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Portrait of a Woman
Oil on panel. Ca. 1514
Sarto, Andrea del (Andrea D'agnolo)
Portrait of a Woman
Oil on panel. Ca. 1514
Sarto, Andrea del (Andrea D'agnolo)

This half-length portrait of an anonymous woman is traditionally though to be of the painter´s wife, Lucrecia del Fede, who he married in 1518. While there are no conclusive arguments in that re [+]

Saint Jerome
Oil on oak panel. 1530 - 1540
Massys, Jan (Workshop Of)
Saint Jerome
Oil on oak panel. 1530 - 1540
Massys, Jan (Workshop Of)

The workshop of Jan Massys (c. 1509-1575) in Amberes produced a number of copies of this image based on a protoype by Quinten Massys, Jan’s father. Notable is the saint’s powerful look, which bestows [+]

Saint Jerome in Penitence
Oil on canvas. 1546
Lotto, Lorenzo
Saint Jerome in Penitence
Oil on canvas. 1546
Lotto, Lorenzo

Lorenzo Lotto`s various depictions of the penitent Saint Jerome span early versions influenced by Albrecht Dürer and Giovanni Bellini (Musée du Louvre, Paris, 1506) and by young Raphael (M [+]

The Virgin and Child
Oil on panel. 1527 - 1530
Gossaert, Jan (Jean Gossart, Also Called Mabuse)
The Virgin and Child
Oil on panel. 1527 - 1530
Gossaert, Jan (Jean Gossart, Also Called Mabuse)

Mary sits in front of a Renaissance shrine. The figures look like sculptures, as was customary in Gossaert from 1508-1509 on. They reflect his study of ancient sculptures and the drawings he made duri [+]

Francesco Donato, Doge of Venice
Oil on panel. XVII century
Teniers The Younger, David
Francesco Donato, Doge of Venice
Oil on panel. XVII century
Teniers The Younger, David

Francesco Donato, embajador de España (1504), Inglaterra (1509) y Florencia (1512), mantuvo la neutralidad de Venecia en la guerra de Carlos V y Francisco I y contribuyó en el tratado de paz con Solim [+]

The Crucifixion
Oil on panel. 1509 - 1519
Flandes, Juan de
The Crucifixion
Oil on panel. 1509 - 1519
Flandes, Juan de

Documents at Palencia Cathedral cast light on this Crucifixion’s original location -the central row of the main altarpiece at that cathedral- and its author: Juan de Flandes (doc. 1496-1519). They als [+]

The Descent from the Cross
Oil on panel. Ca. 1545
Correa de Vivar, Juan
The Descent from the Cross
Oil on panel. Ca. 1545
Correa de Vivar, Juan

This New Testament scene depicts the Descent from the Cross of Christ´s body (Matthew 28, 57-61; Mark 15, 42-47; Luke 23, 50-55; John 19, 38-42). Joseph of Arimathea, Nicodemus and Saint John the Evan [+]

The Cardinal
Oil on panel. 1510 - 1511
Raphael (Raffaello Sanzio)
The Cardinal
Oil on panel. 1510 - 1511
Raphael (Raffaello Sanzio)

Since the moment when it was decided that the present work is by Raphael but that the sitter is not Antonio Granvela, art historians have expended considerable efforts on identifying the sitter.The mo [+]

Isaiah
Oil on panel. Ca. 1525
Master Of Becerril
Isaiah
Oil on panel. Ca. 1525
Master Of Becerril

This painter is one of the most outstanding and singular representatives of the early Renaissance in Palencia. While there are no extant documents to prove it, this work must somehow be connected with [+]

The Resurrection of Christ
Tempera on pine panel. Second third of the XVI century
Correa de Vivar, Juan
The Resurrection of Christ
Tempera on pine panel. Second third of the XVI century
Correa de Vivar, Juan

Christ returned to life, triumphant alongside the sarcophagus that held his body for three days after his death on Golgotha, was a frequent subject in Correa´s work. The retable for the convent of the [+]

The Birth of the Virgin
Oil on panel. 1562 - 1567
Morales, Luis de
The Birth of the Virgin
Oil on panel. 1562 - 1567
Morales, Luis de

The Birth of the Virgin at the Museo del Prado, the only painting on this subject by the hand of Luis de Morales and a work that remained unpublished until 2003, and the two pieces at the Museum Schlo [+]

The Last Judgment
Oil on panel. Ca. 1545
Correa de Vivar, Juan
The Last Judgment
Oil on panel. Ca. 1545
Correa de Vivar, Juan

Christ appears above a rainbow with his feet resting on the globe of the Earth and his arms raised. He is flanked by Mary and Saint John the Baptist, and besides them, the twelve apostles. Two trumpet [+]

The Death of Saint Bernard
Oil on panel. Ca. 1545
Correa de Vivar, Juan
The Death of Saint Bernard
Oil on panel. Ca. 1545
Correa de Vivar, Juan

On his deathbed, Saint Bernard is visited by the Virgin Mary, who places her right hand on his chest. She is accompanied by Saint Laurence and Saint Benedict. Two Bernadine Monks witness the scene fro [+]

Noli me Tangere
Oil on canvas. 1630 - 1635
Núñez del Valle, Pedro
Noli me Tangere
Oil on canvas. 1630 - 1635
Núñez del Valle, Pedro

As depicted here, the encounter between Mary Magdalene and the resurrected Christ follows a composition by Dürer. Characteristic of this painter, born in Madrid and trained in Rome, are the human [+]

Saint Anthony Abbot in Meditation
Oil on panel. Ca. 1510
Lodi, Giovanni Agostino Da
Saint Anthony Abbot in Meditation
Oil on panel. Ca. 1510
Lodi, Giovanni Agostino Da

Saint Anthony (Ca. 251-356) is reading a book, probably the rules of the Order of Saint Anthony, which rests on a boulder. This rock also holds a bell, which hermits used to drive away demons and temp [+]

Emperor Charles V at Mühlberg
Oil on canvas. 1548
Titian (Tiziano Vecellio)
Emperor Charles V at Mühlberg
Oil on canvas. 1548
Titian (Tiziano Vecellio)

This portrait commemorates Charles V’s victory over the Schmalkaldic League at Mühlberg on 24 April 1547. The Emperor is equipped in the manner of the light cavalry with a half pike and wheel-loc [+]

The Resurrection of Christ
Oil on panel. Ca. 1566
Morales, Luis de
The Resurrection of Christ
Oil on panel. Ca. 1566
Morales, Luis de

The dimensions, format, theme, support and pictorial style of these three works -The Crucifixion (P8211), Lamentation over the Dead Christ (Museo de Salamanca, CE 106) and The Resurrection (P8212)- al [+]

Christ the Saviour
Oil on oak panel. 1529
Massys, Quinten
Christ the Saviour
Oil on oak panel. 1529
Massys, Quinten

Quentin Massys was one of the leading Flemish painters of the late fifteenth and early sixteenth century and developed his professional career in Antwerp. The origin of this painting is unknown. It ha [+]

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