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Triptych of the Redemption: The Crucifixion
Oil on panel. Ca. 1450
Master Of The Prado Redemption
Triptych of the Redemption: The Crucifixion
Oil on panel. Ca. 1450
Master Of The Prado Redemption

This triptych is the principal creation and the work that has given the name to an anonymous follower of Rogier van der Weyden, previously identified as Vrancke van der Stockt. The triptych belonged t [+]

The Holy Family with a Musician Angel, Saints Catherine and Barbara
Oil on panel. 1510 - 1520
Master Of Frankfurt (Workshop Of)
The Holy Family with a Musician Angel, Saints Catherine and Barbara
Oil on panel. 1510 - 1520
Master Of Frankfurt (Workshop Of)

Con la adquisición en 2008 de la tabla Sagrada Familia con ángel músico (P08009), el Museo del Prado completa el tríptico del Maestro de Francfort, que perteneció al convento dominico de Santa Cruz de [+]

The Virgin and Child between Saints Anthony of Padua and Roch
Oil on canvas. Ca. 1508
Titian (Tiziano Vecellio)
The Virgin and Child between Saints Anthony of Padua and Roch
Oil on canvas. Ca. 1508
Titian (Tiziano Vecellio)

This work was first recorded in 1641 as a work by Titian belonging to the Duke of Medina de las Torres in Naples. It was, however, attributed to Giorgione for centuries until Wilhelm Schmidt again att [+]

Gonzalo Fernández de Córdoba at the Battle of Cerignola
Oil on canvas. 1835
Madrazo y Kuntz, Federico de
Gonzalo Fernández de Córdoba at the Battle of Cerignola
Oil on canvas. 1835
Madrazo y Kuntz, Federico de

Este lienzo es una de las obras fundamentales de la pintura del Romanticismo español, así como el primer cuadro importante de este género realizado por Federico de Madrazo a lo largo de su fecundísima [+]

Isaiah
Oil on panel. Ca. 1525
Master Of Becerril
Isaiah
Oil on panel. Ca. 1525
Master Of Becerril

This painter is one of the most outstanding and singular representatives of the early Renaissance in Palencia. While there are no extant documents to prove it, this work must somehow be connected with [+]

The Holy Family with a Musician Angel, Saints Catherine and Barbara
Oil on panel. 1510 - 1520
Master Of Frankfurt (Workshop Of)
The Holy Family with a Musician Angel, Saints Catherine and Barbara
Oil on panel. 1510 - 1520
Master Of Frankfurt (Workshop Of)

This triptych makes use of a traditional compositional scheme and iconography, with the principal scene in the central panel. However, the volumetric treatment of the figures reflects new Italian infl [+]

John Frederick I of Saxony
Oil on canvas. 1548
Titian (Tiziano Vecellio)
John Frederick I of Saxony
Oil on canvas. 1548
Titian (Tiziano Vecellio)

John Frederick I of Saxony (Torgau, 30 June 1503–Jena, 3 March 1554), Duke of Saxony-Wittenberg from 1532, was the principal defender of Luther, a fact that brought him into conflict with Charles V. I [+]

Marsilio Cassotti and his Wife Faustina
Oil on canvas. 1523
Lotto, Lorenzo
Marsilio Cassotti and his Wife Faustina
Oil on canvas. 1523
Lotto, Lorenzo

Having trained in Venice, probably with Giovanni Bellini, Lorenzo Lotto worked in Treviso (1503-1506), Recanati (1506- 1508) and Rome (c. 1508-1510) before settling in Bergamo.There, between 1513 and [+]

The Mona Lisa
Oil on walnut panel. 1503 - 1519
Leonardo Da Vinci (Workshop Of)
The Mona Lisa
Oil on walnut panel. 1503 - 1519
Leonardo Da Vinci (Workshop Of)

This version of the Mona Lisa (Louvre) was painted by one of Leonardo’s pupils, probably Salaí (1480-1524) or Francesco Melzi (1493-1572/3). The fact that each pentimento, or change, in Leonard [+]

The Holy Family with a Musician Angel, Saints Catherine and Barbara
Oil on panel. 1510 - 1520
Master Of Frankfurt (Workshop Of)
The Holy Family with a Musician Angel, Saints Catherine and Barbara
Oil on panel. 1510 - 1520
Master Of Frankfurt (Workshop Of)

This triptych makes use of a traditional compositional scheme and iconography, with the principal scene in the central panel. However, the volumetric treatment of the figures reflects new Italian infl [+]

Empress Isabella of Portugal
Oil on canvas. 1548
Titian (Tiziano Vecellio)
Empress Isabella of Portugal
Oil on canvas. 1548
Titian (Tiziano Vecellio)

The portraits that Titian painted of Isabella (1503-1539), daughter of King Manuel of Portugal and wife of Charles V from 1526, constitute one of the most moving episodes within Renaissance art. When [+]

Emperor Charles V at Mühlberg
Oil on canvas. 1548
Titian (Tiziano Vecellio)
Emperor Charles V at Mühlberg
Oil on canvas. 1548
Titian (Tiziano Vecellio)

This portrait commemorates Charles V’s victory over the Schmalkaldic League at Mühlberg on 24 April 1547. The Emperor is equipped in the manner of the light cavalry with a half pike and wheel-loc [+]

The Muse Clío
Pencil on paper. Mid-XVIIIcentury
Ajello, Eutichio
The Muse Clío
Pencil on paper. Mid-XVIIIcentury
Ajello, Eutichio

This drawing belongs to the Ajello Sketchbook, a group of fifty-nine unbound pencil drawings that were models for engraving to illustrate a descriptive calendar of sculptures that Philip V and his wif [+]

Euterpe
Pencil on paper. Mid-XVIIIcentury
Ajello, Eutichio
Euterpe
Pencil on paper. Mid-XVIIIcentury
Ajello, Eutichio

This drawing belongs to the Ajello Sketchbook, a group of fifty-nine unbound pencil drawings that were models for engraving to illustrate a descriptive calendar of sculptures that Philip V and his wif [+]

Judith with her Maidservant Carrying the Head of Holofernes in a Basket / Another Study for the Maidservant
Black chalk, Red chalk on yellow paper. Ca. 1525
Polidoro Da Caravaggio
Judith with her Maidservant Carrying the Head of Holofernes in a Basket / Another Study for the Maidservant
Black chalk, Red chalk on yellow paper. Ca. 1525
Polidoro Da Caravaggio

According to an inscription on the reverse of the old inlay, the former attribution was to Parmigianino. John A. Gere was the first to propose Polidoro´s authorship, in 1981, in a note on the modern m [+]

Nude youth, a cloak slung over his shoulder, wielding a club
Pencil, Grey-brown ink on yellow paper. XVI century
Anonymous (Circle Of Carracci, Ludovico)
Nude youth, a cloak slung over his shoulder, wielding a club
Pencil, Grey-brown ink on yellow paper. XVI century
Anonymous (Circle Of Carracci, Ludovico)

This is the companion to the drawing D01646. The execution of the hands and hair is especially characteristic of Ludovico Carracci´s style. [+]

Two allegorical figures, one holding a child in her arms
Pencil, Pencil ground, Grey wash, Grey-brown ink on yellow paper. Mid-XVIcentury
Anonymous
Two allegorical figures, one holding a child in her arms
Pencil, Pencil ground, Grey wash, Grey-brown ink on yellow paper. Mid-XVIcentury
Anonymous

The former attribution to Parmigianino (1503-1540) is untenable. The style suggest knowledge of the work of both Pellegrino Tibaldi (1527-1596) and Samacchini (1532-1577). [+]

Bearded Man Wearing a Long Cloak
Pencil, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous
Bearded Man Wearing a Long Cloak
Pencil, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous

There are old attributions on the reverse of the mount to Parmigianino (1503-1540) and Nicolò dell´Abate (1509/12-1571). However, the elongated figure and the flowing pen work point in the dire [+]

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