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Triptych of the Redemption: The Crucifixion
Oil on panel. Ca. 1450
Master Of The Prado Redemption
Triptych of the Redemption: The Crucifixion
Oil on panel. Ca. 1450
Master Of The Prado Redemption

This triptych is the principal creation and the work that has given the name to an anonymous follower of Rogier van der Weyden, previously identified as Vrancke van der Stockt. The triptych belonged to Leonor de Mascarenhas (1503-1584), a Portuguese lady who moved to Spain in 1526 and was aya to Philip II and afterwards to his son Don Carlos. When in 1564 she founded the convent of Franciscan nuns

The Lamentation over the Dead Christ
Oil on panel. Ca. 1490
Master Of The Virgo Inter Virgines
The Lamentation over the Dead Christ
Oil on panel. Ca. 1490
Master Of The Virgo Inter Virgines

The artist, a follower of Geertgen tot sins Jans (1445/65-1485/95), approached Passion subjects with intense drama. In order to achieve strong expressions, he does not hesitate to deliberately distort the faces of the figures. The Virgin, kneeling and supported by Saint John, shows her pain before the dead Christ who lies on the ground.

Triptych of the Redemption: The Expulsion of Adam and Eve from Paradise
Oil on panel. Ca. 1450
Master Of The Prado Redemption
Triptych of the Redemption: The Expulsion of Adam and Eve from Paradise
Oil on panel. Ca. 1450
Master Of The Prado Redemption

This triptych is the principal creation and the work that has given the name to an anonymous follower of Rogier van der Weyden, previously identified as Vrancke van der Stockt. When open the triptych shows the Expulsion from the Garden of Eden, the Crucifixion and the Last Judgment. The left panel shows the Expulsion from Paradise with various scenes alluding to the Creation in the arch´s orders.

Triptych with Episodes from the Life of Christ
Grisaille, Oil on oak panel. Ca. 1440
Master Of The Collins Hours
Triptych with Episodes from the Life of Christ
Grisaille, Oil on oak panel. Ca. 1440
Master Of The Collins Hours

The Triptych in the Museo del Prado labeled as Scenes from the Life of Christ is a pivotal work in the story of Valencian painting in the fifteenth century and in the transmission of the style and technique of Jan van Eyck to the Iberian Peninsula. The panel entered the Prado collection in 1931 from the convent of the Encarnación in Valencia, a Carmelite foundation established in 1502. It w

Isaiah
Oil on panel. Ca. 1525
Master Of Becerril
Isaiah
Oil on panel. Ca. 1525
Master Of Becerril

This painter is one of the most outstanding and singular representatives of the early Renaissance in Palencia. While there are no extant documents to prove it, this work must somehow be connected with Juan de Flandes (doc. 1496-1519) during the time that he was working in Palencia (1509-1519). This is visible in the strong dependence of its figures on Flandes´s models, as well as the manner of dep

The Crucifixion
Oil on panel. 1475 - 1485
Master Of The Legend Of Saint Catherine
The Crucifixion
Oil on panel. 1475 - 1485
Master Of The Legend Of Saint Catherine

The wound in Christ`s side was inflicted after his death (John 19:34). The two angels, blue and dressed in blue, are apparently cherubim. Saint John the Evangelist steps forward to support the weeping Virgin, who is kneeling and embracing the Cross. Her mouth is very close to the blood running from the wounds in Christ`s feet. The three women on the right are presumably the Three Maries: Mary Magd

Triptych of the Redemption: Last Judgement
Oil on panel. Ca. 1450
Master Of The Prado Redemption
Triptych of the Redemption: Last Judgement
Oil on panel. Ca. 1450
Master Of The Prado Redemption

This triptych is the principal creation and the work that has given the name to an anonymous follower of Rogier van der Weyden, previously identified as Vrancke van der Stockt. When open the triptych shows the Expulsion from the Garden of Eden, the Crucifixion and the Last Judgment. The front and back of the lateral panels were separated at a recent date and the two scenes can now be seen simultan

The Virgin and Child
Oil on panel. Ca. 1450
Christus, Petrus
The Virgin and Child
Oil on panel. Ca. 1450
Christus, Petrus

Mary sits in a portico open to the landscape, holding the Christ Child as Savior of the World (Salvator Mundi) in her lap. In one hand, the infant holds a globe of the world and with the other he offers blessings. Wearing a red cloak that alludes to the future Passion of her Son, the Virgin is about to be crowned Queen of Heaven by an angel. This work owes debts to Jan van Eyck´s Madonna Rolin and

Triptych of the Redemption: Tribute to Caesar
Grisaille, Oil on panel. Ca. 1450
Master Of The Prado Redemption
Triptych of the Redemption: Tribute to Caesar
Grisaille, Oil on panel. Ca. 1450
Master Of The Prado Redemption

This triptych is the principal creation and the work that has given the name to an anonymous follower of Rogier van der Weyden, previously identified as Vrancke van der Stockt. When open the triptych shows the Expulsion from the Garden of Eden, the Crucifixion and the Last Judgment. The scenes were located beneath Gothic canopies in which various sculptural groups completed the redemptive message,

Altarpiece of Saint Michael
Tempera on panel. Ca. 1440
Master Of Arguis
Altarpiece of Saint Michael
Tempera on panel. Ca. 1440
Master Of Arguis

This fragmentary altarpiece comes from the church of San Miguel in Arguis (Huesca). It narrates episodes which evoke the supernatural power of the archangel, especially against the actions of the devil: the victory over the rebel angels, the psychostasia or weighing of souls, and the appearance of the saint on Mount Gargano in the form of a bull. Their artist, a master who remains anonymous, is cl

Altarpiece of the Lives of the Virgin and Saint Francis
Oil, Tempera on panel. 1445 - 1460
Francés, Nicolás
Altarpiece of the Lives of the Virgin and Saint Francis
Oil, Tempera on panel. 1445 - 1460
Francés, Nicolás

This altarpiece consists of nine large panels plus the eighteen that make up the predella. The main scene is The Virgin with the Christ Child surrounded by Angel Musicians, which is completed with five scenes from the lives of Christ and the Virgin in the right and central areas, and three scenes from the life of Saint Francis, in the left area. All of them are framed with gothic ogee tracery. Sty

The Nativity Triptych
Tempera on panel. Ca. 1450
Master Of The Zarzoso Triptych
The Nativity Triptych
Tempera on panel. Ca. 1450
Master Of The Zarzoso Triptych

This triptych is by a northern painter who trained in the International Gothic style and was familiar with Netherlandish painting. The central panel depicts the Nativity; on the left are the Birth of the Virgin and the Assumption of the Virgin; and on the right the Presentation in the Temple and the Adoration of the Magi. On the reverse of the wing panels are Saint Anthony of Padua and Saint James

Pietà
Oil on panel. 1440 - 1450
Weyden, Rogier Van Der (Workshop Of)
Pietà
Oil on panel. 1440 - 1450
Weyden, Rogier Van Der (Workshop Of)

The panel has been extended at the top: the original part is one board of Baltic oak, horizontal in grain and about 27 cm high. Sections of the unpainted edges survive on all four sides. The last ring in this original part of the panel was formed in 1418. Above is an addition, also of oak; it is cut into an arched shape fashionable in the late fifteenth and early sixteenth centuries. Dendrochronol

Triptych of the Life of the Virgin
Oil on panel. Ca. 1445
Bouts, Dirk
Triptych of the Life of the Virgin
Oil on panel. Ca. 1445
Bouts, Dirk

This triptych presents four scenes: the Annunciation, the Visitation, the Adoration of the Angels and the Adoration of the Magi. Painted around 1445, it is considered the earliest surviving work by Dirk Bouts. Stylistically, it resembles his later paintings except for the canon of its figures, which are much shorter here than in posterior works. Besides the interest Bouts shows in landscape from t

Triptych of the Redemption: Tribute to Caesar (Jesus and an Apostle)
Grisaille, Oil on panel. Ca. 1450
Master Of The Prado Redemption
Triptych of the Redemption: Tribute to Caesar (Jesus and an Apostle)
Grisaille, Oil on panel. Ca. 1450
Master Of The Prado Redemption

This triptych is the principal creation and the work that has given the name to an anonymous follower of Rogier van der Weyden, previously identified as Vrancke van der Stockt.When open the triptych shows the Expulsion from the Garden of Eden, the Crucifixion and the Last Judgment. The scenes were located beneath Gothic canopies in which various sculptural groups completed the redemptive message,

Altarpiece of Saint Michael (left side panels)
Tempera on panel. Ca. 1440
Master Of Arguis
Altarpiece of Saint Michael (left side panels)
Tempera on panel. Ca. 1440
Master Of Arguis

The three scenes, which come from an altarpiece at the church of San Miguel in Arguis (Huesca), narrate episodes which evoke the supernatural power of the archangel, especially against the actions of the devil: the victory over the rebel angels, the psychostasia or weighing of souls, and the appearance of the saint on Mount Gargano in the form of a bull. Their artist, a master who remains anonymou

Altarpiece of Saint Michael (right side panels)
Tempera on panel. Ca. 1440
Master Of Arguis
Altarpiece of Saint Michael (right side panels)
Tempera on panel. Ca. 1440
Master Of Arguis

The three scenes, which come from an altarpiece at the church of San Miguel in Arguis (Huesca), narrate three episodes of the legend of the archangel: the bishop of Sipontum at Mount Gargano, the apparition of Michael at Monte Sant´Angelo in Rome and the triumph of Michael over the Antichrist. Their artist, a master who remains anonymous, is close to the characteristics of International Gothic pai

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