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This is a scene from the New Testament (Luke 1, 39-56) when the Virgin Mary is pregnant with Jesus. Accompanied by Saint Joseph, she goes to visit her cousin, Elizabeth, who is pregnant with Saint Joh [+]
This is the only panel signed by this painter, who worked with Fernando Gallego on the former high altar of the cathedral of Ciudad Rodrigo (University of Arizona Museum of Art, Tucson, Arizona). It i [+]
This triptych is the principal creation and the work that has given the name to an anonymous follower of Rogier van der Weyden, previously identified as Vrancke van der Stockt. The triptych belonged t [+]
The painter, of Riojan origin, completed his artistic formation with Jean Changenet in Avignon (doc. 1493). When he returned to Castile he worked in Palencia and Burgos. The simplification of volumes [+]
Jesus is shown half-length, crowned with thorns and with a haggard face, parted lips, prominent cheekbones, and moist eyes raised in an attitude of submission to the divine will. His hair, beard, mous [+]
The artist, a follower of Geertgen tot sins Jans (1445/65-1485/95), approached Passion subjects with intense drama. In order to achieve strong expressions, he does not hesitate to deliberately distort [+]
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This is by the same artist as The Presentation (P-1257), although it has a more Germanic character on account of it being almost a copy of an etching by Martin Schongauer (c. 1435/50-1491) of the same [+]
A bust of Christ, dressed in purple and with the holy halo. He appears as the Savior of Humanity over a dark background. This is a replica of a work by the same name signed by Giovanni Bellini (“IOANN [+]
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This panel and its companion, Saint Ambrose and Saint Augustine (P8124), must have been part of the predella of a mid-sized altarpiece. Like most of the works attributed to Pedro Berruguete, they are [+]
This panel is by an anonymous Hispano-Flemish painter active in Burgos and Palencia who was influenced by Diego de la Cruz and the Master of Los Balbases. His name derives from his best known work, th [+]
Bearing a sword in his right hand, and a shield in his left, Saint Michael, dressed in red robes, attacks a dragon, the symbol of sin. The upper part of the composition shows three heavenly choirs whi [+]
The theme of this triptych is the advent of salvation -a message about the universality of Redemption. The Eucharistic meaning inherent in the theme of Saint Gregory’s Mass is also found in The Adorat [+]
This panel depicts a miracle of Saint Anthony: the conversion of a heretic when he realised that a hungry mule refrained from eating a basket of barley with a consecrated Host on it. Sculpture is used [+]
This and five other panels at the Prado Museum (P06897, P06899, P06900, P06901, P06902), are some of the finest examples of the collaboration between Rodrigo and Francisco de Osona. They were probably [+]
The Virgin holds the Christ Child in her arms, flanked by two saints in a Sacra Conversazione. The saint on the left has been identified as Mary Magdalene and the one on the right as either Saint Ursu [+]
