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Hare Hunt, Hermitage of San Baudelio, Casillas de Berlanga (Soria)
Fresco painting on mural transferred to canvas. Ca. 1125
Anonymous
Hare Hunt, Hermitage of San Baudelio, Casillas de Berlanga (Soria)
Fresco painting on mural transferred to canvas. Ca. 1125
Anonymous

This set of mural paintings that adorned the interior of the early eleventh-century Mozarabe church of San Baudelio de Berlanga was taken off the walls and exported to the United States in 1926, where it was divided among different institutions. Pieces from that set are now exhibited in museums in Boston and Indianapolis, and at the Cloisters Museum in New York. The six fragments were part of the

Bear, Hermitage of San Baudelio, Casillas de Berlanga (Soria)
Fresco painting on mural transferred to canvas. Ca. 1125
Anonymous
Bear, Hermitage of San Baudelio, Casillas de Berlanga (Soria)
Fresco painting on mural transferred to canvas. Ca. 1125
Anonymous

This set of mural paintings that adorned the interior of the early eleventh-century Mozarabe church of San Baudelio in Casillas de Berlanga was taken off the walls and exported to the United States in 1926, where it was divided among different institutions. Pieces from that set are now exhibited in museums in Boston and Indianapolis, and at the Cloisters Museum in New York. The six fragments were

Curtain, Ermita de San Baudelio, Casillas de Berlanga (Soria)
Fresco painting on mural transferred to canvas. Ca. 1125
Anonymous
Curtain, Ermita de San Baudelio, Casillas de Berlanga (Soria)
Fresco painting on mural transferred to canvas. Ca. 1125
Anonymous

This set of mural paintings that adorned the interior of the early eleventh-century Mozarabe church of San Baudelio de Berlanga was taken off the walls and exported to the United States in 1926, where it was divided among different institutions. Pieces from that set are now exhibited in museums in Boston and Indianapolis, and at the Cloisters Museum in New York. The six fragments were part of the

Deer Hunt, Hermitage of San Baudelio, Casillas de Berlanga (Soria)
Fresco painting on mural transferred to canvas. Ca. 1125
Anonymous
Deer Hunt, Hermitage of San Baudelio, Casillas de Berlanga (Soria)
Fresco painting on mural transferred to canvas. Ca. 1125
Anonymous

This set of mural paintings that adorned the interior of the early eleventh-century Mozarabe church of San Baudelio de Berlanga was taken off the walls and exported to the United States in 1926, where it was divided among different institutions. Pieces from that set are now exhibited in museums in Boston and Indianapolis, and at the Cloisters Museum in New York. The six fragments were part of the

Elephant, Hermitage of San Baudelio, Casillas de Berlanga (Soria)
Fresco painting on mural transferred to canvas. Ca. 1125
Anonymous
Elephant, Hermitage of San Baudelio, Casillas de Berlanga (Soria)
Fresco painting on mural transferred to canvas. Ca. 1125
Anonymous

This set of mural paintings that adorned the interior of the early eleventh-century Mozarabe church of San Baudelio de Berlanga was taken off the walls and exported to the United States in 1926, where it was divided among different institutions. Pieces from that set are now exhibited in museums in Boston and Indianapolis, and at the Cloisters Museum in New York. The six fragments were part of the

Soldier, Hermitage of San Baudelio, Casillas de Berlanga (Soria)
Fresco painting on mural transferred to canvas. Ca. 1125
Anonymous
Soldier, Hermitage of San Baudelio, Casillas de Berlanga (Soria)
Fresco painting on mural transferred to canvas. Ca. 1125
Anonymous

This set of mural paintings that adorned the interior of the early eleventh-century Mozarabe church of San Baudelio de Berlanga was taken off the walls and exported to the United States in 1926, where it was divided among different institutions. Pieces from that set are now exhibited in museums in Boston and Indianapolis, and at the Cloisters Museum in New York. The six fragments were part of the

What courage!
Red chalk on laid paper. Ca. 1810
Goya y Lucientes, Francisco de
What courage!
Red chalk on laid paper. Ca. 1810
Goya y Lucientes, Francisco de

Dibujo para Desastres de la guerra, 7, Que valor! (G633). Representa la escena del primer sitio de Zaragoza (junio -agosto de 1808) con la heroica acción de Agustina de Aragón disparando el cañón. En el recto está el dibujo preparatorio de la escena representada (D4345).En la serie Desastres de la guerra, elaborada entre 1810 y 1814, Goya ofrece una visión crítica y personal de las consecuencias d

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