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Saint James the Less
Oil on panel. 1610 - 1612
Rubens, Peter Paul
Saint James the Less
Oil on panel. 1610 - 1612
Rubens, Peter Paul

This is one of a series of twelve panels (P01646, P01647, P01648, P01649, P01650, P01651, P01652, P01653, P01654, P01655, P01656, P01657) that make up an apostolate that originally included a Savior o [+]

Washerwomen of La Varenne, France
Oil on canvas. Ca. 1865
Rico y Ortega, Martín
Washerwomen of La Varenne, France
Oil on canvas. Ca. 1865
Rico y Ortega, Martín

Martín Rico was one of the leading Spanish landscape painters of the second half of the nineteenth-century. He was particularly interested in depicting tranquil stretches of water, and during h [+]

Orpheus and the Animals
Oil on canvas. 1636 - 1638
Thulden, Theodoor Van; Snyders, Frans
Orpheus and the Animals
Oil on canvas. 1636 - 1638
Thulden, Theodoor Van; Snyders, Frans

This scene is inspired by a passage from the Metamorphoses by the Roman poet Ovid. Orpheus, the mythological Greek musician and poet, sung and played the lyre so sublimely that all the animals, even t [+]

The Descent from the Cross
Oil on canvas. 1772
Tiepolo, Giovanni Domenico
The Descent from the Cross
Oil on canvas. 1772
Tiepolo, Giovanni Domenico

The painting is one of a series of eight scenes from Christ’s Passion painted by Giovanni Domenico (Giandomenico) Tiepolo as part of a commission from the fathers of the convent of San Felipe Neri, Ma [+]

Penitent Magdalen
Oil on canvas. S XVII - XVIII century
Dughet, Gaspard; Maratta, Carlo
Penitent Magdalen
Oil on canvas. S XVII - XVIII century
Dughet, Gaspard; Maratta, Carlo

Figura desnuda en fondo de paisaje. El paisaje es obra de Dughet y la figura de Carlo Maratti. [+]

Dream of consummate witches
Pencil, Iron gall ink, Black chalk lines on dark yellow laid paper. 1796 - 1797
Goya y Lucientes, Francisco de
Dream of consummate witches
Pencil, Iron gall ink, Black chalk lines on dark yellow laid paper. 1796 - 1797
Goya y Lucientes, Francisco de

This is a preparatory drawing for the etching Blow (G02157), which is Capricho 69. Together, the twenty-six pen-and-ink drawings that constitute the basis for The Caprichos are known as The Dreams. Th [+]

The Annunciation
Black chalk, Red chalk on dark yellow paper. Late XVI century
Cesi, Bartolomeo (Attributed To)
The Annunciation
Black chalk, Red chalk on dark yellow paper. Late XVI century
Cesi, Bartolomeo (Attributed To)

In her 1983 catalogue, Mena Marques rightly brought attention to the very high quality of this drawing and suggested the style could be Sienese, from the end of the sixteenth century and the beginning [+]

Head of a Woman
Red chalk, White chalk on green paper. XVIII century
Tiepolo, Lorenzo
Head of a Woman
Red chalk, White chalk on green paper. XVIII century
Tiepolo, Lorenzo

El dibujo lleva una atribución genérica a Tiepolo, pero su comparación con otros hace pensar que sea de mano de Lorenzo, realizado con una técnica más cuidadosa y fina. Debió de servirle de preparació [+]

Witches’ proclamation prohibiting those under the age of thirty, no matter how deserving they may be
Pencil, Iron gall ink on laid paper. 1796 - 1797
Goya y Lucientes, Francisco de
Witches’ proclamation prohibiting those under the age of thirty, no matter how deserving they may be
Pencil, Iron gall ink on laid paper. 1796 - 1797
Goya y Lucientes, Francisco de

This preparatory drawing for an unpublished plate from the Caprichos does not correspond to any specific etching. Together, the twenty-six pen-and-ink drawings that constitute the basis for The Capric [+]

The Esparto Weaver who cannot manage to undress, and giving sound advice to a lamp, sets fire to the house
Pencil, Iron gall ink on laid paper. 1796 - 1797
Goya y Lucientes, Francisco de
The Esparto Weaver who cannot manage to undress, and giving sound advice to a lamp, sets fire to the house
Pencil, Iron gall ink on laid paper. 1796 - 1797
Goya y Lucientes, Francisco de

This preparatory drawing for the etching Capricho 18, And His House Catches Fire (G02106) is one of the twenty-six pen-and-ink drawings from the Dreams series that are the basis for The Caprichos in i [+]

Torso of a Youth
White marble. Ca. 150
Roman Sculptor
Torso of a Youth
White marble. Ca. 150
Roman Sculptor

This sculpture reproduces a Greek original of around 410 BC by a follower of Polyclitus. There are numerous copies of that work, known as the "Dresden Youth type" in reference to the best and most com [+]

Aegis-Bearing Jupiter
White marble. Ca. 150
Roman Sculptor
Aegis-Bearing Jupiter
White marble. Ca. 150
Roman Sculptor

The Roman image of Jupiter, inspired by a statue of Zeus from the fifth century B. C., shows the god wearing the aegis (protective cloak) which, according to Homer, was used by Zeus as a weapon to cre [+]

Silenus
Marble. 170 - 190
Roman Sculptor
Silenus
Marble. 170 - 190
Roman Sculptor

This fragment of a Roman statue shows Silenus holding the infant Dionysus in his arms. It is a copy of a Greek original made between 290 and 280 B. C. by one of Lysippus´s pupils. The realistic [+]

Emperor Clodius Albinus
Marble. 193 - 196
Roman Sculptor
Emperor Clodius Albinus
Marble. 193 - 196
Roman Sculptor

This work is particularly valuable as one of the very few surviving effigies of emperor Clodius Albinus (193-197 A.D.), who fought Septimus Severus with the support of the Senate in 196 A.D., and mana [+]

The Empress Sabina
White marble. Ca. 130
Roman Sculptor
The Empress Sabina
White marble. Ca. 130
Roman Sculptor

This is the last portrait of Vibia Sabina (83-136 A. D.), wife of the emperor Hadrian. It does not represent her at her real age (some 48 years), but is a highly idealised and rejuvenated image. Her h [+]

Venus of Madrid
White marble. Ca. 150
Roman Sculptor
Venus of Madrid
White marble. Ca. 150
Roman Sculptor

This sculpture is a Roman copy of a Hellenistic original dating from the second-first century B.C. Stripped of the baroque additions that distorted it, it is part of a large cycle of Venuses linked by [+]

Herm of the tragic author Sophocles
White marble. Ca. 150
Anonymous
Herm of the tragic author Sophocles
White marble. Ca. 150
Anonymous

Sophocles (497/6-406/5 b.c.e.) was already famous during his lifetime as his tragedies triumphed at the Dionysian Feasts in Athens more frequently than any others. He is represented with a thin cord a [+]

Dionysus
White marble. Ca. 150
Roman Sculptor
Dionysus
White marble. Ca. 150
Roman Sculptor

The Roman copy of a late Hellenistic model (125-100 B. C.) which, on account of its relaxed posture, recalls Praxiteles’ art. The god, who is leaning on a herm, a distinctive feature of the late first [+]

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