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The Miracle of the Cloud
Oil on panel. 1493 - 1499
Berruguete, Pedro
The Miracle of the Cloud
Oil on panel. 1493 - 1499
Berruguete, Pedro

The scene takes place during a trial presided by Saint Dominic in Milan against a heretic bishop, identified by his mitre. Seated next to the portable pulpit set up in a square, the prelate promises t [+]

Saint Dominic resurrects a Boy
Oil on panel. 1493 - 1499
Berruguete, Pedro
Saint Dominic resurrects a Boy
Oil on panel. 1493 - 1499
Berruguete, Pedro

Inside a church, the levitating Saint Dominic raises his right hand to bless Napoleone Orsini, who had died after falling from his horse, visible through the doorway on the left. At the same time, his [+]

Saint Peter
Tempera on twill / twill weave canvas. 1493 - 1499
Berruguete, Pedro
Saint Peter
Tempera on twill / twill weave canvas. 1493 - 1499
Berruguete, Pedro

Forma parte de un conjunto de cuatro sargas que procedían probablemente, de la Iglesia de Santo Tomás. Temáticamente distribuidas por parejas, dos de ellas representan a San Pablo (P123) y, ésta de Sa [+]

Landscape with Psyche and Jupiter
Oil on canvas. Ca. 1610
Rubens, Peter Paul; Bril, Paul
Landscape with Psyche and Jupiter
Oil on canvas. Ca. 1610
Rubens, Peter Paul; Bril, Paul

On a number of occasions, Peter Paul Rubens partially overpainted finished pictures. He did this to paintings by his own hand, such as Nymphs and Satyrs (P1666), which he retouched and enlarged twenty [+]

Saint Dominic
Oil on panel. 1493 - 1499
Berruguete, Pedro
Saint Dominic
Oil on panel. 1493 - 1499
Berruguete, Pedro

This is the central panel of the Altar piece of Saint Dominic, brought -with three other paintings in the Prado (P-609, P-610 and P-615)- from the Convent of Santo Tomás in Ávila, the he [+]

Saint Peter Martyr
Oil on panel. 1493 - 1499
Berruguete, Pedro
Saint Peter Martyr
Oil on panel. 1493 - 1499
Berruguete, Pedro

The painting is the central panel of the altarpiece of Saint Peter Martyr from the Convent of Santo Tomás in Avila, together with four other panels in the Museum (P-611-614). The saint is ident [+]

Saint Peter the Martyr praying
Oil on panel. 1493 - 1499
Berruguete, Pedro
Saint Peter the Martyr praying
Oil on panel. 1493 - 1499
Berruguete, Pedro

Falsely accused of witchcraft, the Saint, kneeling and elevated from the floor, complains before the image of Christ about having to suffer for him in spite of being innocent. The crucified Christ rep [+]

Apparition of the Virgin to a Community of Dominicans
Oil on panel. 1493 - 1499
Berruguete, Pedro
Apparition of the Virgin to a Community of Dominicans
Oil on panel. 1493 - 1499
Berruguete, Pedro

In response to Satan’s attacks on the early Dominicans, a procession is established in honour of the Virgin in which the "Salve Regina" is sung. In this panel, which was executed for the altarpiece of [+]

Saint Paul
Tempera on twill / twill weave canvas. 1493 - 1499
Berruguete, Pedro
Saint Paul
Tempera on twill / twill weave canvas. 1493 - 1499
Berruguete, Pedro

This is one of a group of four tempera paintings on canvas twill probably from the church of Santo Tomás in Avila. The four are thematically grouped in two pairs, one with depictions of saints [+]

Saint Dominic presiding over an Auto-da-fe
Oil on panel. 1493 - 1499
Berruguete, Pedro
Saint Dominic presiding over an Auto-da-fe
Oil on panel. 1493 - 1499
Berruguete, Pedro

On a portable rostrum, Saint Dominic and six other judges preside over the auto-da-fe in which some Albigensian heretics are being judged, representing a well-known episode in his biography. Beside hi [+]

Saint Dominic and the Albigensians
Oil on panel. 1493 - 1499
Berruguete, Pedro
Saint Dominic and the Albigensians
Oil on panel. 1493 - 1499
Berruguete, Pedro

In the Middle Ages, the “trial by fire” was used as a means of establishing the truth; miracles thus prevailed over rational arguments. Here, one of Saint Dominic’s books is placed in the fire togethe [+]

Two Magi
Tempera on twill / twill weave canvas. 1493 - 1499
Berruguete, Pedro
Two Magi
Tempera on twill / twill weave canvas. 1493 - 1499
Berruguete, Pedro

The scene of the Adoration of the Magi, which begins with the depiction of the eldest Magus presenting his offering to the Christ Child (P125), is completed with this second one in which the other two [+]

Pietà
Oil on canvas. Ca. 1756
Giaquinto, Corrado
Pietà
Oil on canvas. Ca. 1756
Giaquinto, Corrado

A Pietà made by this Neapolitan painter during his stay in Madrid (1753-1763). The group of Christ and the angel holding him corresponds to the fresco of the Holy Trinity in the chapel at Madri [+]

Death of Saint Peter Martyr
Oil on panel. 1493 - 1499
Berruguete, Pedro
Death of Saint Peter Martyr
Oil on panel. 1493 - 1499
Berruguete, Pedro

This is one of a set of panels (P00611, P00612, P00614 y P00617) from Saint Thomas in Avila, where they were very likely part of an altarpiece dedicated to Saint Peter, the Martyr of Verona. It origin [+]

Adoration of the First Magus
Tempera on twill / twill weave canvas. 1493 - 1499
Berruguete, Pedro
Adoration of the First Magus
Tempera on twill / twill weave canvas. 1493 - 1499
Berruguete, Pedro

This composition, together with the one that completes the episode, showing the other two Magi (P126), was painted to cover the doors of an organ, probably the one in the church of Santo Tomás [+]

Adoration of the Tomb of Saint Peter Martyr
Oil on panel. 1493 - 1499
Berruguete, Pedro
Adoration of the Tomb of Saint Peter Martyr
Oil on panel. 1493 - 1499
Berruguete, Pedro

According to the Golden Legend by Jacopo de Voragine, the lamps hung by the devout next to the saint’s tomb light themselves. The painter represents just one lamp which is miraculously lit by a ray of [+]

The Holy Family, or 'The Pearl'
Oil on panel. Ca. 1518
Raphael (Raffaello Sanzio)
The Holy Family, or 'The Pearl'
Oil on panel. Ca. 1518
Raphael (Raffaello Sanzio)

Philip IV called this painting The Pearl, as it was his favorite among all those in his collection. The composition was designed by Raphael but part of the execution was delegated to his pupil Giulio [+]

Draped Female Figure [the Virgin at the Foot of the Cross (¿?)]
Pencil, Grey-brown ink, White lead, Wash on grey paper. Second half of the XVI century
Trometta (Attributed To)
Draped Female Figure [the Virgin at the Foot of the Cross (¿?)]
Pencil, Grey-brown ink, White lead, Wash on grey paper. Second half of the XVI century
Trometta (Attributed To)

Traditionally given to Polidoro da Caravaggio (c. 1499-ca. 1543). The figure´s pose and the handling of the media suggest the work of an artist from the circle of Taddeo Zuccaro (1529-1566). Especial [+]

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