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Saint James the Pilgrim
Oil on panel. 1496 - 1497
Flandes, Juan de
Saint James the Pilgrim
Oil on panel. 1496 - 1497
Flandes, Juan de

Saint James the Elder is depicted as a pilgrim, with his customary crozier or staff, although here it lacks the customary calabash for water. He wears a cape and a hat with the scallop shell that symbolizes the pilgrimage to Compostela, just as the Greek cross and palm did for pilgrims to Jerusalem and the double key and Speedwell for those headed to Rome. While the origin of the scallop shell rem

The Moon. Diana with the Sign of Cancer
Oil on canvas. XVI century
Facchetti, Pietro
The Moon. Diana with the Sign of Cancer
Oil on canvas. XVI century
Facchetti, Pietro

In the foreground, Diana holds a bow in her left hand while extracting an arrow from her quiver with the right. The moon appears over her forehead, and behind her, a fragment of the Zodiac includes the sign of Cancer. Sitting at the top, a winged figure gazes toward the heavens.This painting and its companions (P306 to P312) are copies of cartoons for the mosaics at the Chigi Chapel in the Roman c

Christ Blessing
Mixed method on panel. 1494 - 1496
Gallego, Fernando
Christ Blessing
Mixed method on panel. 1494 - 1496
Gallego, Fernando

On his throne, wearing a red tunic and holding the globe of the World in his left hand, Christ offers his blessing with his right. He is flanked by figures representing the Church and the Synagogue and surrounded by the Tetramorph. Christ is presented as the Savior of the world in this work that contrasts the figure of the Synagogue, with Moses’s tablets and a torn banner; and the figure of the Ch

The Continence of Scipio
Oil on panel. 1496
Aspertini, Amico; Aspertini, Guido
The Continence of Scipio
Oil on panel. 1496
Aspertini, Amico; Aspertini, Guido

This painting and The Rape of the Sabines (P524) were part of the decoration of two cassoni commissioned in May 1496 in Bologna by Lodovico da Sala from the painter Guido Aspertini. These paintings were commissioned for the betrothal of his daughter Angelica to Giovan Battista Bolognetti held in August of that year. Certain elements of The Continence of Scipio also suggest that these panels are as

The Crucifixion
Oil on panel. 1509 - 1519
Flandes, Juan de
The Crucifixion
Oil on panel. 1509 - 1519
Flandes, Juan de

Documents at Palencia Cathedral cast light on this Crucifixion’s original location -the central row of the main altarpiece at that cathedral- and its author: Juan de Flandes (doc. 1496-1519). They also offer information about this panel between 1509, when that Flemish painter was commissioned to paint it, and 1944, when the Cathedral management sold it. Those same documents indicate that Palencia

Venus with the signs of Libra and Taurus
Oil on canvas. XVI century
Facchetti, Pietro
Venus with the signs of Libra and Taurus
Oil on canvas. XVI century
Facchetti, Pietro

The planet Venus, accompanied by a torch-bearing child, represents the morning star. Behind them, a fragment of the Zodiac presents the signs of Libra and Taurus. At the top, a winged figure rests his extended arms on the ring.This painting and its companions (P306 to P312) are copies of cartoons for the mosaics at the Chigi Chapel in the Roman church of Santa Maria del Popolo. Those cartoons were

Isaiah
Oil on panel. Ca. 1525
Master Of Becerril
Isaiah
Oil on panel. Ca. 1525
Master Of Becerril

This painter is one of the most outstanding and singular representatives of the early Renaissance in Palencia. While there are no extant documents to prove it, this work must somehow be connected with Juan de Flandes (doc. 1496-1519) during the time that he was working in Palencia (1509-1519). This is visible in the strong dependence of its figures on Flandes´s models, as well as the manner of dep

Saturn with the sign of Capricorn
Oil on canvas. XVI century
Facchetti, Pietro
Saturn with the sign of Capricorn
Oil on canvas. XVI century
Facchetti, Pietro

The life-sized figure that represents the planet Saturn holds a scythe in his hands. Behind him, a fragment of the Zodiac bears the sign of Capricorn. At the left, a winged figure leans on the Zodiac´s ring and gazes upwards.This painting and its companions (P306 to P312) are copies of cartoons for the mosaics at the Chigi Chapel in the Roman church of Santa Maria del Popolo. Those cartoons were m

Christ Seated on a Cold Rock
Oil on panel. 1496 - 1497
Flandes, Juan de
Christ Seated on a Cold Rock
Oil on panel. 1496 - 1497
Flandes, Juan de

The naked Christ, crowned with thorns and with the marks of the Passion on his body, his hands bound and a rope around his neck, sits on a cold rock while resignedly waiting to be crucified. On the ground are his clothing and the bare cross. With no basis in scripture, this devotional image laden with drama became very successful at the end of the Middle Ages, especially in sculpture.

The Sun. Apollo with the Sign of Leo
Oil on canvas. XVI century
Facchetti, Pietro
The Sun. Apollo with the Sign of Leo
Oil on canvas. XVI century
Facchetti, Pietro

Apollo appears in the foreground with drawn bow. Behind him, a fragment of the Zodiac shows the sign of Leo, and at the top: a winged figure holds the Sun.This painting and its companions (P307 to P312) are copies of cartoons for the mosaics at the Chigi Chapel in the Roman church of Santa Maria del Popolo. Those cartoons were made by Raphael and the mosaics, by Alvise della Pace in 1516.The paint

The Constellations
Oil on canvas. XVI century
Facchetti, Pietro
The Constellations
Oil on canvas. XVI century
Facchetti, Pietro

The sphere of the heavens appears in the foreground, filled with stars and held from above by an angel. At the bottom, a blank scroll.This painting and its companions (P306 to P312) are copies of cartoons for the mosaics at the Chigi Chapel in the Roman church of Santa Maria del Popolo. Those cartoons were made by Raphael and the mosaics, by Alvise della Pace in 1516.The paintings are from the roy

Mars with the Signs of Aries and Scorpio
Oil on canvas. XVI century
Facchetti, Pietro
Mars with the Signs of Aries and Scorpio
Oil on canvas. XVI century
Facchetti, Pietro

The helmeted figure of Mars holds a sword in his right hand, and a shield in his left and looks skywards. Behind him, a fragment of the Zodiac bears the signs of Aries and Scorpio. At the top, we see the angel that, according to Dante, presides over every star.This painting and its companions (P306 to P312) are copies of cartoons for the mosaics at the Chigi Chapel in the Roman church of Santa Mar

The Rape of the Sabines
Oil on panel. 1496
Aspertini, Amico; Aspertini, Guido
The Rape of the Sabines
Oil on panel. 1496
Aspertini, Amico; Aspertini, Guido

These paintings (P524, P525) decorated two cassoni and were commissioned in 1496 in Bologna by Ludovico da Sala from Guido Aspertini for the betrothal of his daughter Angelica to Giovan Battista Bolognetti. It is generally agreed that Guido’s brother, Amico, participated in their execution, which would explain the quotations from classical statuary. Both scenes from classical Rome contained lesson

Mercury with the signs of Gemini and Virgo
Oil on canvas. XVI century
Facchetti, Pietro
Mercury with the signs of Gemini and Virgo
Oil on canvas. XVI century
Facchetti, Pietro

The life-sized figure that represents the planet Mercury holds the caduceus in his left hand and points with the index finger of his extended right hand. Behind him, a fragment of the zodiac presents the signs of Gemini and Virgo. At the top, a winged figure points to the sky with its left hand.This painting and its companions (P306 to P312) are copies of cartoons for the mosaics at the Chigi Chap

Men, Women and Children Escaping from a Flood, from The Deluge in the Vatican Logge
Pencil, Pencil ground, Grey-brown ink, Wash on brown paper. XVI century
Anonymous
Men, Women and Children Escaping from a Flood, from The Deluge in the Vatican Logge
Pencil, Pencil ground, Grey-brown ink, Wash on brown paper. XVI century
Anonymous

This weak copy is after one of the biblical scenes in the Vatican Logge. Raphael, assited by his pupils Giulio Romano (c. 1499-1546), Giovanni Francesco Penni (1496-c. 1536), Perino del Vaga (1501-1547) and Polidoro da Caravaggio (c. 1499-1543), carried out the decoration in 1518-19.

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