The itinerary <em>TITULORECORRIDO</em> has been successfully created. Now you can add in works from the Collection browser
<em>TITULOOBRA</em> added to <em>TITULORECORRIDO</em> itinerary

Collection <Back
Search

Explore the collection

Refine results
17 results
Pietà
Oil on panel. 1565 - 1570
Morales, Luis de
Pietà
Oil on panel. 1565 - 1570
Morales, Luis de

Large-format versions of the Virgin holding the dead body of Christ, like those at Badajoz Cathedral and at the Real Academia de Bellas Artes de San Fernando, gave way in Morales’s oeuvre to smaller c [+]

The Garden of Earthly Delights Triptych
Grisaille, Oil on oak panel. 1490 - 1500
Bosch, Hieronymus
The Garden of Earthly Delights Triptych
Grisaille, Oil on oak panel. 1490 - 1500
Bosch, Hieronymus

The Garden of Earthly Delights is Bosch’s most complex and enigmatic creation. For Falkenburg the overall theme of The Garden of Earthly Delights is the fate of humanity, as in The Haywain (P02052), a [+]

Christ Blessing
Mixed method on panel. 1494 - 1496
Gallego, Fernando
Christ Blessing
Mixed method on panel. 1494 - 1496
Gallego, Fernando

On his throne, wearing a red tunic and holding the globe of the World in his left hand, Christ offers his blessing with his right. He is flanked by figures representing the Church and the Synagogue an [+]

Pilate washing his Hands
Oil on copperplate. After 1655
Giordano, Luca
Pilate washing his Hands
Oil on copperplate. After 1655
Giordano, Luca

Esta pintura ha sido relacionada con Durero (1471-1528) y con Lucas de Leiden (1494-1533). Supone un sobresaliente ejercicio de estilo que manifiesta su atenta observación de originales alemanes del s [+]

The Kiss of Judas
Oil on copperplate. After 1655
Giordano, Luca
The Kiss of Judas
Oil on copperplate. After 1655
Giordano, Luca

Esta pintura ha sido relacionada con Durero (1471-1528) y con Lucas de Leiden (1494-1533). Supone un sobresaliente ejercicio de estilo que manifiesta su atenta observación de originales alemanes del s [+]

Scenes from The Story of Nastagio degli Onesti
Mixed method on panel. 1483
Botticelli, Sandro
Scenes from The Story of Nastagio degli Onesti
Mixed method on panel. 1483
Botticelli, Sandro

These panels (P02838, P02839, P02840), along with a fourth one in a private collection, illustrate the Story of Nastagio degli Onesti, the eighth novel of the fifth day of Boccaccio´s Decameron. This [+]

Triptych of the Adoration of the Magi
Grisaille, Oil on oak panel. 1494
Bosch, Hieronymus
Triptych of the Adoration of the Magi
Grisaille, Oil on oak panel. 1494
Bosch, Hieronymus

The theme of this triptych is the advent of salvation -a message about the universality of Redemption. The Eucharistic meaning inherent in the theme of Saint Gregory’s Mass is also found in The Adorat [+]

Scenes from the Story of Nastagio degli Onesti
Mixed method on panel. 1483
Botticelli, Sandro
Scenes from the Story of Nastagio degli Onesti
Mixed method on panel. 1483
Botticelli, Sandro

These panels (P02838, P02839, P02840), along with a fourth one in a private collection, illustrate the Story of Nastagio degli Onesti, the eighth novel of the fifth day of Boccaccio´s Decameron. This [+]

Self-portrait
Oil on panel. 1498
Dürer, Albrecht
Self-portrait
Oil on panel. 1498
Dürer, Albrecht

In the same year that he published the Apocalipsis cum figuris, Dürer painted himself as a gentleman, dressed in light toned clothes and looking his best. He wears an open black and white doublet [+]

Scenes from the Story of Nastagio degli Onesti
Mixed method on panel. 1483
Botticelli, Sandro
Scenes from the Story of Nastagio degli Onesti
Mixed method on panel. 1483
Botticelli, Sandro

These panels (P02838, P02839, P02840), along with a fourth one in a private collection, illustrate the Story of Nastagio degli Onesti, the eighth novel of the fifth day of Boccaccio´s Decameron. This [+]

Triptych of the Pietà, St John and St Mary Magdalene
Oil on panel. Ca. 1570
Morales, Luis de (And Workshop)
Triptych of the Pietà, St John and St Mary Magdalene
Oil on panel. Ca. 1570
Morales, Luis de (And Workshop)

Large-format versions of the Virgin holding the dead body of Christ, like those at Badajoz Cathedral and at the Real Academia de Bellas Artes de San Fernando, gave way in Morales’s oeuvre to smaller c [+]

Winged head of a putto
Pencil on yellow paper. XVI century
Anonymous
Winged head of a putto
Pencil on yellow paper. XVI century
Anonymous

The drawing carries a rather improbable, old attribution to the Florentine painter Domenico Ghirlandaio (1448/49-1494). It is unquestionably later and seems to share some of the stylistic features of [+]

Group of Figures Conversing
Pencil, Grey-brown ink on brown paper. XVI century
Vasari, Giorgio (Attributed To)
Group of Figures Conversing
Pencil, Grey-brown ink on brown paper. XVI century
Vasari, Giorgio (Attributed To)

Florian Härb first suggested the very plausible attribution to Vasari. He pointed out that this is very likely an early work, done when the artist was in the habit of making drawn copies after pa [+]

Saint Luke painting the Virgin
Pencil, Pencil, Grey-brown ink, Wash on dark yellow paper. 1567 - 1572
Vasari, Giorgio
Saint Luke painting the Virgin
Pencil, Pencil, Grey-brown ink, Wash on dark yellow paper. 1567 - 1572
Vasari, Giorgio

This is a preparatory drawing for Vasari´s fresco of St. Luke Painting the Virgin in the Cappella di San Luca in S. Annunziata, Florence. In 1560 the chapel, formerly the Cappella Benizzi, was granted [+]

Virgin and Child Enthroned, with Saints and Angels
Pencil, Grey ink, Grey-brown ink, Wash on brown paper. First half of the XVI century
Alfani, Domenico (Attributed To)
Virgin and Child Enthroned, with Saints and Angels
Pencil, Grey ink, Grey-brown ink, Wash on brown paper. First half of the XVI century
Alfani, Domenico (Attributed To)

Domenico Alfani, an Umbrian associate of Raphael (1483-1520) in Perugino´s studio, remains something of an unknown quantity as a draftsman. Judging from the influences of Domenico Ghirlandaio (1449-14 [+]

Nude infant kneeling
Red chalk, Touches of white chalk on dark yellow paper. XVI century
Anonymous
Nude infant kneeling
Red chalk, Touches of white chalk on dark yellow paper. XVI century
Anonymous

It is possible that the drawing could be Florentine, since the child´s head shows some influence of Jacopo Pontormo (1494-1556). [+]

Agate flask with three handles
Gold, Agate, Garnet, Enamel. 1525 - 1550
Mangot, Pierre -Goldsmith- (Circle Of)
Agate flask with three handles
Gold, Agate, Garnet, Enamel. 1525 - 1550
Mangot, Pierre -Goldsmith- (Circle Of)

This flask is one of a pair (I-1399). It was wrongly thought lost in 1815, and the other flask it formed a pair with was stolen in 1918. It has an agate body and enamelled gold mounts whose upper part [+]

Up