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A portrait of King Carlos IV (1784-1819) wearing red velvet and decorated with the Golden Fleece, on a background of curtains that partially hide a crown at the right edge of the composition. This wor [+]
Goya never actually painted the cartoon for this scene, which is one of his masterpieces, and the most popular of a series intended for the bedroom of the infantas in Madrid's El Pardo Palace. The pro [+]
This is a representation of the taking of Christ by Roman soldiers, a scene from the New Testament that marks the beginning of his Passion (Matthew 26, 45-46; Mark 14, 41-52; Luke 22, 45-54; John 18, [+]
This tapestry cartoon depicts a young woman. She is sitting, with a dog on her lap, and is accompanied by a Majo who protects her from the sun with a parasol. This work's format and bottom-to-top pers [+]
Gaspar Melchor de Jovellanos was one of the most illustrious representatives of the Spanish Enlightenment, a man of letters, writer and poet, as well as a statesman with advanced ideas. Born in Gij&oa [+]
During the fiesta of Saint Isidore, patron saint of Madrid, on 15 May, the city dwellers visit his hermitage to drink the water from a miraculous spring that, according to tradition, the saint caused [+]
The title of his drawings carries over from the previous drawing of the series, entitled The Daring of Martincho in the Ring at Saragossa. Martincho rose to fame with his daring passes. This compositi [+]
This preparatory drawing for the etching Capricho 14, What a Sacrifice! (G02102) is part of The Dreams, a series of twenty-six pen-and-ink drawings that serve as the basis for the Caprichos. Headed by [+]
In this series of prints executed between 1810 and 1814 Goya offers a critical and personal vision of the consequences of the Spanish Peninsular War (1808-14) that is remote from the propagandistic im [+]
This drawing presents the reactions provoked by Justice’s arrival with the establishment of the Constitution. The scales of justice shine like the Sun, illuminating everything and causing admiration a [+]
Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that [+]
The last of the albums produced in Bordeaux offers a succession of untitled scenes in which an apparent representation of reality is combined with fantasy. This woman, covered with a mantle, armed wit [+]
Execution scenes constitute one of the most outstanding thematic groups in the series. The significant number of prints depicting different versions of this form of repression and extreme violence—Dis [+]
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