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Hawking Party by a River
Oil on canvas. 1655 - 1658
Wouwerman, Philips -Painter- (And Workshop)
Hawking Party by a River
Oil on canvas. 1655 - 1658
Wouwerman, Philips -Painter- (And Workshop)

Here the main scene takes place in the foreground, where a group of distinguished huntsmen ride down a narrow path along a river bank crowded with popular figures including horse-riders, wayfarers, ba [+]

The Adoration of the Shepherds
Oil on panel. 1625
Wtewael, Joachim
The Adoration of the Shepherds
Oil on panel. 1625
Wtewael, Joachim

This Adoration of the Shepherds, signed and dated 1625, was executed in the final stage in Wtewael`s career. The intellectual approach to the scene (St Luke 2:15-18), which derives its emotive force f [+]

Air
Oil on canvas. Ca. 1700
Palomino y Velasco, Acisclo Antonio
Air
Oil on canvas. Ca. 1700
Palomino y Velasco, Acisclo Antonio

Air, one of the four elements, is embodied by the goddess, Juno, who sits in a carriage drawn by the peacocks that customarily symbolize her. She is accompanied by the nymph, Iris, who frames the scen [+]

The Hare Hunt
Oil on canvas. Ca. 1665
Wouwerman, Philips
The Hare Hunt
Oil on canvas. Ca. 1665
Wouwerman, Philips

This painting is listed in the royal inventories as the companion piece to Hunting Party and Fishermen (P2147). It is a panoramic view in which hunters, animals and picturesque buildings are set in a [+]

Falconers setting out on a Hunt
Oil on canvas. 1665 - 1668
Wouwerman, Philips
Falconers setting out on a Hunt
Oil on canvas. 1665 - 1668
Wouwerman, Philips

This painting belongs to a series of scenes of hunting parties at the entrance to country manors or villas built in a classical style. They all document a series of innovations in fashion and dressage [+]

La Torre de las Damas in the Alhambra, Granada
Oil on canvas. 1871
Rico y Ortega, Martín
La Torre de las Damas in the Alhambra, Granada
Oil on canvas. 1871
Rico y Ortega, Martín

This work was painted at a very important moment in Rico’s career, a period spent in direct contact with Fortuny in Granada in 1871 and 1872. He move there towards the end of 1870, but he was already [+]

Saint Dominic Blessing a Pilgrim
Pencil, Pencil ground, Grey-brown wash on paper attached to canvas, yellow laid paper. XVII century
Cano, Alonso
Saint Dominic Blessing a Pilgrim
Pencil, Pencil ground, Grey-brown wash on paper attached to canvas, yellow laid paper. XVII century
Cano, Alonso

El dibujo corresponde al periodo de madurez del pintor, en el que acumulaba ya toda su larga experiencia y conocimientos como dibujante, como se desprende del inteligente uso de las aguadas, es decir, [+]

Apollo
Pencil on paper. Mid-XVIIIcentury
Ajello, Eutichio
Apollo
Pencil on paper. Mid-XVIIIcentury
Ajello, Eutichio

This drawing belongs to the Ajello Sketchbook, a group of fifty-nine unbound pencil drawings that were models for engraving to illustrate a descriptive calendar of sculptures that Philip V and his wif [+]

The crucified Christ
Taille douce: etching and engraving on laid paper. 1786 - 1788
Salvador Carmona, Juan Antonio
The crucified Christ
Taille douce: etching and engraving on laid paper. 1786 - 1788
Salvador Carmona, Juan Antonio

Encuadernada en un álbum sobre obras de Velázquez (véase G02277). La estampa está dedicada al VII duque de Uceda, Andrés Manuel Alonso Pacheco Téllez-Girón y Fernández de Velasco (1728-1789). Es tambi [+]

Sardonyx cup with eagle's head
Gold, Ruby, Diamond, Emerald, Ágata sardónice, Enamel. 323 A.C. - 321 a.C.
Belle, Josias (?); Hellenistic Workshop (?); Taller Parisino
Sardonyx cup with eagle's head
Gold, Ruby, Diamond, Emerald, Ágata sardónice, Enamel. 323 A.C. - 321 a.C.
Belle, Josias (?); Hellenistic Workshop (?); Taller Parisino

The vessel, similar to O44, is formed by three fragments of agate and five enamelled gold mounts. The body is an ancient piece of stone with a broad gold mount on the edge decorated with an enamelled [+]

Sardonyx ewer
Ágata sardónice. 323 A.C. - 321 a.C.
Hellenistic Workshop
Sardonyx ewer
Ágata sardónice. 323 A.C. - 321 a.C.
Hellenistic Workshop

This was the most valuable object in the whole of the Grand Dauphin’s collection. Its mounting is now lost. It is a monolithic piece in the form of a jug with a bell-shaped body and tall neck that ope [+]

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