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Saint Sebastian speaking to Marcus and Marcellian and Saint Sebastian and Saint Polycarp destroying Idols
Oil on panel. Ca. 1470
García de Benabarre, Pedro
Saint Sebastian speaking to Marcus and Marcellian and Saint Sebastian and Saint Polycarp destroying Idols
Oil on panel. Ca. 1470
García de Benabarre, Pedro

In the upper section, within an urban setting with a cobbler`s workshop in the background, Saint Sebastian is seen exhorting the brothers Marcus and Marcellian to ignore their family`s pleas and not r [+]

Triptych of the Adoration of the Magi
Oil on panel. 1470 - 1472
Memling, Hans
Triptych of the Adoration of the Magi
Oil on panel. 1470 - 1472
Memling, Hans

Comprising three panels, the Nativity, the Adoration of the Magi and the Presentation in the Temple, this painting is earlier than the triptych on the same subject painted by Memling for Jan Floreins [+]

The Crucifixion
Mixed method on panel. Ca. 1460
Sánchez, Juan
The Crucifixion
Mixed method on panel. Ca. 1460
Sánchez, Juan

This painter from Burgos represents the transition from the international Gothic style in which he was formed to the hispano-flemish style, whose models he adapts with his personal manner. The three f [+]

Pietà
Mixed method on pine panel. 1465 - 1470
Gallego, Fernando
Pietà
Mixed method on pine panel. 1465 - 1470
Gallego, Fernando

By all indications, this panel at the Museo del Prado with the signature FERNA[N]DO GALLEG[U]S is the earliest surviving work by that painter from Salamanca. While some scholars think he must have mad [+]

The Nativity
Oil on panel. Ca. 1470
Master Of Sopetrán
The Nativity
Oil on panel. Ca. 1470
Master Of Sopetrán

Of the four paintings commissioned by the Duke of Infantado, The Nativity is the one that is least influenced by Netherlandish models, particularly the structure of the architecture. In The Death of t [+]

The Death of the Virgin
Oil on panel. Ca. 1470
Master Of Sopetrán
The Death of the Virgin
Oil on panel. Ca. 1470
Master Of Sopetrán

Of the four paintings commissioned by the Duke of Infantado, The Nativity is the one that is least influenced by Netherlandish models, particularly the structure of the architecture. In The Death of t [+]

The Annunciation
Oil on panel. Ca. 1470
Master Of Sopetrán
The Annunciation
Oil on panel. Ca. 1470
Master Of Sopetrán

The painter, linked to the Mendoza family, patrons of this work, was familiar with Netherlandish painting as shown in the Annunciation, similar to Van der Weyden. The kneeling donor is thought to be t [+]

Diego Hurtado de Mendoza y Figueroa, 1st Duke of Infantado
Oil on panel. Ca. 1470
Master Of Sopetrán
Diego Hurtado de Mendoza y Figueroa, 1st Duke of Infantado
Oil on panel. Ca. 1470
Master Of Sopetrán

The painter, linked to the Mendoza family, patrons of this work, was familiar with Netherlandish painting as shown in the Annunciation, similar to Van der Weyden. The kneeling donor is thought to be t [+]

The Lamentation
Mixed method on panel. Ca. 1470
Anonymous
The Lamentation
Mixed method on panel. Ca. 1470
Anonymous

The similarity of this painting to the work of the Segovian painter, the Maestro del Parral, author of the Saint Jerome in the Museo Lázaro Galdiano (Madrid), and its relation to the work of Jo [+]

Prometheus
Oil on canvas. 1636 - 1638
Cossiers, Jan
Prometheus
Oil on canvas. 1636 - 1638
Cossiers, Jan

La historia de Prometeo, narrada en la obra Prometeo encadenado del poeta griego Esquilo y en la Teogonía del también poeta Hesiodo, cuenta como Prometeo robó el fuego de los dioses para dárselo a los [+]

Christ on the Cross
Red chalk on yellow paper. Early XVI century
Anonymous
Christ on the Cross
Red chalk on yellow paper. Early XVI century
Anonymous

The figure type and the finished style of drawing suggest the work of the Lombard painters Bernardino Luini (c. 1480/85-1532) or Andrea Solario (c. 1465-1524). A number of weaknesses in the handling, [+]

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