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Hercules defeats King Geryon
Oil on canvas. 1634
Zurbarán, Francisco de
Hercules defeats King Geryon
Oil on canvas. 1634
Zurbarán, Francisco de

This painting depicts the moment after Hercules has killed King Geryon, identified by the crown on his head. The monarch had come to defend his herd of oxen and cows after the god Eurystheus had order [+]

Hercules and the Hydra
Oil on canvas. 1634
Zurbarán, Francisco de
Hercules and the Hydra
Oil on canvas. 1634
Zurbarán, Francisco de

The inhabitants of Lerna were terrorized by a multiheaded serpent that left a path of destruction behind. The creature was impossible to defeat because every time it lost one head, two grew in its pla [+]

The Beheading of Saint John the Baptist
Oil, Tempera on panel. 1490 - 1500
Master Of Miraflores
The Beheading of Saint John the Baptist
Oil, Tempera on panel. 1490 - 1500
Master Of Miraflores

The panel shows three different scenes: in the distance on the left Salome’s dance, and on the right Salome is giving Herodias the Baptist’s head. In the foreground the beheading has already taken pla [+]

The Baptism of Christ
Mixed method on panel. 1490 - 1500
Master Of Miraflores
The Baptism of Christ
Mixed method on panel. 1490 - 1500
Master Of Miraflores

Se denomina Maestro de Miraflores al autor de las seis tablas (P00705-P00710) dedicadas al Bautista que proceden de la cartuja burgalesa, en las que muestra volúmenes simplificados y figuras sumidas e [+]

The Visitation
Oil, Tempera on panel. 1490 - 1500
Master Of Miraflores
The Visitation
Oil, Tempera on panel. 1490 - 1500
Master Of Miraflores

The anonymous artist of the six panels (P-705–P710) dedicated to John the Baptist that come from the charterhouse in Burgos is known as the Maestro de Miraflores. The paintings are characterised by si [+]

Head of Christ
Oil on panel. 1500 - 1525
Bouts, Albrecht (Attributed To)
Head of Christ
Oil on panel. 1500 - 1525
Bouts, Albrecht (Attributed To)

The painting is based on an iconographic model created by the painter’s father, Dirk Bouts, but interpreted with greater intensity and realism due to the influence of Hugo van der Goes. The image was [+]

The Birth of Saint John the Baptist
Oil, Tempera on panel. 1490 - 1500
Master Of Miraflores
The Birth of Saint John the Baptist
Oil, Tempera on panel. 1490 - 1500
Master Of Miraflores

The painting shows a luxurious domestic interior. The window at the far end contains a stained glass scene of the Anunciation, an allusion to Christ’s incarnation. The Virgin Mary receives the baby Sa [+]

Noli me Tangere
Oil on canvas. 1630 - 1635
Núñez del Valle, Pedro
Noli me Tangere
Oil on canvas. 1630 - 1635
Núñez del Valle, Pedro

As depicted here, the encounter between Mary Magdalene and the resurrected Christ follows a composition by Dürer. Characteristic of this painter, born in Madrid and trained in Rome, are the human [+]

Christ before Pilate
Oil on panel. Ca. 1500
Osona, Rodrigo de; Osona, Francisco de
Christ before Pilate
Oil on panel. Ca. 1500
Osona, Rodrigo de; Osona, Francisco de

This and five other panels at the Prado Museum (P6898, P6899, P6900, P6901, P6902), are some of the finest examples of the collaboration between Rodrigo and Francisco de Osona. They were probably desi [+]

Bust of Christ
Tempera on panel. Ca. 1495
Antoniazzo Romano (Antonio Di Benedetto Aquili)
Bust of Christ
Tempera on panel. Ca. 1495
Antoniazzo Romano (Antonio Di Benedetto Aquili)

[+]

The Garden of Earthly Delights Triptych
Grisaille, Oil on oak panel. 1490 - 1500
Bosch, Hieronymus
The Garden of Earthly Delights Triptych
Grisaille, Oil on oak panel. 1490 - 1500
Bosch, Hieronymus

The Garden of Earthly Delights is Bosch’s most complex and enigmatic creation. For Falkenburg the overall theme of The Garden of Earthly Delights is the fate of humanity, as in The Haywain (P02052), a [+]

The Burial of Christ
Oil on canvas. 1572
Titian (Tiziano Vecellio)
The Burial of Christ
Oil on canvas. 1572
Titian (Tiziano Vecellio)

Titian represented the Gospel account of the burial of Christ (Matthew 27: 57-61; Mark 15: 44-47; Luke 23: 50-54; John 19: 38-42) on several occasions. There is a notable difference between his first [+]

Portrait of a Man
Oil on panel. 1521
Dürer, Albrecht
Portrait of a Man
Oil on panel. 1521
Dürer, Albrecht

This portrait is one of Dürer’s great creations. It offers a three-quarters view of an unidentified person who occupies most of the canvas. Dürer places him in front of a dark background tha [+]

The Saviour
Oil on panel. Late XV century
Anonymous (Workshop Of Bellini, Giovanni)
The Saviour
Oil on panel. Late XV century
Anonymous (Workshop Of Bellini, Giovanni)

A bust of Christ, dressed in purple and with the holy halo. He appears as the Savior of Humanity over a dark background. This is a replica of a work by the same name signed by Giovanni Bellini (“IOANN [+]

The Continence of Scipio
Oil on panel. 1496
Aspertini, Amico; Aspertini, Guido
The Continence of Scipio
Oil on panel. 1496
Aspertini, Amico; Aspertini, Guido

Esta pintura y El rapto de las Sabinas (P524) formaban parte de la decoración de dos cassoni encargados en mayo de 1496 en Bolonia por Lodovico da Sala al pintor Guido Aspertini con motivo de los espo [+]

The Worship of Venus
Oil on canvas. 1518 - 1519
Titian (Tiziano Vecellio)
The Worship of Venus
Oil on canvas. 1518 - 1519
Titian (Tiziano Vecellio)

Titian´s first contribution to the Camerino d´Alabastro was prompted by the death in October 1587 of Fra Bartolommeo from whom Alfonso d´Este had commissioned a Worship of Venus one year previously an [+]

The Annuncation
Oil on panel. Ca. 1565
Morales, Luis de
The Annuncation
Oil on panel. Ca. 1565
Morales, Luis de

In a single sequence, the painting shows the Archangel Gabriel’s greeting to Mary, his announce ment to her that she has been designated as the mother of the son of God, and her acceptance of the divi [+]

Philip II on Horseback
Oil on canvas. 1629 - 1640
Rubens, Peter Paul
Philip II on Horseback
Oil on canvas. 1629 - 1640
Rubens, Peter Paul

A posthumous portrait of Felipe II wearing full body armor, a cape and a hat and riding a horse. Victory crowns him with laurels. The background alludes to a battle, probably that of San Quentí [+]

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