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Cardinal-Infante Ferdinand of Austria at the Battle of Nördlingen
Oil on canvas. 1634 - 1635
Rubens, Peter Paul
Cardinal-Infante Ferdinand of Austria at the Battle of Nördlingen
Oil on canvas. 1634 - 1635
Rubens, Peter Paul

The Cardinal-Infante is depicted in full body armor, with a black hat, a staff and a red sash. He is portrayed as a general of the Spanish Armies during the Battle of Nördlingen when, in 1634, th [+]

Hunting Party and Fishermen
Oil on canvas. 1660 - 1662
Wouwerman, Philips
Hunting Party and Fishermen
Oil on canvas. 1660 - 1662
Wouwerman, Philips

This is one of the elegant hunting scenes Wouwerman painted in the early 1660s that reveal his extraordinary talent as landscape artist. In these works, rather than depicting a hunting scene set in fr [+]

Abdication of Charles III
Oil on canvas. 1759
Joli, Antonio
Abdication of Charles III
Oil on canvas. 1759
Joli, Antonio

On August 10, 1759, Ferdinand VI died without a descendant. As a result, his stepbrother Charles, then King of Naples and Sicily, inherited the Spanish throne. The first of seven children of Philip V [+]

Christ carrying the Cross
Oil on canvas. Ca. 1565
Titian (Tiziano Vecellio)
Christ carrying the Cross
Oil on canvas. Ca. 1565
Titian (Tiziano Vecellio)

Renaissance painting abounds with representations of Christ bearing the cross on the road to Calvary, either as an isolated figure, or with an executioner assailing him, or accompanied by soldiers, cu [+]

Ceferino Araujo
Oil on canvas. 1864
Bonnat, Léon-Joseph
Ceferino Araujo
Oil on canvas. 1864
Bonnat, Léon-Joseph

El retrato representa a un hombre de unos treinta años, de rasgos pronunciados y barba. La atención se concentra en el rostro, que no parece juntarse al cuerpo, vagamente bosquejado debajo. La posició [+]

The Coronation of the Virgin
Black chalk, Grey wash on dark yellow paper. XVII century
Grano, Antonio
The Coronation of the Virgin
Black chalk, Grey wash on dark yellow paper. XVII century
Grano, Antonio

El dibujo presenta a la Virgen sentada en el centro, con los brazos extendidos mientras que varios angelitos y querubines revolotean a su alrededor. En la parte baja se representa a la serpiente con l [+]

The Visitation
Black chalk, White chalk on green paper. 1791
Bayeu, Francisco
The Visitation
Black chalk, White chalk on green paper. 1791
Bayeu, Francisco

Dibujo preparatorio para dos figuras para el fresco de La Visitación en el Oratorio del Palacio Real de Aranjuez. Este fresco fue grabado por Ramón Bayeu al aguafuerte y se conserva en la Calcografía [+]

So as not to work
Brush, Bistre, Wash on laid paper. 1814 - 1823
Goya y Lucientes, Francisco de
So as not to work
Brush, Bistre, Wash on laid paper. 1814 - 1823
Goya y Lucientes, Francisco de

Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that [+]

What is the use of the overskirt and the bloomers?
Brush, Bistre, Wash on laid paper. 1814 - 1823
Goya y Lucientes, Francisco de
What is the use of the overskirt and the bloomers?
Brush, Bistre, Wash on laid paper. 1814 - 1823
Goya y Lucientes, Francisco de

Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that [+]

These outdo themselves at the tavern
Brush, Pencil, Grey-brown ink, Iron gall ink, Wash, Scraping out on laid paper. 1814 - 1823
Goya y Lucientes, Francisco de
These outdo themselves at the tavern
Brush, Pencil, Grey-brown ink, Iron gall ink, Wash, Scraping out on laid paper. 1814 - 1823
Goya y Lucientes, Francisco de

Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that [+]

Many a widow has wept like you
Brush, Bistre, Grey-brown ink, Iron gall ink, Black chalk lines, Wash, Scraping out on laid paper. 1814 - 1823
Goya y Lucientes, Francisco de
Many a widow has wept like you
Brush, Bistre, Grey-brown ink, Iron gall ink, Black chalk lines, Wash, Scraping out on laid paper. 1814 - 1823
Goya y Lucientes, Francisco de

Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that [+]

Sixth, with nightmare
Brush, Bistre, Wash on laid paper. 1814 - 1823
Goya y Lucientes, Francisco de
Sixth, with nightmare
Brush, Bistre, Wash on laid paper. 1814 - 1823
Goya y Lucientes, Francisco de

Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that [+]

Ninth
Brush, Bistre, Wash on laid paper. 1814 - 1823
Goya y Lucientes, Francisco de
Ninth
Brush, Bistre, Wash on laid paper. 1814 - 1823
Goya y Lucientes, Francisco de

Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that [+]

He carries his wherewithal in his bag of flesh
Brush, Bistre, Wash on laid paper. 1814 - 1823
Goya y Lucientes, Francisco de
He carries his wherewithal in his bag of flesh
Brush, Bistre, Wash on laid paper. 1814 - 1823
Goya y Lucientes, Francisco de

Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that [+]

For those who are in deadly sin
Wash on laid paper. 1814 - 1823
Goya y Lucientes, Francisco de
For those who are in deadly sin
Wash on laid paper. 1814 - 1823
Goya y Lucientes, Francisco de

Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that [+]

There are amours here too
Brush, Pencil, Grey-brown ink, Wash on laid paper. 1814 - 1823
Goya y Lucientes, Francisco de
There are amours here too
Brush, Pencil, Grey-brown ink, Wash on laid paper. 1814 - 1823
Goya y Lucientes, Francisco de

Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that [+]

For liking a she-ass
Brush, Bistre, Grey-brown ink, Wash on laid paper. 1814 - 1823
Goya y Lucientes, Francisco de
For liking a she-ass
Brush, Bistre, Grey-brown ink, Wash on laid paper. 1814 - 1823
Goya y Lucientes, Francisco de

Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that [+]

How many yards?
Brush, Bistre, Grey-brown ink, Iron gall ink, Black chalk lines, Wash on laid paper. 1814 - 1823
Goya y Lucientes, Francisco de
How many yards?
Brush, Bistre, Grey-brown ink, Iron gall ink, Black chalk lines, Wash on laid paper. 1814 - 1823
Goya y Lucientes, Francisco de

Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that [+]

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