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The Adoration of the Shepherds
Oil on canvas. XVI century
Anonymous
The Adoration of the Shepherds
Oil on canvas. XVI century
Anonymous

[+]

The Agony in the Garden
Oil on panel. XVI century
Anonymous (Copy After Correggio (Antonio Allegri))
The Agony in the Garden
Oil on panel. XVI century
Anonymous (Copy After Correggio (Antonio Allegri))

[+]

The penitent Saint Jerome
Oil on panel. XVI century
Anonymous
The penitent Saint Jerome
Oil on panel. XVI century
Anonymous

[+]

Saint John the Baptist
Oil on canvas. XVI century
Anonymous
Saint John the Baptist
Oil on canvas. XVI century
Anonymous

San Juan Bautista visto de frente, con barba y cabellos largos y ondulados. Está vestido con una túnica sin mangas en color verde sobre la que se superpone un manto de color rojo que parte del hombro [+]

Philip II
Oil on canvas mounted on panel. XVI century
Anonymous
Philip II
Oil on canvas mounted on panel. XVI century
Anonymous

[+]

The Annunciation
Oil on panel. XVI century
Anonymous
The Annunciation
Oil on panel. XVI century
Anonymous

[+]

Saint John the Evangelist
Oil on panel. XVI century
Anonymous
Saint John the Evangelist
Oil on panel. XVI century
Anonymous

[+]

The Holy Family with the Infant Saint John the Baptist
Oil on panel. XVI century
Anonymous (Copy After Raphael (Raffaello Sanzio))
The Holy Family with the Infant Saint John the Baptist
Oil on panel. XVI century
Anonymous (Copy After Raphael (Raffaello Sanzio))

[+]

Penitent Magdalene
Oil on canvas. XVI century
Anonymous (Copy After Titian (Tiziano Vecellio))
Penitent Magdalene
Oil on canvas. XVI century
Anonymous (Copy After Titian (Tiziano Vecellio))

[+]

The Magdalen
Oil on panel. XVI century
Anonymous
The Magdalen
Oil on panel. XVI century
Anonymous

[+]

The Virgin with the Child, Saint John and Angels
Oil on panel. XVI century
Anonymous (Copy After Sarto, Andrea del (Andrea D'agnolo))
The Virgin with the Child, Saint John and Angels
Oil on panel. XVI century
Anonymous (Copy After Sarto, Andrea del (Andrea D'agnolo))

[+]

The Conversion of Saint Paul
Oil on copperplate. XVI century
Anonymous
The Conversion of Saint Paul
Oil on copperplate. XVI century
Anonymous

En primer término, la figura del Santo, caído del caballo, ante el resplandor celestial, en el que aparece la figura de Cristo, situado en lo alto de la composición, con la cruz en la mano, rodeado de [+]

Christ on the Cross
Red chalk on yellow paper. Early XVI century
Anonymous
Christ on the Cross
Red chalk on yellow paper. Early XVI century
Anonymous

The figure type and the finished style of drawing suggest the work of the Lombard painters Bernardino Luini (c. 1480/85-1532) or Andrea Solario (c. 1465-1524). A number of weaknesses in the handling, [+]

Winged angels seated on clouds
Pencil, Pencil ground, Grey ink, Grey-brown ink, Wash on brown paper. XVI century
Anonymous (Circle Of India, Bernardino)
Winged angels seated on clouds
Pencil, Pencil ground, Grey ink, Grey-brown ink, Wash on brown paper. XVI century
Anonymous (Circle Of India, Bernardino)

The old attribution CORREGIO, in which both Brun (?) and Fernández Durán may have believed, is not correct. The drawing displays some stylistic traits associable with Bernardino India, t [+]

Allegorical Female from a Fresco in the Sala Constantino in the Vatican
Pencil, Pencil ground, Grey-brown ink, White lead, Wash on paper. XVI century
Anonymous (Copy Romano, Giulio (Giovanni Francesco Penni))
Allegorical Female from a Fresco in the Sala Constantino in the Vatican
Pencil, Pencil ground, Grey-brown ink, White lead, Wash on paper. XVI century
Anonymous (Copy Romano, Giulio (Giovanni Francesco Penni))

Allegorical Female from a Fresco in the Sala Constantino in the Vatican. [+]

Moses about to Break the Tablets of the Law
Pencil, Grey-brown ink, Wash on brown paper. XVI century
Anonymous (Copy After Parmigianino. Girolamo Francesco Maria Mazzola)
Moses about to Break the Tablets of the Law
Pencil, Grey-brown ink, Wash on brown paper. XVI century
Anonymous (Copy After Parmigianino. Girolamo Francesco Maria Mazzola)

This is a sixteenth-century copy after Parmigianino’s fresco of Moses in the Steccata at Parma [+]

Man about to strike a seated soldier
Pencil, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous
Man about to strike a seated soldier
Pencil, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous

Insofar as it is possible to judge from its fragmentary condition (more than half the drawing is made up; the original piece of paper on which the study is made occupies the upper section only of the [+]

God the Father Appearing to Moses
Black chalk, Pencil, Grey-brown ink, White chalk on dark yellow paper. XVI century
Anonymous (Copy Tintoretto, Jacopo Robusti)
God the Father Appearing to Moses
Black chalk, Pencil, Grey-brown ink, White chalk on dark yellow paper. XVI century
Anonymous (Copy Tintoretto, Jacopo Robusti)

This is a copy after one of the upright oval panels in the ceiling of the Sala Superiore of the Scuola Grande di S. Rocco, Venice. [+]

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