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The Cardinal-Infante Don Fernando de Austria, at the Battle of Nördlingen
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Jollivet, Pierre-Jules -Lithographer- (The Original Work, According To Inscriptions, Attributed To Dyck, Anthony Van); Rubens, Peter Paul (After); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
The Cardinal-Infante Don Fernando de Austria, at the Battle of Nördlingen
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Jollivet, Pierre-Jules -Lithographer- (The Original Work, According To Inscriptions, Attributed To Dyck, Anthony Van); Rubens, Peter Paul (After); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

The Cardinal-Infante Don Fernando de Austria, at the Battle of Nördlingen
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Jollivet, Pierre-Jules -Lithographer- (The Original Work, According To Inscriptions, Attributed To Dyck, Anthony Van); Rubens, Peter Paul (After); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Cardinal-Infante Don Fernando de Austria, at the Battle of Nördlingen
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Jollivet, Pierre-Jules -Lithographer- (The Original Work, According To Inscriptions, Attributed To Dyck, Anthony Van); Rubens, Peter Paul (After); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

Saint Stephen accused of Blasphemy
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Guglielmi, Paolo -Lithographer- (After Juanes, Juan de (Vicente Juan Masip)); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
Saint Stephen accused of Blasphemy
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Guglielmi, Paolo -Lithographer- (After Juanes, Juan de (Vicente Juan Masip)); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

The Last Suppe
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Guglielmi, Paolo -Lithographer- (After Juanes, Juan de (Vicente Juan Masip)); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Last Suppe
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Guglielmi, Paolo -Lithographer- (After Juanes, Juan de (Vicente Juan Masip)); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

The Last Supper
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Guglielmi, Paolo -Lithographer- (After Juanes, Juan de (Vicente Juan Masip)); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
The Last Supper
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Guglielmi, Paolo -Lithographer- (After Juanes, Juan de (Vicente Juan Masip)); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

Philip II on Horseback
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Jollivet, Pierre-Jules -Lithographer- (After Rubens, Peter Paul); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Philip II on Horseback
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Jollivet, Pierre-Jules -Lithographer- (After Rubens, Peter Paul); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

Philip II on Horseback
Crayon lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Jollivet, Pierre-Jules -Lithographer- (After Rubens, Peter Paul); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
Philip II on Horseback
Crayon lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Jollivet, Pierre-Jules -Lithographer- (After Rubens, Peter Paul); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

Es una litografía, sin encuadernar, de Pierre-Jules Jollivet (1794-1871) que reproduce el lienzo de Rubens (P01686) conservado en el Museo Nacional del Prado. Esta estampa se entregaba con el cuaderni [+]

The Surrender of Jülich
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Jollivet, Pierre-Jules -Lithographer- (After Leonardo, Jusepe); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Surrender of Jülich
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Jollivet, Pierre-Jules -Lithographer- (After Leonardo, Jusepe); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

The Sacrifice of Isaac
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Sensi y Baldachi, Gaspar -Lithographer- (After Sarto, Andrea del (Andrea D'agnolo)); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Sacrifice of Isaac
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Sensi y Baldachi, Gaspar -Lithographer- (After Sarto, Andrea del (Andrea D'agnolo)); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

The Sacrifice of Isaac
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Sensi y Baldachi, Gaspar -Lithographer- (After Sarto, Andrea del (Andrea D'agnolo)); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
The Sacrifice of Isaac
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Sensi y Baldachi, Gaspar -Lithographer- (After Sarto, Andrea del (Andrea D'agnolo)); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

The Sacrifice of Isaac
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Sensi y Baldachi, Gaspar -Lithographer- (After Sarto, Andrea del (Andrea D'agnolo)); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Sacrifice of Isaac
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Sensi y Baldachi, Gaspar -Lithographer- (After Sarto, Andrea del (Andrea D'agnolo)); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

Isabel II, as a child
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Amerigó y Morales, Ramón -Lithographer- (After Madrazo y Kuntz, Federico de); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Isabel II, as a child
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Amerigó y Morales, Ramón -Lithographer- (After Madrazo y Kuntz, Federico de); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Estampa encuadernada con el resto del volumen 3 (G04911-G40983), en holandesa, con cubierta y trasera forradas en papel de aguas y, en la piel del lomo, la inscripción en letras doradas COLECCION / DE [+]

Setting out with the Herd
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Parboni, Aquiles -Lithographer- (After Claude (Lorrain, Byname Of Claude Gellée)); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
Setting out with the Herd
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Parboni, Aquiles -Lithographer- (After Claude (Lorrain, Byname Of Claude Gellée)); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

Setting out with the Herd
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Parboni, Aquiles -Lithographer- (After Claude (Lorrain, Byname Of Claude Gellée)); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
Setting out with the Herd
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Parboni, Aquiles -Lithographer- (After Claude (Lorrain, Byname Of Claude Gellée)); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

Ford of a River
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Parboni, Aquiles -Lithographer- (After Claude (Lorrain, Byname Of Claude Gellée)); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
Ford of a River
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Parboni, Aquiles -Lithographer- (After Claude (Lorrain, Byname Of Claude Gellée)); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

Ford of a River
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Parboni, Aquiles -Lithographer- (After Claude (Lorrain, Byname Of Claude Gellée)); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Ford of a River
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Parboni, Aquiles -Lithographer- (After Claude (Lorrain, Byname Of Claude Gellée)); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

Landscape with hunters
Crayon lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Blanchard, Pharamond -Lithographer- (After Giaquinto, Corrado); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Landscape with hunters
Crayon lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Blanchard, Pharamond -Lithographer- (After Giaquinto, Corrado); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

Landscape with hunters
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Blanchard, Pharamond -Lithographer- (After Giaquinto, Corrado); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
Landscape with hunters
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Blanchard, Pharamond -Lithographer- (After Giaquinto, Corrado); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

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