno, León
Buffoon with books
Taille douce: etching and engraving on laid paper. 1792
Muntaner y Moner, Francisco; Bueno, León

This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproduction of prints

Magistrate with Crucifix
Taille douce: etching and engraving on continuous paper. 1791 - 1800
Muntaner y Moner, Francisco; Bueno, León; Calcografía Nacional
Magistrate with Crucifix
Taille douce: etching and engraving on continuous paper. 1791 - 1800
Muntaner y Moner, Francisco; Bueno, León; Calcografía Nacional

This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproduction of prints

Menippus
Taille douce: etching and engraving on laid paper. 1791 - 1800
Esquivel de Sotomayor, Manuel; Bueno, León; Muntaner y Moner, Francisco
Menippus
Taille douce: etching and engraving on laid paper. 1791 - 1800
Esquivel de Sotomayor, Manuel; Bueno, León; Muntaner y Moner, Francisco

This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproduction of prints

The Spinners, or the Fable of Arachne
Taille douce: etching and engraving on continuous paper. 1796
Muntaner y Moner, Francisco; Esteve, Agustín
The Spinners, or the Fable of Arachne
Taille douce: etching and engraving on continuous paper. 1796
Muntaner y Moner, Francisco; Esteve, Agustín

This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproduction of prints

Buffoon with books
Taille douce: etching and engraving on laid paper. 1792
Muntaner y Moner, Francisco; Bueno, León
Buffoon with books
Taille douce: etching and engraving on laid paper. 1792
Muntaner y Moner, Francisco; Bueno, León

This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproduction of prints

The Penintent Sain Jerome
Taille douce: etching and engraving on wove paper. 1791 - 1800
Muntaner y Moner, Francisco; Bueno, León
The Penintent Sain Jerome
Taille douce: etching and engraving on wove paper. 1791 - 1800
Muntaner y Moner, Francisco; Bueno, León

This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproduction of prints

The Spinners, or the Fable of Arachne
Taille douce: etching and engraving on laid paper. 1796
Muntaner y Moner, Francisco; Esteve, Agustín
The Spinners, or the Fable of Arachne
Taille douce: etching and engraving on laid paper. 1796
Muntaner y Moner, Francisco; Esteve, Agustín

This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproduction of prints

Aesop
Taille douce: etching and engraving on laid paper. 1796
Esquivel de Sotomayor, Manuel; Muntaner y Moner, Francisco; Bueno, León
Aesop
Taille douce: etching and engraving on laid paper. 1796
Esquivel de Sotomayor, Manuel; Muntaner y Moner, Francisco; Bueno, León

This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproduction of prints

Aesop
Taille douce: etching and engraving on wove paper. 1796
Esquivel de Sotomayor, Manuel; Muntaner y Moner, Francisco; Bueno, León
Aesop
Taille douce: etching and engraving on wove paper. 1796
Esquivel de Sotomayor, Manuel; Muntaner y Moner, Francisco; Bueno, León

This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active.The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproduction of prints o

The Apparition of the Virgin to Saint Bernard
Taille douce: etching and engraving on continuous paper. 1791 - 1800
Muntaner y Moner, Francisco; Bueno, León
The Apparition of the Virgin to Saint Bernard
Taille douce: etching and engraving on continuous paper. 1791 - 1800
Muntaner y Moner, Francisco; Bueno, León

This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproduction of prints

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