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Triptych of the Redemption: The Crucifixion
Oil on panel. Ca. 1450
Master Of The Prado Redemption
Triptych of the Redemption: The Crucifixion
Oil on panel. Ca. 1450
Master Of The Prado Redemption

This triptych is the principal creation and the work that has given the name to an anonymous follower of Rogier van der Weyden, previously identified as Vrancke van der Stockt. The triptych belonged t [+]

Saint Michael Archangel
Mixed method on panel. 1475 - 1485
Ximénez, Miguel
Saint Michael Archangel
Mixed method on panel. 1475 - 1485
Ximénez, Miguel

This is the left panel of the Altar Piece of the Pietà, Saint Michael and Saint Catherine from the church of Santa María in Ejea de los Caballeros (Zaragoza). The painter, originally fro [+]

The Crucifixion
Mixed method on panel. Ca. 1480
Bernat, Martín
The Crucifixion
Mixed method on panel. Ca. 1480
Bernat, Martín

This is one of Bernat’s early works and is very similar to the work of Bermejo in the anatomy, colour and slim proportions of the figures in it -Saint John, the Magdalene, Longinus- as well as the lit [+]

Triptych with Scenes from the Life of Christ
Grisaille, Oil on oak panel. Ca. 1440
Master Of The Collins Hours
Triptych with Scenes from the Life of Christ
Grisaille, Oil on oak panel. Ca. 1440
Master Of The Collins Hours

The Triptych in the Museo del Prado labeled as Scenes from the Life of Christ is a pivotal work in the story of Valencian painting in the fifteenth century and in the transmission of the style and tec [+]

Isaiah
Oil on panel. Ca. 1525
Master Of Becerril
Isaiah
Oil on panel. Ca. 1525
Master Of Becerril

This painter is one of the most outstanding and singular representatives of the early Renaissance in Palencia. While there are no extant documents to prove it, this work must somehow be connected with [+]

Saint Anthony Abbot
Tempera on panel. 1450 - 1460
Reixach, Joan
Saint Anthony Abbot
Tempera on panel. 1450 - 1460
Reixach, Joan

This must have been the central panel of an altarpiece dedicated to Saint Anthony Abbot. He is shown with his attribute of a pig. The flames at his feet allude to the illness known as "Saint Anthony´s [+]

The Arrival in England of Saint Ursula
Tempera on panel. 1425 - 1450
Anonymous
The Arrival in England of Saint Ursula
Tempera on panel. 1425 - 1450
Anonymous

These works formed the upper section of the Altar Piece of Saint Ursula in the church of San Pablo in Palencia. The style of these paintings, typical of the International Gothic, led them to originall [+]

The Temptations of Saint Anthony Abbot
Oil on panel. 1543 - 1550
Coecke Van Aelst, Pieter
The Temptations of Saint Anthony Abbot
Oil on panel. 1543 - 1550
Coecke Van Aelst, Pieter

Saint Anthony is tempted by the Devil, transformed into a beautiful naked woman accompanied by a witch. The burning city in the background, the monsters and other elements are derived from Bosch (c. 1 [+]

The Virgin and Child, known as the Durán Virgin
Oil on panel. 1435 - 1438
Weyden, Rogier Van Der
The Virgin and Child, known as the Durán Virgin
Oil on panel. 1435 - 1438
Weyden, Rogier Van Der

The panel has been trimmed on all four sides but little of the painted surface can have been lost. It is made from two boards of Baltic oak, both from the same tree; the last ring was formed in 1372. [+]

The Petition of Saint Ursula's Hand in Marriage
Tempera on panel. 1425 - 1450
Anonymous
The Petition of Saint Ursula's Hand in Marriage
Tempera on panel. 1425 - 1450
Anonymous

These works formed the upper section of the Altar Piece of Saint Ursula in the church of San Pablo in Palencia. The style of these paintings, typical of the International Gothic, led them to originall [+]

The Virgin and Child
Tempera, Gilded on panel. Ca. 1345
Traini, Francesco
The Virgin and Child
Tempera, Gilded on panel. Ca. 1345
Traini, Francesco

The panel’s small size, making it particularly suitable for private devotion, reflects the growth of the cult of the Virgin. A typical feature of Tuscan art of this date is the use of inscriptions suc [+]

The Birth of the Virgin
Oil on panel. 1562 - 1567
Morales, Luis de
The Birth of the Virgin
Oil on panel. 1562 - 1567
Morales, Luis de

The Birth of the Virgin at the Museo del Prado, the only painting on this subject by the hand of Luis de Morales and a work that remained unpublished until 2003, and the two pieces at the Museum Schlo [+]

A Prophet (fragment)
Mixed method on panel. 1450 - 1475
Master Of St. George And The Princess (Attributed To)
A Prophet (fragment)
Mixed method on panel. 1450 - 1475
Master Of St. George And The Princess (Attributed To)

This fragment of an altarpiece was attributed to the Hispano-Flemish painter Martín de Soria and more recently to Jaume Huguet. However, the evident Aragonese influence has led to an attributio [+]

The Nativity Triptych
Tempera on panel. Ca. 1450
Master Of The Zarzoso Triptych
The Nativity Triptych
Tempera on panel. Ca. 1450
Master Of The Zarzoso Triptych

This triptych is by a northern painter who trained in the International Gothic style and was familiar with Netherlandish painting. The central panel depicts the Nativity; on the left are the Birth of [+]

The Virgin nursing the Child
Mixed method on panel. Ca. 1490
Master Of The Luna Family
The Virgin nursing the Child
Mixed method on panel. Ca. 1490
Master Of The Luna Family

The artist of this panel is traditionally referred to as the Master of the Luna Family, whom Post first identified in 1933 as one of the two painters who produced the altarpiece for the chapel of Sain [+]

Saint Catherine
Mixed method on panel. 1475 - 1585
Ximénez, Miguel
Saint Catherine
Mixed method on panel. 1475 - 1585
Ximénez, Miguel

This is the right panel of the Altar Piece of the Pietà, Saint Michael and Saint Catherine from the church of Santa María in Ejea de los Caballeros (Zaragoza). As is the norm in Xim&eacu [+]

Orpheus and Eurydice in the Underworld
Oil on canvas. 1652
Fris, Pieter
Orpheus and Eurydice in the Underworld
Oil on canvas. 1652
Fris, Pieter

This mythological scene is one of the three currently-known paintings by Pieter Fris. It depicts the moment when Orpheus, having descended into the realm of darkness to search for his wife Eurydice, k [+]

Pietà
Oil on panel. 1440 - 1450
Weyden, Rogier Van Der (Workshop Of)
Pietà
Oil on panel. 1440 - 1450
Weyden, Rogier Van Der (Workshop Of)

The panel has been extended at the top: the original part is one board of Baltic oak, horizontal in grain and about 27 cm high. Sections of the unpainted edges survive on all four sides. The last ring [+]

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