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The Agony in the Garden
Oil on panel. XVI century
Anonymous (Copy After Correggio (Antonio Allegri))
The Agony in the Garden
Oil on panel. XVI century
Anonymous (Copy After Correggio (Antonio Allegri))

[+]

Saint John the Baptist
Oil on canvas. XVI century
Anonymous
Saint John the Baptist
Oil on canvas. XVI century
Anonymous

San Juan Bautista visto de frente, con barba y cabellos largos y ondulados. Está vestido con una túnica sin mangas en color verde sobre la que se superpone un manto de color rojo que parte del hombro [+]

The Annunciation
Oil on panel. XVI century
Anonymous
The Annunciation
Oil on panel. XVI century
Anonymous

[+]

Saint John the Evangelist
Oil on panel. XVI century
Anonymous
Saint John the Evangelist
Oil on panel. XVI century
Anonymous

[+]

The Holy Family with the Infant Saint John the Baptist
Oil on panel. XVI century
Anonymous (Copy After Raphael (Raffaello Sanzio))
The Holy Family with the Infant Saint John the Baptist
Oil on panel. XVI century
Anonymous (Copy After Raphael (Raffaello Sanzio))

[+]

Penitent Magdalene
Oil on canvas. XVI century
Anonymous (Copy After Titian (Tiziano Vecellio))
Penitent Magdalene
Oil on canvas. XVI century
Anonymous (Copy After Titian (Tiziano Vecellio))

[+]

The penitent Saint Jerome
Oil on panel. XVI century
Anonymous
The penitent Saint Jerome
Oil on panel. XVI century
Anonymous

[+]

The Virgin with the Child, Saint John and Angels
Oil on panel. XVI century
Anonymous (Copy After Sarto, Andrea del (Andrea D'agnolo))
The Virgin with the Child, Saint John and Angels
Oil on panel. XVI century
Anonymous (Copy After Sarto, Andrea del (Andrea D'agnolo))

[+]

The Conversion of Saint Paul
Oil on copperplate. XVI century
Anonymous
The Conversion of Saint Paul
Oil on copperplate. XVI century
Anonymous

En primer término, la figura del Santo, caído del caballo, ante el resplandor celestial, en el que aparece la figura de Cristo, situado en lo alto de la composición, con la cruz en la mano, rodeado de [+]

The Adoration of the Shepherds
Oil on canvas. XVI century
Anonymous
The Adoration of the Shepherds
Oil on canvas. XVI century
Anonymous

[+]

St. Martin of Tours dividing his cloak with the beggar
Pencil, Pencil ground, Grey-brown ink on paper. XVI century
Anonymous
St. Martin of Tours dividing his cloak with the beggar
Pencil, Pencil ground, Grey-brown ink on paper. XVI century
Anonymous

The prototype by Cambiaso copied here is a drawing in the Art Museum, Princeton University (inv. no. 49-74). Another School version, evidently superior to the Prado copy, was formerly in the Köni [+]

Venus and Cupid
Pencil, Grey-brown ink on paper. XVI century
Anonymous
Venus and Cupid
Pencil, Grey-brown ink on paper. XVI century
Anonymous

The drawing has been detached from the Album page and the old numbering lost. Cupid is here represented as older than on the other composition of the subject from the Album group. That he is indeed Cu [+]

Christ on the Cross
Red chalk on yellow paper. Early XVI century
Anonymous
Christ on the Cross
Red chalk on yellow paper. Early XVI century
Anonymous

The figure type and the finished style of drawing suggest the work of the Lombard painters Bernardino Luini (c. 1480/85-1532) or Andrea Solario (c. 1465-1524). A number of weaknesses in the handling, [+]

Venus and Cupid
Pencil, Grey-brown ink on paper. XVI century
Anonymous
Venus and Cupid
Pencil, Grey-brown ink on paper. XVI century
Anonymous

[+]

The Resurrection of Christ
Pencil, Grey-brown ink, Wash on paper. XVI century
Anonymous
The Resurrection of Christ
Pencil, Grey-brown ink, Wash on paper. XVI century
Anonymous

According to the Suidas, the drawing is similar in composition to the altarpiece in S. Bartolommeo degli Armeni, Genoa. This design was recycled in another altarpiece of the subject in S. Giovanni Bat [+]

Four putti flying
Pencil, Pencil ground, Grey-brown ink, Wash on paper. XVI century
Anonymous
Four putti flying
Pencil, Pencil ground, Grey-brown ink, Wash on paper. XVI century
Anonymous

Two other directly corresponding School versions of this drawing are know: one is in the Uffizi, Florence; the second, with the putto top left cut away, is in the Galleria Estense, Modena (inv. no. 66 [+]

Gaius Fabricius Luscinus Refusing Gifts from Pyrrhus
Pencil, Pencil ground, Grey-brown ink, White lead, Wash on paper. XVI century
Anonymous (Copy Polidoro Da Caravaggio)
Gaius Fabricius Luscinus Refusing Gifts from Pyrrhus
Pencil, Pencil ground, Grey-brown ink, White lead, Wash on paper. XVI century
Anonymous (Copy Polidoro Da Caravaggio)

This drawing is after the one of the scenes painted by Polidoro between the windows of second floor of the Palazzo Milesi, Rome. [+]

Nude youth, a cloak slung over his shoulder, wielding a club
Pencil, Grey-brown ink on yellow paper. XVI century
Anonymous (Circle Of Carracci, Ludovico)
Nude youth, a cloak slung over his shoulder, wielding a club
Pencil, Grey-brown ink on yellow paper. XVI century
Anonymous (Circle Of Carracci, Ludovico)

This is the companion to the drawing D01646. The execution of the hands and hair is especially characteristic of Ludovico Carracci´s style. [+]

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