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The Eucharistic Christ
Oil on panel. 1520 - 1530
Yáñez de la Almedina, Fernando
The Eucharistic Christ
Oil on panel. 1520 - 1530
Yáñez de la Almedina, Fernando

The composition derives from a lost work by Leonardo repeated by Yáñez on two other occasions with some variants. Here he includes a chalice and a consecrated Host, a Eucharistic referen [+]

The Port of Amsterdam in Winter
Oil on canvas. 1656 - 1660
Dubbels, Hendrick Jacobsz
The Port of Amsterdam in Winter
Oil on canvas. 1656 - 1660
Dubbels, Hendrick Jacobsz

This is one of the few winter scenes painted by Hendrick Dubbels still preserved today. In the Museum`s catalogues it is described as a scene with skaters, although only three of the many characters d [+]

Garland with the Virgin and Child
Oil on copperplate. 1644
Seghers, Daniel
Garland with the Virgin and Child
Oil on copperplate. 1644
Seghers, Daniel

Seghers trained in Antwerp and was a member of the Jesuit Order. Around 1640 he started to paint reliefs with religious motifs framed by garlands. Works of this type proclaimed the legitimacy of image [+]

Manuela Tolosa y Aviñón
Oil on canvas. 1785 - 1788
González Velázquez, Antonio
Manuela Tolosa y Aviñón
Oil on canvas. 1785 - 1788
González Velázquez, Antonio

Retrato de la segunda esposa del pintor Antonio Gonzalez Velázquez, Manuela María Teresa Cayetana Tolosa y Aviñón (Madrid, 11-7-1740 - Madrid, 7-12-1797), con quien casó el 8 de abril de 1745. De su m [+]

The Embarkation of Saint Paula
Oil on canvas. Ca. 1639
Claude (Lorrain, Byname Of Claude Gellée)
The Embarkation of Saint Paula
Oil on canvas. Ca. 1639
Claude (Lorrain, Byname Of Claude Gellée)

A noble Roman widow and mother of five children, Saint Paula decided to retreat to the desert and abandon her worldly ways in favour of a life of prayer and penitence. In 285 AD she abandoned Rome wit [+]

The Burial of Christ
Oil on canvas. 1572
Titian (Tiziano Vecellio)
The Burial of Christ
Oil on canvas. 1572
Titian (Tiziano Vecellio)

Titian represented the Gospel account of the burial of Christ (Matthew 27: 57-61; Mark 15: 44-47; Luke 23: 50-54; John 19: 38-42) on several occasions. There is a notable difference between his first [+]

Penitent Magdalen
Oil on canvas. 1641
Ribera, Jusepe de, lo Spagnoletto
Penitent Magdalen
Oil on canvas. 1641
Ribera, Jusepe de, lo Spagnoletto

Traditionally identified as the woman who was a sinner and wept on Christ’s feet and wiped away her tears with her hair (Luke 7:36-50), Mary Magdalene is shown here as the hermit saint she became upon [+]

Saint Anthony of Padua
Oil on canvas. XVII century
Herrera The Younger, Francisco de
Saint Anthony of Padua
Oil on canvas. XVII century
Herrera The Younger, Francisco de

La composición, en origen inscrita en un óvalo que aún puede apreciarse, está ocupada casi en su totalidad por la figura del santo, quien sostiene entre sus brazos al Niño Jesús y una rama de azucenas [+]

Mrs Delicado de Imaz
Oil on canvas. Ca. 1836
López Portaña, Vicente
Mrs Delicado de Imaz
Oil on canvas. Ca. 1836
López Portaña, Vicente

The lady depicted here, around 50 years of age, is represented slightly greater than half-length, seated on a chair upholstered in green cloth, with a striking cashmere shawl of vivid colours lying on [+]

Saint Bartholomew
Oil on canvas. 1641
Ribera, Jusepe de, lo Spagnoletto
Saint Bartholomew
Oil on canvas. 1641
Ribera, Jusepe de, lo Spagnoletto

The saint in this painting can be identified by the knife in his right hand - the tool with which he was skinned. The work is part of a set of four hermits, although it is unusual to see this saint re [+]

The Death of the Virgin
Mixed method on panel transferred to canvas. Ca. 1500
Master Of la Sisla
The Death of the Virgin
Mixed method on panel transferred to canvas. Ca. 1500
Master Of la Sisla

This is by the same artist as The Presentation (P-1257), although it has a more Germanic character on account of it being almost a copy of an etching by Martin Schongauer (c. 1435/50-1491) of the same [+]

Self-portrait
Oil on canvas. 1810 - 1813
González Velázquez, Zacarías
Self-portrait
Oil on canvas. 1810 - 1813
González Velázquez, Zacarías

A member of a dynasty of artists that began with his grandfather, the sculptor Pablo González Velázquez (1664-1727), Zacarías González Velázquez initially trained wi [+]

Pietà
Mixed method on pine panel. 1465 - 1470
Gallego, Fernando
Pietà
Mixed method on pine panel. 1465 - 1470
Gallego, Fernando

By all indications, this panel at the Museo del Prado with the signature FERNA[N]DO GALLEG[U]S is the earliest surviving work by that painter from Salamanca. While some scholars think he must have mad [+]

The Descent from the Cross
Oil on panel. Ca. 1545
Correa de Vivar, Juan
The Descent from the Cross
Oil on panel. Ca. 1545
Correa de Vivar, Juan

This New Testament scene depicts the Descent from the Cross of Christ´s body (Matthew 28, 57-61; Mark 15, 42-47; Luke 23, 50-55; John 19, 38-42). Joseph of Arimathea, Nicodemus and Saint John the Evan [+]

River Landscape
Oil on panel. 1645 - 1648
Schoeff, Johan Pietersz.
River Landscape
Oil on panel. 1645 - 1648
Schoeff, Johan Pietersz.

This is the type of river landscape in which Schoeff specialised. In its compositional arrangement and diverse elements -tree, windmill, fishing boats- it closely resembles the river landscapes painte [+]

The Descent from the Cross
Oil on copperplate. Ca. 1550
Allori, Alessandro
The Descent from the Cross
Oil on copperplate. Ca. 1550
Allori, Alessandro

Christ´s dead body is taken off the Cross by Joseph of Arimathea, Nicodemus and Saint John the Evangelist. Among the people at his feet are the Virgin Mary, the mother of Joseph —also called Mary— as [+]

The Descent from the Cross
Oil on oak panel. Ca. 1570
Kempeneer, Pieter
The Descent from the Cross
Oil on oak panel. Ca. 1570
Kempeneer, Pieter

Calvary and The Descent from the Cross were two of the most frequent subjects in Pedro de Campaña’s oeuvre. Their content, as well as the painter’s Flemish training, explain his manner of empha [+]

The Annunciation
Oil on oak panel. 1420 - 1425
Campin, Robert
The Annunciation
Oil on oak panel. 1420 - 1425
Campin, Robert

The event is set in a gothic temple, alluding to the New Law that replaces the old one, represented by the Romanesque tower in the background. The sculptures on the outside of the church and on the to [+]

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