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Diana and her Nymphs surprised by Satyrs
Oil on canvas. 1639 - 1640
Rubens, Peter Paul
Diana and her Nymphs surprised by Satyrs
Oil on canvas. 1639 - 1640
Rubens, Peter Paul

Diana the huntress is resting with her court of Nymphs in a clearing in the woods when she is attacked by a group of Satyrs. Rubens turned this painting into a virtuoso exercise in composition. In the [+]

The Rape of Hippodamia
Oil on canvas. 1636 - 1637
Rubens, Peter Paul (And Workshop)
The Rape of Hippodamia
Oil on canvas. 1636 - 1637
Rubens, Peter Paul (And Workshop)

Like Fortuna (P1674) and the Marriage of Peleus and Thetis (P1634), the Rape of Hippodamia was part of the massive cycle of mythologies designed by Peter Paul Rubens in 1636-37 for the Torre de la Par [+]

The Rape of Europe
Oil on canvas. 1628 - 1629
Rubens, Peter Paul (Copy After Titian (Tiziano Vecellio))
The Rape of Europe
Oil on canvas. 1628 - 1629
Rubens, Peter Paul (Copy After Titian (Tiziano Vecellio))

Rape of Europa is a faithful copy made by Peter Paul Rubens in Madrid after an original by Titian. It shows the Phoenician princess Europa after she was abducted by Zeus, who had taken on the form of [+]

Hercules killing the Dragon in the Garden of the Hesperides
Oil on canvas. 1639 - 1640
Rubens, Peter Paul (And Workshop)
Hercules killing the Dragon in the Garden of the Hesperides
Oil on canvas. 1639 - 1640
Rubens, Peter Paul (And Workshop)

Rubens painted this scene for Philip IV of Spain. It shows Hercules fighting with the dragon which guarded the Garden of Hesperides, to where the hero had travelled in search of the golden apples that [+]

The Cardinal-Infante Don Fernando de Austria, at the Battle of Nördlingen
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Jollivet, Pierre-Jules -Lithographer- (The Original Work, According To Inscriptions, Attributed To Dyck, Anthony Van); Rubens, Peter Paul (After); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
The Cardinal-Infante Don Fernando de Austria, at the Battle of Nördlingen
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Jollivet, Pierre-Jules -Lithographer- (The Original Work, According To Inscriptions, Attributed To Dyck, Anthony Van); Rubens, Peter Paul (After); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

The Cardinal-Infante Don Fernando de Austria, at the Battle of Nördlingen
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Jollivet, Pierre-Jules -Lithographer- (The Original Work, According To Inscriptions, Attributed To Dyck, Anthony Van); Rubens, Peter Paul (After); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Cardinal-Infante Don Fernando de Austria, at the Battle of Nördlingen
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Jollivet, Pierre-Jules -Lithographer- (The Original Work, According To Inscriptions, Attributed To Dyck, Anthony Van); Rubens, Peter Paul (After); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

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