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Expulsion of the Merchants from the Temple
Oil on canvas. Ca. 1568
Bassano, Jacopo (Jacopo Dal Ponte)
Expulsion of the Merchants from the Temple
Oil on canvas. Ca. 1568
Bassano, Jacopo (Jacopo Dal Ponte)

Although for this first version Jacopo borrowed elements from early works such as the young man peeking his head round the column, which appears in the 1536 La fornace ardente (Bassano del Grappa, Mus [+]

Mariano San Juan y Pinedo, Future Count Consort of La Cimera
Oil on canvas. Ca. 1813
Esteve, Agustín
Mariano San Juan y Pinedo, Future Count Consort of La Cimera
Oil on canvas. Ca. 1813
Esteve, Agustín

Born in 1803, the boy wears the cadet’s uniform of the naval college. The whiteness of the suit and the painstaking detail of the embroidery on the jacket and cap afford the portrait its characteristi [+]

Last Supper
Oil on canvas. Ca. 1586
Bassano, Francesco
Last Supper
Oil on canvas. Ca. 1586
Bassano, Francesco

Although Bettini noted a number of paternal precedents for this painting, it is a personal interpretation by Francesco of the gospel passage. Three versions are known, of which the Prado painting is t [+]

Pelagius of Asturias
Oil on canvas. 1853 - 1856
Madrazo y Kuntz, Luis de
Pelagius of Asturias
Oil on canvas. 1853 - 1856
Madrazo y Kuntz, Luis de

The Chronological Series of the Kings of Spain was a museum project planned in 1847 by José de Madrazo to adorn four of the new rooms at the Real Museo de Pinturas (Royal Museum of Paintings), [+]

The Fall of the Giants
Oil on canvas. 1636 - 1638
Jordaens, Jacques
The Fall of the Giants
Oil on canvas. 1636 - 1638
Jordaens, Jacques

La caída de los gigantes es un episodio brevemente narrado por Ovidio en sus Metamorfosis, Libro I (151-155), en la cual los gigantes que habitaban la tierra querían llegar al cielo y por ello fueron [+]

1st Marquis of La Ensenada
Oil on canvas. Ca. 1750
Amigoni, Jacopo
1st Marquis of La Ensenada
Oil on canvas. Ca. 1750
Amigoni, Jacopo

Born in 1702, Zenón de Somodevilla y Bengoechea obtained a marquisate in 1736 following the conquest of the Kingdom of the Two Sicilies for the Infante don Carlos. Quartermaster General of the [+]

Manuel Flores Calderón
Oil on canvas. Ca. 1842
Esquivel, Antonio María
Manuel Flores Calderón
Oil on canvas. Ca. 1842
Esquivel, Antonio María

The portrait of Manuel Flores Calderón is part of an anthology of Spanish Romantic child portraits. Manuel is portrayed in front of a seascape, with two ships on the horizon. He rests his right [+]

Rafaela Flores Calderón
Oil on canvas. Ca. 1842
Esquivel, Antonio María
Rafaela Flores Calderón
Oil on canvas. Ca. 1842
Esquivel, Antonio María

The portrait of Rafaela Flores Calderón is part of an anthology of Spanish Romantic child portraits. Rafaela leans on a large empty cage while a gray parrot perches on her left hand. In the bac [+]

Visio Tondali
Oil on panel. XV century
Bosch, Hieronymus (Copy)
Visio Tondali
Oil on panel. XV century
Bosch, Hieronymus (Copy)

Visio Tondalii fue el título de un poema anónimo del siglo XII de contenido moralizante, impreso en Amberes en 1482, que es considerado como una de las fuentes literarias de la obra de El Bosco. [+]

The Goddess Flora
Oil on canvas. Ca. 1697
Giordano, Luca; Belvedere, Andrea
The Goddess Flora
Oil on canvas. Ca. 1697
Giordano, Luca; Belvedere, Andrea

The goddess Flora is seated on steps or a kind of dais, holding a cornucopia of flowers and distributing blossoms among the women gathered before her. This is a collaborative work between two Neapolit [+]

Italian Notebook
Black chalk, Pencil, Red chalk, Bistre, Grey-brown ink, Iron gall ink on laid paper. 1771 - 1788
Goya y Lucientes, Francisco de
Italian Notebook
Black chalk, Pencil, Red chalk, Bistre, Grey-brown ink, Iron gall ink on laid paper. 1771 - 1788
Goya y Lucientes, Francisco de

Goya bought this sketchbook during his two-year sojourn in Italy, between 1769 and 1771. A taccuino or aide-mémoire, it includes the earliest drawings made at the time, among them copies of pai [+]

The Old Women are filled with laughter because they know he hasn’t a penny
Brush, Pencil, Indian ink wash, Iron gall ink on laid paper. 1796 - 1797
Goya y Lucientes, Francisco de
The Old Women are filled with laughter because they know he hasn’t a penny
Brush, Pencil, Indian ink wash, Iron gall ink on laid paper. 1796 - 1797
Goya y Lucientes, Francisco de

This preparatory drawing for the etching Capricho 5, Two of a Kind (G02093) is part of The Dreams, a series of twenty-six pen-and-ink drawings that serve as the basis for the Caprichos in the first st [+]

Saint Gregory
Red chalk, White chalk on grey paper. Second half of the XVII century
Anonymous
Saint Gregory
Red chalk, White chalk on grey paper. Second half of the XVII century
Anonymous

San Gregorio se representa sentado, casi de perfil a la derecha, con un libro en las rodillas y la mano derecha arguyendo.De la segunda mitad del siglo XVII. (Texto extractado de Pérez Sánchez, A. E., [+]

Wind. If anyone is to blame in this scene, it is the suit
Pencil, Iron gall ink on laid paper. 1796 - 1797
Goya y Lucientes, Francisco de
Wind. If anyone is to blame in this scene, it is the suit
Pencil, Iron gall ink on laid paper. 1796 - 1797
Goya y Lucientes, Francisco de

This preparatory drawing for the etching Capricho 36, Bad Night (G02124) is part of The Dreams, a series of twenty-six pen-and-ink drawings that serve as the basis for the Caprichos. This type of com [+]

She is ashamed that her Mother speaks to her in public, and she says, God forgive you
Pencil, Bistre, Iron gall ink, Wash on laid paper. 1796 - 1797
Goya y Lucientes, Francisco de
She is ashamed that her Mother speaks to her in public, and she says, God forgive you
Pencil, Bistre, Iron gall ink, Wash on laid paper. 1796 - 1797
Goya y Lucientes, Francisco de

This preparatory drawing for the etching of Capricho 16. For Heaven’s sake: And it was his Mother (G02104) is part of the Dreams series, which consists of twenty-six pen drawings that form the basis o [+]

The Illness of Reason
Black chalk, Pencil, Iron gall ink on laid paper. 1796 - 1797
Goya y Lucientes, Francisco de
The Illness of Reason
Black chalk, Pencil, Iron gall ink on laid paper. 1796 - 1797
Goya y Lucientes, Francisco de

A preparatory drawing for the etching, Capricho 50. The Chinchillas (G02138). The group of twenty-six pen drawings that constitute the basis for The Caprichos in its initial phase, make up the Dreams [+]

The Adoration of the Magi
Oil on paper. First quarter of the XVII century
Saraceni, Carlo (Attributed To)
The Adoration of the Magi
Oil on paper. First quarter of the XVII century
Saraceni, Carlo (Attributed To)

El dibujo del Prado, que se puede considerar como un verdadero boceto sobre papel, se acerca al estilo pictórico de Carlo Saraceni. No es posible una comparación con los apuntes a pluma y aguada del a [+]

Saint Barbara
Black chalk, White lead on dark yellow paper. Early XVII century
Scarsella, Ippolito
Saint Barbara
Black chalk, White lead on dark yellow paper. Early XVII century
Scarsella, Ippolito

El dibujo representa a la Santa en pie sobre nubes, apoya su mano derecha sobre la torre y la izquierda en el pecho. De gran cromatismo, es característico de Scarsella tanto en la técnica como en el m [+]

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