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Manuel Silvela y García Aragón
Oil on canvas. Ca. 1809
Goya y Lucientes, Francisco de
Manuel Silvela y García Aragón
Oil on canvas. Ca. 1809
Goya y Lucientes, Francisco de

Manuel Silvela y García de Aragón was born in Valladolid on 31 October 1781. His father died when he was just seven years old. After having spent several years in Ávila under the [+]

Juan Bautista de Muguiro
Oil on unlined canvas. 1827
Goya y Lucientes, Francisco de
Juan Bautista de Muguiro
Oil on unlined canvas. 1827
Goya y Lucientes, Francisco de

Holding a letter in his hand, Juan Bautista de Muguiro sits beside his desk, on which an inkwell is visible. This representation exalts his stature as a banker taking care of his business. An inscript [+]

Tobias and the Angel
Oil on canvas. Ca. 1787
Goya y Lucientes, Francisco de
Tobias and the Angel
Oil on canvas. Ca. 1787
Goya y Lucientes, Francisco de

This devotional painting illustrates an Old Testament story (Tobias 6, 1-8) in which Tobias meets the Archangel Raphael. The story of the two Tobias, father and son, is a model of Jewish piety and the [+]

Majo with a Guitar
Oil on canvas. 1779
Goya y Lucientes, Francisco de
Majo with a Guitar
Oil on canvas. 1779
Goya y Lucientes, Francisco de

This is a cartoon for a tapestry to be hung over a window, with the figure of a Majo playing the guitar and a background of landscape with three other people. The resulting tapestry was intended for t [+]

Infanta Maria Josefa
Oil on canvas. 1800
Goya y Lucientes, Francisco de
Infanta Maria Josefa
Oil on canvas. 1800
Goya y Lucientes, Francisco de

This is one of ten preparatory sketches for The Family of Charles IV. Goya executed them in Aranjuez shortly after he was made First Court Painter. All make use of a reddish-orange ground. Daughter of [+]

Cardinal Luis María de Borbón y Vallabriga
Oil on canvas. Ca. 1802
Goya y Lucientes, Francisco de
Cardinal Luis María de Borbón y Vallabriga
Oil on canvas. Ca. 1802
Goya y Lucientes, Francisco de

Cardinal Luis María de Borbón y Vallabriga (1777-1823) was the Countess of Chinchón’s brother and the son of the Infante Luis de Borbón and María Teresa de Vallabrig [+]

The Parasol
Oil on canvas. 1777
Goya y Lucientes, Francisco de
The Parasol
Oil on canvas. 1777
Goya y Lucientes, Francisco de

This tapestry cartoon depicts a young woman. She is sitting, with a dog on her lap, and is accompanied by a Majo who protects her from the sun with a parasol. This work's format and bottom-to-top pers [+]

The Actor Isidoro Máiquez
Oil on canvas. 1807
Goya y Lucientes, Francisco de
The Actor Isidoro Máiquez
Oil on canvas. 1807
Goya y Lucientes, Francisco de

The son of actors, Isidoro Máiquez was born in Cartagena in 1768. Supported by the Duke and Duchess of Osuna, he studied in Paris with the celebrated thespian Francisco José Talma (1763- [+]

Dogs on a Leash
Oil on canvas. 1775
Goya y Lucientes, Francisco de
Dogs on a Leash
Oil on canvas. 1775
Goya y Lucientes, Francisco de

A tapestry cartoon with two chained dogs, two shotguns, a powder horn, and other hunting implements on a small hill, with a landscape in the background. The resulting tapestry was intended to hang ove [+]

At least he does something
Brush, Pencil, Bistre, Grey-brown ink, Wash on laid paper. 1814 - 1823
Goya y Lucientes, Francisco de
At least he does something
Brush, Pencil, Bistre, Grey-brown ink, Wash on laid paper. 1814 - 1823
Goya y Lucientes, Francisco de

Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that [+]

Italian Notebook
Black chalk, Pencil, Red chalk, Bistre, Grey-brown ink, Iron gall ink on laid paper. 1771 - 1788
Goya y Lucientes, Francisco de
Italian Notebook
Black chalk, Pencil, Red chalk, Bistre, Grey-brown ink, Iron gall ink on laid paper. 1771 - 1788
Goya y Lucientes, Francisco de

Goya bought this sketchbook during his two-year sojourn in Italy, between 1769 and 1771. A taccuino or aide-mémoire, it includes the earliest drawings made at the time, among them copies of pai [+]

It’s no use crying out
Red chalk on laid paper. Ca. 1813
Goya y Lucientes, Francisco de
It’s no use crying out
Red chalk on laid paper. Ca. 1813
Goya y Lucientes, Francisco de

Preparatory drawing for Disasters of War, 58, It’s no use crying out.In this series of prints executed between 1810 and 1814 Goya offers a critical and personal vision of the consequences of the Spani [+]

Approaching the bull with lances, scimitars, banderillas and other weapons
Red chalk on laid paper. 1814 - 1816
Goya y Lucientes, Francisco de
Approaching the bull with lances, scimitars, banderillas and other weapons
Red chalk on laid paper. 1814 - 1816
Goya y Lucientes, Francisco de

El dibujo preparatorio para Tauromaquia, 12, Desjarrete de la canalla con lanzas, media-lunas, banderillas y otras armas pertenece a una serie, dominada siempre por el patetismo trágico, que Goya grab [+]

There is No Time Left
Pencil, Red chalk on laid paper. 1810 - 1814
Goya y Lucientes, Francisco de
There is No Time Left
Pencil, Red chalk on laid paper. 1810 - 1814
Goya y Lucientes, Francisco de

Rather than simply reflecting concrete events, Goya sought to capture their essence. He therefore placed himself alongside the action, taking part in a way that no previous artist ever had. This expla [+]

People in Sacks
Red chalk, Red wash on laid paper. 1815 - 1819
Goya y Lucientes, Francisco de
People in Sacks
Red chalk, Red wash on laid paper. 1815 - 1819
Goya y Lucientes, Francisco de

People in Sacks is a drawing related to print no. 8 from the Disparates series that Goya began in 1815. The composition of this drawing is vaguely related to the print, People in Sacks (G02176). [+]

The witches’ drones
Pencil, Iron gall ink, Black chalk lines on laid paper. 1796 - 1797
Goya y Lucientes, Francisco de
The witches’ drones
Pencil, Iron gall ink, Black chalk lines on laid paper. 1796 - 1797
Goya y Lucientes, Francisco de

This preparatory drawing for the etching Capricho 63, Look how solemn they are! (G02151) is part of The Dreams, a series of twenty-six pen-and-ink drawings that serve as the basis for the Caprichos. H [+]

What is the use of a cup?
Black chalk, Red chalk on laid paper. Ca. 1813
Goya y Lucientes, Francisco de
What is the use of a cup?
Black chalk, Red chalk on laid paper. Ca. 1813
Goya y Lucientes, Francisco de

Preparatory drawing for Disasters of War, 59, What is the use of a cup?.In this series of prints executed between 1810 and 1814 Goya offers a critical and personal vision of the consequences of the Sp [+]

The healthy and the sick
Red chalk on laid paper. 1812 - 1814
Goya y Lucientes, Francisco de
The healthy and the sick
Red chalk on laid paper. 1812 - 1814
Goya y Lucientes, Francisco de

Preparatory drawing for Disasters of War, 57, The healthy and the sick.In this series of prints executed between 1810 and 1814 Goya offers a critical and personal vision of the consequences of the Spa [+]

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