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Cardinal-Infante Ferdinand of Austria at the Battle of Nördlingen
Oil on canvas. 1634 - 1635
Rubens, Peter Paul
Cardinal-Infante Ferdinand of Austria at the Battle of Nördlingen
Oil on canvas. 1634 - 1635
Rubens, Peter Paul

The Cardinal-Infante is depicted in full body armor, with a black hat, a staff and a red sash. He is portrayed as a general of the Spanish Armies during the Battle of Nördlingen when, in 1634, th [+]

The Death of the Centaur Nessus
Oil on canvas. 1696 - 1697
Giordano, Luca
The Death of the Centaur Nessus
Oil on canvas. 1696 - 1697
Giordano, Luca

Hercules wades effortlessly across the powerful Euenos River while his wife, the beautiful Deianira, requires the aid of the centaur Nessus to do so. While ferrying her across, the centaur attempts to [+]

Christ carrying the Cross
Oil on canvas. Ca. 1565
Titian (Tiziano Vecellio)
Christ carrying the Cross
Oil on canvas. Ca. 1565
Titian (Tiziano Vecellio)

Renaissance painting abounds with representations of Christ bearing the cross on the road to Calvary, either as an isolated figure, or with an executioner assailing him, or accompanied by soldiers, cu [+]

Hunting Party and Fishermen
Oil on canvas. 1660 - 1662
Wouwerman, Philips
Hunting Party and Fishermen
Oil on canvas. 1660 - 1662
Wouwerman, Philips

This is one of the elegant hunting scenes Wouwerman painted in the early 1660s that reveal his extraordinary talent as landscape artist. In these works, rather than depicting a hunting scene set in fr [+]

Abdication of Charles III
Oil on canvas. 1759
Joli, Antonio
Abdication of Charles III
Oil on canvas. 1759
Joli, Antonio

On August 10, 1759, Ferdinand VI died without a descendant. As a result, his stepbrother Charles, then King of Naples and Sicily, inherited the Spanish throne. The first of seven children of Philip V [+]

Aeneas defeating Turnus
Oil on canvas. 1688
Giordano, Luca
Aeneas defeating Turnus
Oil on canvas. 1688
Giordano, Luca

Giordano representa el combate entre Turno, rey de los Rútulos, y Eneas, príncipe troyano, hijo de Anquises y Venus. La escena tiene lugar en el Lacio, a donde llegó Eneas una vez concluida la Guerra [+]

The Visitation
Black chalk, White chalk on green paper. 1791
Bayeu, Francisco
The Visitation
Black chalk, White chalk on green paper. 1791
Bayeu, Francisco

Dibujo preparatorio para dos figuras para el fresco de La Visitación en el Oratorio del Palacio Real de Aranjuez. Este fresco fue grabado por Ramón Bayeu al aguafuerte y se conserva en la Calcografía [+]

Por no trabajar
Brush, Bistre, Wash on laid paper. 1808 - 1814
Goya y Lucientes, Francisco de
Por no trabajar
Brush, Bistre, Wash on laid paper. 1808 - 1814
Goya y Lucientes, Francisco de

Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that [+]

Á que bendra el faldellin y los calzones?
Brush, Bistre, Wash on laid paper. 1808 - 1814
Goya y Lucientes, Francisco de
Á que bendra el faldellin y los calzones?
Brush, Bistre, Wash on laid paper. 1808 - 1814
Goya y Lucientes, Francisco de

Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that [+]

Estos hacen raya en la taberna
Brush, Pencil, Grey-brown ink, Iron gall ink, Wash, Scraping out on laid paper. 1808 - 1814
Goya y Lucientes, Francisco de
Estos hacen raya en la taberna
Brush, Pencil, Grey-brown ink, Iron gall ink, Wash, Scraping out on laid paper. 1808 - 1814
Goya y Lucientes, Francisco de

Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that [+]

Muchas Viudas an llorado como tu
Brush, Bistre, Grey-brown ink, Iron gall ink, Black chalk lines, Wash, Scraping out on laid paper. 1810 - 1811
Goya y Lucientes, Francisco de
Muchas Viudas an llorado como tu
Brush, Bistre, Grey-brown ink, Iron gall ink, Black chalk lines, Wash, Scraping out on laid paper. 1810 - 1811
Goya y Lucientes, Francisco de

Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that [+]

6th with neightmare
Brush, Bistre, Wash on laid paper. 1808 - 1814
Goya y Lucientes, Francisco de
6th with neightmare
Brush, Bistre, Wash on laid paper. 1808 - 1814
Goya y Lucientes, Francisco de

Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that [+]

9th
Brush, Bistre, Wash on laid paper. 1808 - 1814
Goya y Lucientes, Francisco de
9th
Brush, Bistre, Wash on laid paper. 1808 - 1814
Goya y Lucientes, Francisco de

Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that [+]

En el talego de carne lleba su patrimonio
Brush, Bistre, Wash on laid paper. 1808 - 1814
Goya y Lucientes, Francisco de
En el talego de carne lleba su patrimonio
Brush, Bistre, Wash on laid paper. 1808 - 1814
Goya y Lucientes, Francisco de

Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that [+]

Para los que estan en Pecado Mortal
Wash on laid paper. 1808 - 1814
Goya y Lucientes, Francisco de
Para los que estan en Pecado Mortal
Wash on laid paper. 1808 - 1814
Goya y Lucientes, Francisco de

Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that [+]

Tan vien aquí hay amores
Brush, Pencil, Grey-brown ink, Wash on laid paper. 1808 - 1814
Goya y Lucientes, Francisco de
Tan vien aquí hay amores
Brush, Pencil, Grey-brown ink, Wash on laid paper. 1808 - 1814
Goya y Lucientes, Francisco de

Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that [+]

Por querer á una burra
Brush, Bistre, Grey-brown ink, Wash on laid paper. 1810 - 1811
Goya y Lucientes, Francisco de
Por querer á una burra
Brush, Bistre, Grey-brown ink, Wash on laid paper. 1810 - 1811
Goya y Lucientes, Francisco de

Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that [+]

¿Cuantas baras?
Brush, Bistre, Grey-brown ink, Iron gall ink, Black chalk lines, Wash on laid paper. 1812 - 1814
Goya y Lucientes, Francisco de
¿Cuantas baras?
Brush, Bistre, Grey-brown ink, Iron gall ink, Black chalk lines, Wash on laid paper. 1812 - 1814
Goya y Lucientes, Francisco de

Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that [+]

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