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This panel depicts the Crucifixion with Christ on the cross, the Virgin Mary and Saint John. Flanking them are Saints Jerome, James the Apostle, Mary Magdalene and Catherine, accompanied by the donor’ [+]
These panels (P02838, P02839, P02840), along with a fourth one in a private collection, illustrate the Story of Nastagio degli Onesti, the eighth novel of the fifth day of Boccaccio´s Decameron. This [+]
These panels (P02838, P02839, P02840), along with a fourth one in a private collection, illustrate the Story of Nastagio degli Onesti, the eighth novel of the fifth day of Boccaccio´s Decameron. This [+]
These panels (P02838, P02839, P02840), along with a fourth one in a private collection, illustrate the Story of Nastagio degli Onesti, the eighth novel of the fifth day of Boccaccio´s Decameron. This [+]
A votive image of Christ the Savior crowned with a cross-shaped halo. He wears a green tunic and red robes and has an expression of profound sorrow. All of these are symbols evoking his Passion. The g [+]
A devotional image of the Virgin Mary wearing blue and white, with a halo. She looks directly at the viewer, transmitting her sorrow at the death of Christ. The bust is completed with a gilded inner f [+]
In the bay of a Renaissance cloister, Mary is seated on a throne with her Son on her lap. On the left is Saint Benedict and on the right, Saint Bernard, patrons of the Order of Montesa. The latter pro [+]
Visio Tondalii fue el título de un poema anónimo del siglo XII de contenido moralizante, impreso en Amberes en 1482, que es considerado como una de las fuentes literarias de la obra de El Bosco. [+]
Esta medalla es un retrato doble de los abuelos paternos de Carlos V, Maximiliano de Austria (1459-1519) y María de Borgoña (1457-1482). En el anverso, vemos un Maximiliano joven, con una imagen que d [+]
En el anverso aparece Maximiliano I con ligeras variantes respecto a O00966, con el busto más largo y el corte del brazo, pero no sucede lo mismo con el retrato de María de Borgoña. Aquí, la duquesa h [+]
