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Two Apostles, Hermitage of Vera Cruz, Maderuelo (Segovia)
Fresco painting on mural transferred to canvas. XII century
Anonymous
Two Apostles, Hermitage of Vera Cruz, Maderuelo (Segovia)
Fresco painting on mural transferred to canvas. XII century
Anonymous

The mural paintings from the Hermitage of the Vera Cruz de Maderuelo were transferred to canvas in 1947 and reconstructed at the Prado Museum in a layout as faithful to the original as possible. The walls of the chapel are decorated with figures of angels, Apostles and evangelical scenes, and the front bears two biblical themes. Dome, center: God the Father held by four angels (P07269, P07270). Le

Right Spandrel of the Entry Arch, Hermitage of Vera Cruz, Maderuelo (Segovia)
Fresco painting on mural transferred to canvas. XII century
Anonymous
Right Spandrel of the Entry Arch, Hermitage of Vera Cruz, Maderuelo (Segovia)
Fresco painting on mural transferred to canvas. XII century
Anonymous

The mural paintings from the Hermitage of the Vera Cruz de Maderuelo were transferred to canvas in 1947 and reconstructed at the Prado Museum in a layout as faithful to the original as possible. The walls of the chapel are decorated with figures of angels, Apostles and evangelical scenes, and the front bears two biblical themes. Dome, center: God the Father held by four angels (P07269, P07270). Le

Basil of Burgundy Appears to his Disciple, Hugo de Lincoln
Oil on canvas. 1632
Carducho, Vicente
Basil of Burgundy Appears to his Disciple, Hugo de Lincoln
Oil on canvas. 1632
Carducho, Vicente

On August 29, 1626, King Philip IV’s painter, Vicente Carducho (ca. 1576-1638), signed a contract for the creation of a cycle of paintings to celebrate the founding of the Carthusian Order by Saint Bruno and its leading members. This colossal undertaking sought to visually narrate numerous episodes from the Carthusians’ history and tradition. It was the most complete commission ever dedicated to t

Dead Turkey
Oil on canvas. 1808 - 1812
Goya y Lucientes, Francisco de
Dead Turkey
Oil on canvas. 1808 - 1812
Goya y Lucientes, Francisco de

This canvas is one of a series of twelve still lifes that were listed among the artist’s possessions in 1812. Since his early years Goya included still-life elements in his canvases but there is no reference to earlier, independent works by the artist in this genre. The dead birds and animals in this series are not depicted in the traditional manner as hunting trophies. Rather, the artist focused

Dead Fowl
Oil on canvas. 1808 - 1812
Goya y Lucientes, Francisco de
Dead Fowl
Oil on canvas. 1808 - 1812
Goya y Lucientes, Francisco de

Along with twelve other still lifes, the present work appears in the inventory of Goya´s property made after the death of his wife, Josefa Bayeu (1747-1812) The rich and warm palette and a certain insistence on meticulous technique, perfectly describing the variety of materials, would seem to indicate that, like the Dead Turkey(P00741), this work could date from shortly after 1800.

The Creation of Adam, Hermitage of Vera Cruz, Maderuelo (Segovia)
Fresco painting on mural transferred to canvas. XII century
Anonymous
The Creation of Adam, Hermitage of Vera Cruz, Maderuelo (Segovia)
Fresco painting on mural transferred to canvas. XII century
Anonymous

The mural paintings from the Hermitage of the Vera Cruz de Maderuelo were transferred to canvas in 1947 and reconstructed at the Prado Museum in a layout as faithful to the original as possible. The walls of the chapel are decorated with figures of angels, Apostles and evangelical scenes, and the front bears two biblical themes. Dome, center: God the Father held by four angels (P07269, P07270). Le

Four Apostles, Hermitage of Vera Cruz, Maderuelo (Segovia)
Fresco painting on mural transferred to canvas. XII century
Anonymous
Four Apostles, Hermitage of Vera Cruz, Maderuelo (Segovia)
Fresco painting on mural transferred to canvas. XII century
Anonymous

The mural paintings from the Hermitage of the Vera Cruz de Maderuelo were transferred to canvas in 1947 and reconstructed at the Prado Museum in a layout as faithful to the original as possible. The walls of the chapel are decorated with figures of angels, Apostles and evangelical scenes, and the front bears two biblical themes. Dome, center: God the Father held by four angels (P07269, P07270). Le

Left Spandrel of the Entry Arch, Hermitage of Vera Cruz, Maderuelo (Segovia)
Fresco painting on mural transferred to canvas. XII century
Anonymous
Left Spandrel of the Entry Arch, Hermitage of Vera Cruz, Maderuelo (Segovia)
Fresco painting on mural transferred to canvas. XII century
Anonymous

The mural paintings from the Hermitage of the Vera Cruz de Maderuelo were transferred to canvas in 1947 and reconstructed at the Prado Museum in a layout as faithful to the original as possible. The walls of the chapel are decorated with figures of angels, Apostles and evangelical scenes, and the front bears two biblical themes. Dome, center: God the Father held by four angels (P07269, P07270). Le

Diana bathing with her Nymphs
Oil on copperplate. Ca. 1624
Poelenburch, Cornelis Van
Diana bathing with her Nymphs
Oil on copperplate. Ca. 1624
Poelenburch, Cornelis Van

The scene here unfolds in the foreground, which is occupied by a large rocky outcrop and trees and on the right opens onto a luminous landscape enclosed by mountains in the background. The spatial transition between the dark foreground and luminous background is still somewhat awkward. In the figures the brushwork is smooth and uniform, giving the nudes a pearly appearance, whereas in the landscap

Cain or Melchizedek, Hermitage of Vera Cruz, Maderuelo (Segovia)
Fresco painting on mural transferred to canvas. XII century
Anonymous
Cain or Melchizedek, Hermitage of Vera Cruz, Maderuelo (Segovia)
Fresco painting on mural transferred to canvas. XII century
Anonymous

The mural paintings from the Hermitage of the Vera Cruz de Maderuelo were transferred to canvas in 1947 and reconstructed at the Prado Museum in a layout as faithful to the original as possible. The walls of the chapel are decorated with figures of angels, Apostles and evangelical scenes, and the front bears two biblical themes. Dome, center: God the Father held by four angels (P07269, P07270). Le

Abel presenting an Offering, Hermitage of Vera Cruz, Maderuelo (Segovia)
Fresco painting on mural transferred to canvas. XII century
Anonymous
Abel presenting an Offering, Hermitage of Vera Cruz, Maderuelo (Segovia)
Fresco painting on mural transferred to canvas. XII century
Anonymous

The mural paintings from the Hermitage of the Vera Cruz de Maderuelo were transferred to canvas in 1947 and reconstructed at the Prado Museum in a layout as faithful to the original as possible. The walls of the chapel are decorated with figures of angels, Apostles and evangelical scenes, and the front bears two biblical themes. Dome, center: God the Father held by four angels (P07269, P07270). Le

Christ washing the Disciples’ Feet
Fresco painting on mural transferred to canvas. 1200 - 1215
Master Of San Esteve Of Andorra
Christ washing the Disciples’ Feet
Fresco painting on mural transferred to canvas. 1200 - 1215
Master Of San Esteve Of Andorra

In the Upper Room, represented here by architectural elements that support a curtained arch, Christ prepares to wash the feet of Peter, who duly raises his leg in order to put his foot into a bowl. On the left, an Apostle holds the cloth for Christ to dry him. This mural fragment comes from the apse of the church of Sant Esteve (Andorra la Vella).

Christ Pantocrator held by four Angels, Hermitage of Vera Cruz, Maderuelo (Segovia)
Fresco painting on mural transferred to canvas. XII century
Anonymous
Christ Pantocrator held by four Angels, Hermitage of Vera Cruz, Maderuelo (Segovia)
Fresco painting on mural transferred to canvas. XII century
Anonymous

The mural paintings from the Hermitage of the Vera Cruz de Maderuelo were transferred to canvas in 1947 and reconstructed at the Prado Museum in a layout as faithful to the original as possible. The walls of the chapel are decorated with figures of angels, Apostles and evangelical scenes, and the front bears two biblical themes. Dome, center: God the Father held by four angels (P07269, P07270). Le

The Evangelist Saint Mark and an Angel, Hermitage of Vera Cruz, Maderuelo (Segovia)
Fresco painting on mural transferred to canvas. XII century
Anonymous
The Evangelist Saint Mark and an Angel, Hermitage of Vera Cruz, Maderuelo (Segovia)
Fresco painting on mural transferred to canvas. XII century
Anonymous

The mural paintings from the Hermitage of the Vera Cruz de Maderuelo were transferred to canvas in 1947 and reconstructed at the Prado Museum in a layout as faithful to the original as possible. The walls of the chapel are decorated with figures of angels, Apostles and evangelical scenes, and the front bears two biblical themes. Dome, center: God the Father held by four angels (P07269, P07270). Le

Two Apostles, Hermitage of Vera Cruz, Maderuelo (Segovia)
Fresco painting on mural transferred to canvas. XII century
Anonymous
Two Apostles, Hermitage of Vera Cruz, Maderuelo (Segovia)
Fresco painting on mural transferred to canvas. XII century
Anonymous

The mural paintings from the Hermitage of the Vera Cruz de Maderuelo were transferred to canvas in 1947 and reconstructed at the Prado Museum in a layout as faithful to the original as possible. The walls of the chapel are decorated with figures of angels, Apostles and evangelical scenes, and the front bears two biblical themes. Dome, center: God the Father held by four angels (P07269, P07270). Le

The Death of the Venerable Odón de Novara
Oil on canvas. 1632
Carducho, Vicente
The Death of the Venerable Odón de Novara
Oil on canvas. 1632
Carducho, Vicente

On August 29, 1626, King Philip IV’s painter, Vicente Carducho (ca. 1576-1638), signed a contract for the creation of a cycle of paintings to celebrate the founding of the Carthusian Order by Saint Bruno and its leading members. This colossal undertaking sought to visually narrate numerous episodes from the Carthusians’ history and tradition. It was the most complete commission ever dedicated to t

Original Sin, Hermitage of Vera Cruz, Maderuelo (Segovia)
Fresco painting on mural transferred to canvas. XII century
Anonymous
Original Sin, Hermitage of Vera Cruz, Maderuelo (Segovia)
Fresco painting on mural transferred to canvas. XII century
Anonymous

The mural paintings from the Hermitage of the Vera Cruz de Maderuelo were transferred to canvas in 1947 and reconstructed at the Prado Museum in a layout as faithful to the original as possible. The walls of the chapel are decorated with figures of angels, Apostles and evangelical scenes, and the front bears two biblical themes. Dome, center: God the Father held by four angels (P07269, P07270). Le

Window Soffit, Hermitage of Vera Cruz, Maderuelo (Segovia)
Fresco painting on mural transferred to canvas. XII century
Anonymous
Window Soffit, Hermitage of Vera Cruz, Maderuelo (Segovia)
Fresco painting on mural transferred to canvas. XII century
Anonymous

The mural paintings from the Hermitage of the Vera Cruz de Maderuelo were transferred to canvas in 1947 and reconstructed at the Prado Museum in a layout as faithful to the original as possible. The walls of the chapel are decorated with figures of angels, Apostles and evangelical scenes, and the front bears two biblical themes. Dome, center: God the Father held by four angels (P07269, P07270). Le

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