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The Apostle Saint James
Oil on panel. Ca. 1507
Flandes, Juan de
The Apostle Saint James
Oil on panel. Ca. 1507
Flandes, Juan de

Saint James the Elder is depicted as a pilgrim, with his customary crozier or staff, although here it lacks the customary calabash for water. He wears a cape and a hat with the scallop shell that symb [+]

The Adoration of the Magi
Oil on panel. 1565 - 1570
Morales, Luis de
The Adoration of the Magi
Oil on panel. 1565 - 1570
Morales, Luis de

It is extremely likely that these two panels, -The Adoration of the Magi and The Adoration of the Shepherds-, similar in format, measurements and style, belonged to the predella of the same altarpiece [+]

The Assumption and Coronation of the Virgin
Oil on panel. Ca. 1497
Cruz, Diego de la (And Workshop)
The Assumption and Coronation of the Virgin
Oil on panel. Ca. 1497
Cruz, Diego de la (And Workshop)

Reproduce un tipo iconográfico similar a la tabla del tríptico Heinemann del Maestro de Budapest. Como en ella, se funden la subida de la Virgen al cielo y su coronación por dos ángeles en presencia d [+]

The Adoration of the Shepherds
Oil on panel. 1565 - 1570
Morales, Luis de
The Adoration of the Shepherds
Oil on panel. 1565 - 1570
Morales, Luis de

It is extremely likely that these two panels, -The Adoration of the Shepherds and The Adoration of the Magi-, similar in format, measurements and style, belonged to the predella of the same altarpiece [+]

Christ before Pilate
Oil on panel. Ca. 1500
Osona, Rodrigo de; Osona, Francisco de
Christ before Pilate
Oil on panel. Ca. 1500
Osona, Rodrigo de; Osona, Francisco de

This and five other panels at the Prado Museum (P6898, P6899, P6900, P6901, P6902), are some of the finest examples of the collaboration between Rodrigo and Francisco de Osona. They were probably desi [+]

The Vision of the Blessed Sebastián Aparicio
Oil on canvas. Ca. 1789
Maella, Mariano Salvador
The Vision of the Blessed Sebastián Aparicio
Oil on canvas. Ca. 1789
Maella, Mariano Salvador

Sebastián Aparicio (1502-1600) was born in La Gudiña (Orense) and first worked as an agricultural labourer. In 1533 he went to Mexico where he became a landowner then entered the Francis [+]

The Allocution of Marquis del Vasto to his Troops
Oil on canvas. 1540 - 1541
Titian (Tiziano Vecellio)
The Allocution of Marquis del Vasto to his Troops
Oil on canvas. 1540 - 1541
Titian (Tiziano Vecellio)

Alfonso d´Avalos, first Marchese del Vasto, was born in Ischia on 25 May 1502 to a noble Neapolitan family of Castilian origins. He fought in Pavia (1525) under the orders of his uncle Fernando d´Aval [+]

Triptych with Scenes from the Life of Christ
Grisaille, Oil on oak panel. Ca. 1440
Master Of The Collins Hours
Triptych with Scenes from the Life of Christ
Grisaille, Oil on oak panel. Ca. 1440
Master Of The Collins Hours

The Triptych in the Museo del Prado labeled as Scenes from the Life of Christ is a pivotal work in the story of Valencian painting in the fifteenth century and in the transmission of the style and tec [+]

The Virgin of the Catholic Monarchs
Mixed method on panel. Ca. 1497
Fray Pedro de Salamanca
The Virgin of the Catholic Monarchs
Mixed method on panel. Ca. 1497
Fray Pedro de Salamanca

The Virgin Mary, with the Christ Child on her lap, is worshiped by the Catholic Kings, Isabel (1451-1504) and Fernando (1452-1516), two of their children, and others. On the right of the composition, [+]

The Presentation in the Temple
Pencil ground, Grey ink, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous
The Presentation in the Temple
Pencil ground, Grey ink, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous

The drawing was formerly placed in the collection under the name of Sandro Botticelli (1444/5-1510), following the traditional identification. The style is however surely Marchigian, not Florentine, a [+]

Fable of Cupid and Psyche (Silver tray)
Silver. Ca. 1629
Somers I, Wierick
Fable of Cupid and Psyche (Silver tray)
Silver. Ca. 1629
Somers I, Wierick

This egg-shaped tray has scrolls and animal heads at the axes. It depicts various episodes of the myth of Psyche and Cupid, as told by Apuleius in The Golden Ass. These scenes occupy the outer part of [+]

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