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Praying Hermit
Oil on canvas. 1637 - 1638
Lemaire, Jean
Praying Hermit
Oil on canvas. 1637 - 1638
Lemaire, Jean

This is the largest of the paintings that Lemaire, a French artist working in Rome, produced for the decoration of the Buen Retiro Palace in Madrid. The architectural ruins and sculptural fragments ar [+]

Funeral Rites for a Roman Emperor
Oil on canvas. 1634 - 1635
Domenichino (Domenico Zampieri)
Funeral Rites for a Roman Emperor
Oil on canvas. 1634 - 1635
Domenichino (Domenico Zampieri)

This is the best-documented painting in the entire History of Rome cycle. It is also one of the works that raises the most questions about aspects as important as its authorship and its subject matter [+]

Tobias and the Angel
Oil on canvas. 1858 - 1863
Rosales Gallinas, Eduardo
Tobias and the Angel
Oil on canvas. 1858 - 1863
Rosales Gallinas, Eduardo

According to the Bible, Tobias was standing by a river when he was attacked by a giant fish. He was saved by his guardian angel. The painting shows the protagonist seeking refuge from the angel. The l [+]

Head of sleeping Cat
Oil on canvas attached to panel. Ca. 1885
Domingo Marqués, Francisco
Head of sleeping Cat
Oil on canvas attached to panel. Ca. 1885
Domingo Marqués, Francisco

El gato en sus distintas actitudes fue un motivo de representación habitual entre los pintores españoles del siglo XIX, conservándose numerosos ejemplares dibujados. Domingo Marqués pintó esta minúscu [+]

Still Life with Grapes, Apples and Plums
Oil on canvas. Ca. 1630
Espinosa, Juan de
Still Life with Grapes, Apples and Plums
Oil on canvas. Ca. 1630
Espinosa, Juan de

This complex and convincing composition painted from a frontal perspective appears to be divided into two well-connected halves. In the lower half, which is nearer the viewer, the artist has placed a [+]

The Immaculate Conception
Pencil, Grey-brown wash on yellow paper. 1630 - 1640
Cano, Alonso (?)
The Immaculate Conception
Pencil, Grey-brown wash on yellow paper. 1630 - 1640
Cano, Alonso (?)

The Virgin appears full length, standing on the crescent moon and held by three cherubs. Her hands are joined and her head is gently tilted to the right. Wethey does not consider this a work by Cano, [+]

Wind. If anyone is to blame in this scene, it is the suit
Pencil, Iron gall ink on laid paper. 1796 - 1797
Goya y Lucientes, Francisco de
Wind. If anyone is to blame in this scene, it is the suit
Pencil, Iron gall ink on laid paper. 1796 - 1797
Goya y Lucientes, Francisco de

This preparatory drawing for the etching Capricho 36, Bad Night (G02124) is part of The Dreams, a series of twenty-six pen-and-ink drawings that serve as the basis for the Caprichos. This type of com [+]

Sacrificing Interest
Pencil, Iron gall ink on laid paper. 1796 - 1797
Goya y Lucientes, Francisco de
Sacrificing Interest
Pencil, Iron gall ink on laid paper. 1796 - 1797
Goya y Lucientes, Francisco de

This preparatory drawing for the etching Capricho 14, What a Sacrifice! (G02102) is part of The Dreams, a series of twenty-six pen-and-ink drawings that serve as the basis for the Caprichos. Headed by [+]

Venus and Adonis
Black chalk, Pencil on dark yellow paper. 1676
Anonymous
Venus and Adonis
Black chalk, Pencil on dark yellow paper. 1676
Anonymous

Dibujo en el que se representa a Venus sentada a la derecha con Cupido; ante ella, arrodillado, Adonis. Lleva una inscripción con el nombre de Mola y una fecha en 1676, por lo que no se puede referir [+]

Que sacrificio!
Drypoint, Burnished aquatint, Etching on ivory laid paper. 1797 - 1799
Goya y Lucientes, Francisco de
Que sacrificio!
Drypoint, Burnished aquatint, Etching on ivory laid paper. 1797 - 1799
Goya y Lucientes, Francisco de

Capricho 14, What a Sacrifice! is part of The Caprichos. The subject matter was common in that period as dreams were used to represent the world from the perspective of the artist’s imagination withou [+]

Large jade and silver gilt vessel with cover
Nephrite, Silver gilt. XVII century
Anonymous
Large jade and silver gilt vessel with cover
Nephrite, Silver gilt. XVII century
Anonymous

Vessel with a tall foot formed by a silver gilt mount and a body consisting of a shallow oval bowl of greyish jade (nephrite), with a diminished arch profile. Running around the lip is a broad mount w [+]

Small jade and silver-gilt brazier with two masks
Nephrite, Silver gilt. S XVI - XVII century
Anonymous
Small jade and silver-gilt brazier with two masks
Nephrite, Silver gilt. S XVI - XVII century
Anonymous

This small brazier, already cited in the 1689 Versailles inventory, follows the French classical taste propitiated by Le Brun, Maison, Bérain and others. The vessel is made up of seven pieces o [+]

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