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The Virgin and Child with the Infant Saint John the Baptist
Pencil on yellow paper. XVII century
Anonymous
The Virgin and Child with the Infant Saint John the Baptist
Pencil on yellow paper. XVII century
Anonymous

La Virgen, sentada de perfil a la derecha, sujeta con la mano izquierda al Niño desnudo que coge una fruta del racimo que María sostiene con la derecha. San Juan parece dormir. Recortado en óvalo y re [+]

The Virgin and Child
Pencil, Grey-brown wash on yellow paper. Mid-XVIIcentury
Anonymous
The Virgin and Child
Pencil, Grey-brown wash on yellow paper. Mid-XVIIcentury
Anonymous

La Virgen sentada de frente, sostiene una granada en la mano derecha y sujeta con la izquierda al Niño Jesús, que bendice con su diestra y sostiene con la izquierda la bola del mundo.Un ejemplar de i [+]

The Holy Family
Black chalk, Pencil, Reworked in ink on grey paper. Ca. 1670
Anonymous
The Holy Family
Black chalk, Pencil, Reworked in ink on grey paper. Ca. 1670
Anonymous

A la izquierda se representa a la Virgen que sostiene el seno para dar el pecho al Niño Jesús, que se vuelve hacia San José que está a la derecha en actitud adorante y con la vara florecida en la mano [+]

The Virgin and Child
Brush, Pencil ground, Ink, Grey-brown wash, Red wash on yellow paper. XVII century
Anonymous
The Virgin and Child
Brush, Pencil ground, Ink, Grey-brown wash, Red wash on yellow paper. XVII century
Anonymous

La Virgen, sentada de perfil a la izquierda, acaricia al Niño, desnudo y en pie.La actitud y los modelos son de inspiración renacentista con fuerte eco veneciano. Probablemente madrileño. (Texto extra [+]

The Rape of Europa
Pencil, Pencil ground, Grey-brown wash on yellow laid paper. XVIII century
Anonymous
The Rape of Europa
Pencil, Pencil ground, Grey-brown wash on yellow laid paper. XVIII century
Anonymous

Preparatorio para una tela de abanico. En él se representa en el centro, sobre un toro que conducen dos amorcillos, a Europa que se adentra en el mar. A la izquierda, tres damas con gesto de asombro y [+]

The Emperor Hadrian
Marble. 1600 - 1650
Anonymous
The Emperor Hadrian
Marble. 1600 - 1650
Anonymous

This portrait of Hadrian (117-138 AD) does not follow a specific classical model, freely interpreting elements such as the curls of his hair and his expression. It may have belonged to Queen Christina [+]

Head of Serapis
Marble. Second half of the II century
Anonymous
Head of Serapis
Marble. Second half of the II century
Anonymous

This head carved from bigio morato marble is broken into two parts, vertically. Its restoration required several additions, both to finish various curls and to reconstruct the top of the head, where a [+]

Antoninus Pius
White marble. 140 - 150
Anonymous
Antoninus Pius
White marble. 140 - 150
Anonymous

A bust of the Roman emperor, Antoninus Pius (86-161 A.D.), of a type set by the government itself from the moment he took power. This type of portrait went essentially unchanged during his entire reig [+]

Greek Intellectual
White marble. 150 - 160
Anonymous
Greek Intellectual
White marble. 150 - 160
Anonymous

The Roman portrait from the era of the Emperor Antoninus Pius (138-161 A. D.), with its meticulous curly hairstyle, recalls the much earlier appearance of Greek poets and philosophers. Greek teachers, [+]

Lucius Aurelius Verus
White marble, Portasanta marble. Late XVI century
Anonymous
Lucius Aurelius Verus
White marble, Portasanta marble. Late XVI century
Anonymous

Following the instructions of the Emperor Hadrian, Lucius Verus (130-169 AD) and Marcus Aurelius were adopted in the year 138 by Hadrian’s successor Antoninus Pius. Lucius, who was co-emperor with his [+]

Antinous of Bithynia
Marble. First half of the XVI century
Anonymous
Antinous of Bithynia
Marble. First half of the XVI century
Anonymous

Antinous (c. 105-130 AD), the Emperor Hadrian’s favourite, was deified with the name of Osiris to commemorate his death in the Nile and he was venerated as a god under the Roman Empire. By the fifteen [+]

The Emperor Marcus Aurelius
White marble. 161 - 169
Anonymous
The Emperor Marcus Aurelius
White marble. 161 - 169
Anonymous

La iconografía de Marco Aurelio se divide en cuatro tipos de retratos sucesivos. De ellos, los dos primeros lo representan joven, como príncipe heredero bajo Antonino Pío (138-161 d. C.), y el tercero [+]

Model of Juan de Villanueva’s project for the Cabinet of Natural History
Lemonwood, Boxwood, Mahogany wood, Walnut wood, Pinewood. 1786
Anonymous
Model of Juan de Villanueva’s project for the Cabinet of Natural History
Lemonwood, Boxwood, Mahogany wood, Walnut wood, Pinewood. 1786
Anonymous

This model provides a general idea of the another “proposal” presented by Villanueva to Charles III in 1786 -the plans have since been lost- for the construction of a Cabinet of Natural History, a bui [+]

Rock crystal salver with gadrooned decoration
Silver gilt, Rock crystal / hyaline quartz. Ca. 1600
Anonymous
Rock crystal salver with gadrooned decoration
Silver gilt, Rock crystal / hyaline quartz. Ca. 1600
Anonymous

Oval salver made up of seven pieces of rock crystal joined by mounts and mouldings of openwork silver. The central piece is oval, engraved with striking radial gadroons and a strip of festoons with tw [+]

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