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Isabella of Bourbon, Countess of Charolais
Oil on canvas mounted on panel. XV century
Anonymous
Isabella of Bourbon, Countess of Charolais
Oil on canvas mounted on panel. XV century
Anonymous

Isabella of Bourbon, Countess of Charolais (1434-1465) was the second wife of Charles the Bold, Count of Charolais and future Duke of Burgundy. [+]

Charles the Bold, Duke of Burgundy
Oil on canvas mounted on panel. XV century
Anonymous
Charles the Bold, Duke of Burgundy
Oil on canvas mounted on panel. XV century
Anonymous

[+]

Hercules defeats King Geryon
Oil on canvas. 1634
Zurbarán, Francisco de
Hercules defeats King Geryon
Oil on canvas. 1634
Zurbarán, Francisco de

This painting depicts the moment after Hercules has killed King Geryon, identified by the crown on his head. The monarch had come to defend his herd of oxen and cows after the god Eurystheus had order [+]

The Burial of Christ
Oil on canvas. 1572
Titian (Tiziano Vecellio)
The Burial of Christ
Oil on canvas. 1572
Titian (Tiziano Vecellio)

Titian represented the Gospel account of the burial of Christ (Matthew 27: 57-61; Mark 15: 44-47; Luke 23: 50-54; John 19: 38-42) on several occasions. There is a notable difference between his first [+]

Portrait of a Man
Oil on panel. 1521
Dürer, Albrecht
Portrait of a Man
Oil on panel. 1521
Dürer, Albrecht

This portrait is one of Dürer’s great creations. It offers a three-quarters view of an unidentified person who occupies most of the canvas. Dürer places him in front of a dark background tha [+]

The Saviour
Oil on panel. Late XV century
Anonymous
The Saviour
Oil on panel. Late XV century
Anonymous

A bust of Christ, dressed in purple and with the holy halo. He appears as the Savior of Humanity over a dark background. This is a replica of a work by the same name signed by Giovanni Bellini (“IOANN [+]

The Annuncation
Oil on panel. Ca. 1565
Morales, Luis de
The Annuncation
Oil on panel. Ca. 1565
Morales, Luis de

In a single sequence, the painting shows the Archangel Gabriel’s greeting to Mary, his announce ment to her that she has been designated as the mother of the son of God, and her acceptance of the divi [+]

Philip II on Horseback
Oil on canvas. 1629 - 1640
Rubens, Peter Paul
Philip II on Horseback
Oil on canvas. 1629 - 1640
Rubens, Peter Paul

A posthumous portrait of Felipe II wearing full body armor, a cape and a hat and riding a horse. Victory crowns him with laurels. The background alludes to a battle, probably that of San Quentí [+]

Saints Gregory the Great and Jerome
Oil on panel. 1495 - 1500
Berruguete, Pedro
Saints Gregory the Great and Jerome
Oil on panel. 1495 - 1500
Berruguete, Pedro

This panel and its companion, Saint Ambrose and Saint Augustine (P8124), must have been part of the predella of a mid-sized altarpiece. Like most of the works attributed to Pedro Berruguete, they are [+]

The Crucifixion
Oil on panel. 1475 - 1485
Master Of The Legend Of Saint Catherine
The Crucifixion
Oil on panel. 1475 - 1485
Master Of The Legend Of Saint Catherine

The wound in Christ`s side was inflicted after his death (John 19:34). The two angels, blue and dressed in blue, are apparently cherubim. Saint John the Evangelist steps forward to support the weeping [+]

Federico Gonzaga, Ist Duke of Mantua
Oil on panel. 1529
Titian (Tiziano Vecellio)
Federico Gonzaga, Ist Duke of Mantua
Oil on panel. 1529
Titian (Tiziano Vecellio)

On 16 April 1529 Federico II Gonzaga, First Duke of Mantua (1500-1540), apologised to his uncle Alfonso d’Este for retaining Titian: perché ha conienzo un retratto mio qual molto desidero sii f [+]

Daniele Barbaro, Patriarch of Aquileia
Oil on canvas. Ca. 1545
Titian (Tiziano Vecellio)
Daniele Barbaro, Patriarch of Aquileia
Oil on canvas. Ca. 1545
Titian (Tiziano Vecellio)

Described by Lodovico Dolce as a gentleman of great merit and infinite goodness, Daniele Barbaro (1513-1570) was from a noble Venetian family. He was educated to the highest level first in Verona and [+]

The Haywain Triptych
Oil on panel. 1512 - 1515
Bosch, Hieronymus
The Haywain Triptych
Oil on panel. 1512 - 1515
Bosch, Hieronymus

Bosch thus shows how man, irrespective of his social class or place of origin, is so possessed by the desire to enjoy and acquire material possessions that he allows himself to be deceived or seduced [+]

The Burial of Christ
Oil on canvas. 1559
Titian (Tiziano Vecellio)
The Burial of Christ
Oil on canvas. 1559
Titian (Tiziano Vecellio)

Titian represented the Gospel account of the burial of Christ (Matthew 27: 57-61; Mark 15: 44-47; Luke 23: 50-54; John 19: 38-42) on several occasions. There is a notable difference between his first [+]

The Betrothal of the Virgin / Cristo Patiens
Oil on panel. 1470 - 1500
Master Of The Legend Of Saint Catherine
The Betrothal of the Virgin / Cristo Patiens
Oil on panel. 1470 - 1500
Master Of The Legend Of Saint Catherine

La pintura, presenta al obispo oficiante en el centro de la composición, entre San José y la Virgen, con las manos unidas y de cada lado, sus parientes y amigos. A la izquierda, en primer término, el [+]

The Emperor Charles V
Oil on canvas. 1605
Pantoja de la Cruz, Juan
The Emperor Charles V
Oil on canvas. 1605
Pantoja de la Cruz, Juan

A fire in El Pardo Palace on March 13, 1604, destroyed the portraits in the Hall of Kings. These portraits had been painted by the finest artists of the time, including Titian, Antonio Moro, Alonso S& [+]

Hercules and the Hydra
Oil on canvas. 1634
Zurbarán, Francisco de
Hercules and the Hydra
Oil on canvas. 1634
Zurbarán, Francisco de

The inhabitants of Lerna were terrorized by a multiheaded serpent that left a path of destruction behind. The creature was impossible to defeat because every time it lost one head, two grew in its pla [+]

Noli me Tangere
Oil on canvas. 1630 - 1635
Núñez del Valle, Pedro
Noli me Tangere
Oil on canvas. 1630 - 1635
Núñez del Valle, Pedro

As depicted here, the encounter between Mary Magdalene and the resurrected Christ follows a composition by Dürer. Characteristic of this painter, born in Madrid and trained in Rome, are the human [+]

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