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The Mass of Saint Gregory
Oil on panel. 1515 - 1530
Isenbrandt, Adriaen
The Mass of Saint Gregory
Oil on panel. 1515 - 1530
Isenbrandt, Adriaen

Indebted to the Bruges tradition, the priest holding Saint Gregory’s tiara stems from Jan van Eyck’s Portrait of a Man with Carnation in Berlin and the composition accentuates the sfumato and the grace of Gerard David (c. 1460-1523). However, the architectures and the dynamic poses of the figures also echo Antwerp mannerism.

Coffered Ceiling
Polychromed, Carved. Ca. 1400
Anonymous
Coffered Ceiling
Polychromed, Carved. Ca. 1400
Anonymous

The principal beams are decorated with secular scenes, including dances, jousts or men fighting monsters, and with the coats-of-arms of Castile and León and those of the Luna and Rojas families. Other decoration includes sacred scenes (the Last Supper and the Last Judgement, for example). Between the transversal beams are panels with alternating castles and lions and elongated hexagonal pan

Our Lady of Humility
Mixed method, Tempera on panel. Ca. 1400
Nicolau, Pere
Our Lady of Humility
Mixed method, Tempera on panel. Ca. 1400
Nicolau, Pere

The composition follows the model of Our Lady of Humility, an iconography inspired by the mendicant orders that heightens Mary’s humanity and proximity to worshippers by showing her seated on a pillow rather than a throne. The refined elegance, soft colouring and rhythmic calligraphy are habitual in Pere Nicolau, although the success of the formulae employed and their many associations with other

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