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The Garden of Earthly Delights is Bosch’s most complex and enigmatic creation. For Falkenburg the overall theme of The Garden of Earthly Delights is the fate of humanity, as in The Haywain (P02052), a [+]
Con la adquisición en 2008 de la tabla Sagrada Familia con ángel músico (P08009), el Museo del Prado completa el tríptico del Maestro de Francfort, que perteneció al convento dominico de Santa Cruz de [+]
This triptych makes use of a traditional compositional scheme and iconography, with the principal scene in the central panel. However, the volumetric treatment of the figures reflects new Italian infl [+]
These panels (P02838, P02839, P02840), along with a fourth one in a private collection, illustrate the Story of Nastagio degli Onesti, the eighth novel of the fifth day of Boccaccio´s Decameron. This [+]
These panels (P02838, P02839, P02840), along with a fourth one in a private collection, illustrate the Story of Nastagio degli Onesti, the eighth novel of the fifth day of Boccaccio´s Decameron. This [+]
These panels (P02838, P02839, P02840), along with a fourth one in a private collection, illustrate the Story of Nastagio degli Onesti, the eighth novel of the fifth day of Boccaccio´s Decameron. This [+]
Peter Paul Rubens, the Flemish Baroque artist, was also a humanist scholar, art collector, and diplomat. In 1628, Rubens went to Madrid to meet with Philip IV, King of Spain (1621-1665), as part of hi [+]
This triptych makes use of a traditional compositional scheme and iconography, with the principal scene in the central panel. However, the volumetric treatment of the figures reflects new Italian infl [+]
The artist of this panel is traditionally referred to as the Master of the Luna Family, whom Post first identified in 1933 as one of the two painters who produced the altarpiece for the chapel of Sain [+]
During his lifetime, one of Luca Giordano’s most admired qualities was his ability to emulate the style of some of the great Renaissance masters. This Holy Family was painted as an exercise in imitati [+]
Schiaminossi was a Tuscan engraver and painter and a follower of Raphael (1483-1520) and the Sienese Ventura Salimbeni (1568-before of 1613). The style of this drawing seems however to be Roman, from [+]
The cycle of monochrome frescoes of the Story of St John the Baptist and Four Virtues, which del Sarto painted in the cloister of the Compagnia dello Scalzo, Florence, occupied the painter for about f [+]
Formerly placed as after Raphael (1483-1520). The design may reflect a composition originating from the artist´s circle. [+]
Domenico Alfani, an Umbrian associate of Raphael (1483-1520) in Perugino´s studio, remains something of an unknown quantity as a draftsman. Judging from the influences of Domenico Ghirlandaio (1449-14 [+]
En el anverso aparece Maximiliano I con ligeras variantes respecto a O00966, con el busto más largo y el corte del brazo, pero no sucede lo mismo con el retrato de María de Borgoña. Aquí, la duquesa h [+]
