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The Virgin nursing the Child
Mixed method on panel. Ca. 1490
Master Bartolomé
The Virgin nursing the Child
Mixed method on panel. Ca. 1490
Master Bartolomé

A devotional work that shows the Virgin against a delicate gold background. A window sill inscribed with the signature and a fragment of the mantle establish a realist caesura with the gaze of the vie [+]

The Painter Martin Ryckaert
Oil on panel. Ca. 1631
Dyck, Anthony Van
The Painter Martin Ryckaert
Oil on panel. Ca. 1631
Dyck, Anthony Van

The famous Flemish painter is portrayed almost full-length, sitting in a chair and wearing red robes and a fur coat. This landscape painter and contemporary of Van Dyck had no left arm, which is clear [+]

The Lamentation over the Dead Christ
Oil on panel. Ca. 1490
Master Of The Virgo Inter Virgines
The Lamentation over the Dead Christ
Oil on panel. Ca. 1490
Master Of The Virgo Inter Virgines

The artist, a follower of Geertgen tot sins Jans (1445/65-1485/95), approached Passion subjects with intense drama. In order to achieve strong expressions, he does not hesitate to deliberately distort [+]

Saint Michael the Archangel
Mixed method on panel. 1475 - 1485
Ximénez, Miguel
Saint Michael the Archangel
Mixed method on panel. 1475 - 1485
Ximénez, Miguel

This is the left panel of the Altar Piece of the Pietà, Saint Michael and Saint Catherine from the church of Santa María in Ejea de los Caballeros (Zaragoza). The painter, originally fro [+]

Saint John the Baptist and a Donor
Oil on panel. 1480 - 1485
Cruz, Diego de la
Saint John the Baptist and a Donor
Oil on panel. 1480 - 1485
Cruz, Diego de la

The painter of this work was a collaborator of the sculptor Gil de Siloe and was familiar with Northern art. John the Baptist, recognisable by his clothing and by the lamb on the book, has been painte [+]

The Crucifixion
Mixed method on panel. Ca. 1480
Bernat, Martín
The Crucifixion
Mixed method on panel. Ca. 1480
Bernat, Martín

This is one of Bernat’s early works and is very similar to the work of Bermejo in the anatomy, colour and slim proportions of the figures in it -Saint John, the Magdalene, Longinus- as well as the lit [+]

The Assumption of the Virgin
Mixed method on panel transferred to canvas. Ca. 1490
Maestro de las Once Mil Vírgenes
The Assumption of the Virgin
Mixed method on panel transferred to canvas. Ca. 1490
Maestro de las Once Mil Vírgenes

[+]

The Saviour
Oil on panel. Late XV century
Anonymous
The Saviour
Oil on panel. Late XV century
Anonymous

A bust of Christ, dressed in purple and with the holy halo. He appears as the Savior of Humanity over a dark background. This is a replica of a work by the same name signed by Giovanni Bellini (“IOANN [+]

Scenes from the Life of Saint Antony Abbot
Oil on panel. Ca. 1490
Abadía el Viejo, Juan de la
Scenes from the Life of Saint Antony Abbot
Oil on panel. Ca. 1490
Abadía el Viejo, Juan de la

During his ascetic retreat to the desert, Saint Antony was subjected to numerous temptations by the devil. On one occasion, the devil disguised himself as a seductive woman in order to draw him into t [+]

The Crucifixion
Oil on panel. 1475 - 1485
Master Of The Legend Of Saint Catherine
The Crucifixion
Oil on panel. 1475 - 1485
Master Of The Legend Of Saint Catherine

The wound in Christ`s side was inflicted after his death (John 19:34). The two angels, blue and dressed in blue, are apparently cherubim. Saint John the Evangelist steps forward to support the weeping [+]

Predella with the Resurrection of Christ
Mixed method on panel. 1475 - 1485
Ximénez, Miguel
Predella with the Resurrection of Christ
Mixed method on panel. 1475 - 1485
Ximénez, Miguel

The painting, which comes from the church of Santa María in Ejea de los Caballeros (Zaragoza), is made up of five panels. The central panel represents the Resurrection. On either side of it are [+]

Pietà
Oil on panel. 1565 - 1570
Morales, Luis de
Pietà
Oil on panel. 1565 - 1570
Morales, Luis de

Large-format versions of the Virgin holding the dead body of Christ, like those at Badajoz Cathedral and at the Real Academia de Bellas Artes de San Fernando, gave way in Morales’s oeuvre to smaller c [+]

Scenes from The Story of Nastagio degli Onesti
Mixed method on panel. 1483
Botticelli, Sandro
Scenes from The Story of Nastagio degli Onesti
Mixed method on panel. 1483
Botticelli, Sandro

These panels (P02838, P02839, P02840), along with a fourth one in a private collection, illustrate the Story of Nastagio degli Onesti, the eighth novel of the fifth day of Boccaccio´s Decameron. This [+]

The Virgin of the Catholic Monarchs
Mixed method on panel. 1491 - 1493
Master Of The Virgin Of The Catholic Monarchs
The Virgin of the Catholic Monarchs
Mixed method on panel. 1491 - 1493
Master Of The Virgin Of The Catholic Monarchs

The Virgin Mary, with the Christ Child on her lap, is worshiped by the Catholic Kings, Isabel (1451-1504) and Fernando (1452-1516), two of their children, and others. On the right of the composition, [+]

Pontius Pilate Washing his Hands
Oil on panel. Ca. 1490
Osona, Rodrigo de; Osona, Francisco de
Pontius Pilate Washing his Hands
Oil on panel. Ca. 1490
Osona, Rodrigo de; Osona, Francisco de

This and five other panels at the Prado Museum (P06897, P06899, P06900, P06901, P06902), are some of the finest examples of the collaboration between Rodrigo and Francisco de Osona. They were probably [+]

Scenes from the Story of Nastagio degli Onesti
Mixed method on panel. 1483
Botticelli, Sandro
Scenes from the Story of Nastagio degli Onesti
Mixed method on panel. 1483
Botticelli, Sandro

These panels (P02838, P02839, P02840), along with a fourth one in a private collection, illustrate the Story of Nastagio degli Onesti, the eighth novel of the fifth day of Boccaccio´s Decameron. This [+]

The Virgin and Child between Mary Magdalene and Saint Ursula
Oil on panel. Ca. 1490
Bellini, Giovanni (And Workshop)
The Virgin and Child between Mary Magdalene and Saint Ursula
Oil on panel. Ca. 1490
Bellini, Giovanni (And Workshop)

The Virgin holds the Christ Child in her arms, flanked by two saints in a Sacra Conversazione. The saint on the left has been identified as Mary Magdalene and the one on the right as either Saint Ursu [+]

The Lamentation
Mixed method on panel. Ca. 1490
Master Of The Luna Family
The Lamentation
Mixed method on panel. Ca. 1490
Master Of The Luna Family

This painting is a slight variation of the central panel in the predella of the Don Álvaro de Luna Altar Piece which is in the Toledo cathedral (doc. 1488). Mary, helped by Saint John and Nicod [+]

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